More words of wisdom: Douglas Maxwell on the writing process
Roughly two years ago I posted here about my first ever encounter with the incredible Scottish playwright Douglas Maxwell. He gave a great masterclass on theatre writing — and just on writing in general — for the Scottish Universities International Summerschool, and I was blown away. Since then, I’ve got to know Douglas’ work much better — most recently, I’ve bought his new book, Plays for Young People (psst, it’s awesome), and this Festival I went to see his Dream Play at the Traverse (it was called A Respectable Widow Takes To Vulgarity. Needless to say, it was excellent). But best of all, he was back at SUISS again this year with more words of wisdom for our young writers. Here are just a few I wanted to share with you…
“[Writing] isn’t craft. This is art. There is no rule you must always follow, no matter what all those books say… and you will learn more from just doing your own work than from anything beardy fools like myself say.”
“The temptation for a writer to give up is probably the most constant temptation you’ll face — and you’ll never really break through to a time when everything you write is classic. But you must not give up.”
“You’re writing for a small audience of people like you, not Lord and Lady Such-and-Such. It all works better when you think of the audience as us. Not them — not, I’m going to shock them, or, I’m going to educate them. That’s not the way to go.”
“It’s subterranean autobiography. We’re writing about us. You can write about a world event, but what does it mean to you? Start with real life, and then drop a storybomb in there.”
“There’s nothing wrong with writing as a hobby, but if you really want to really do it you have to finish. You have to write ‘The End’, and send it out there. Otherwise it doesn’t count.”
“Who wants to read a writer who’s got a thick skin? Who says, ‘I love his writing — he’s completely oblivious to the thoughts and feelings of others’? Writers have to have thin skins, they have to be sensitive people.”
“Emotional writing is where it’s at. But when it goes badly, the blood gets everywhere.”
“You’ve got to remove guesswork — either by writing about your own life, or through research. But never guess.”
“It’s hard, because how do you find a voice? It’s a bad phrase, it’s the wrong way around. You’re not trying to find your voice, you’re trying to find a song to sing that suits your voice.”
“If you’re doing it for the money, don’t do it. It’ll kill you… you write it first and then you try to find a home for it. That’s how it really works.”
You can read more of Douglas’ tips for writers in his Playwright’s Guide To Being A Playwright.
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