Posts Tagged ‘books’

You should read this: “Be The First To Like This: New Scottish Poetry”

Tuesday, October 21st, 2014

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Forgive the dullness of my photographs, everyone. I am having a totally jam-packed week — working six and a half days — so the only time I could find to take pictures of this rather excellent book was about 7.45am. The sun was only just starting to come up so the light was crap, but I’d just got back from a wee holiday and was so excited to find this book waiting for me, I just had to share it asap!

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^ Look! Robert Crawford has heard of me!

I was present at the StAnza Poetry Breakfast in 2009, when Stuart Kelly announced that the reason Scottish poets weren’t winning Eric Gregory Awards anymore was because Scotland didn’t have any poets under thirty who were talented enough. I was 23 at the time and halfway through my MSc in Creative Writing (Poetry) at the University of Edinburgh. I was also utterly baffled by his statement. At the time, I was surrounded by talented Scottish poets under thirty — and I was aware that my knowledge of the Scottish poetry scene wasn’t even that in-depth. Back then, I’d never heard of the Eric Gregory Award, but I got the gist that it was apparently the only yardstick worth using to measure a young poet’s potential. (A yardstick invented by the literary establishment south of the border, natch… though of course I drank the Kool-Aid anyway and subsequently entered it.)

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^ Look mum, I’m famous!

Since then, Niall Campbell has of course broken the no-Scottish-poets-winning-the-Gregory streak, bagging one in 2011. (That guy sure does know how to write a ‘yardstick approved’ poem — in their Edwin Morgan Award judges’ report, Jen Hadfield and Stewart Conn called him “a safe pair of hands.” Thank goodness one of us Scots knows how to do this stuff!) But I still contend that Stuart Kelly was wrong in 2009. He mistook “young Scottish poets aren’t being noticed by the London-based literary establishment” for “young Scottish poets aren’t that good.” If only that were the reason, Stuart — if only.

In fact, young Scottish poets are great — and there are loads of us. We may not be doing the sort of work that wins Coveted Prizes from Established Institutions, but if anything, that makes us all the more exciting. Be The First To Like This, edited by Colin Waters and published by Vagabond Voices, is a hugely varied, deliciously riotous gathering-together of Scotland’s fearsome gaggle of new and upcoming voices. I’m utterly delighted and genuinely humbled to be part of this colourful crowd — and guess what? All the poets I’m joined by in this volume are SUPER FUCKING TALENTED.
(Pardon the swearing. It had to be done.)

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^ Thanks to my talented baby sister for taking my classy author photo!

Some of my all-time faves are here. People whose writing careers I’ve been keeping an eye on for years, watching their stars slowly rise: Colin McGuire, Ryan Van Winkle, Marion McCready, Theresa Munoz. Some of the people here are not only talented poets but also, like me, gobby fighters for the rights of minority poets: I’ll admit, I’m thinking especially of the excellent Jenny Lindsay. Some folk I only discovered more recently, but I’m loving the fact that BTFTLT gives me chance to see more of their work: Nuala Watt, Sam Tongue, Billy Letford. And there are also names here that I didn’t know at all — I’m excited to make brand new discoveries!

Be The First To Like This proves for me, beyond a shadow of a doubt, that Scotland is in fact a land rich in talented young poets. As the product description itself says, throw a stone in Edinburgh or Glasgow and you will hit one. Believe me? Buy the book. Don’t believe me? Still buy the book: you clearly need to be educated.

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #133

Friday, October 10th, 2014

Subtle graffiti

For the average book, you figure $7 will go to overhead, and that leaves the last $1.50 as profit. For the average book, the expected contribution to overhead could be $50,000 to $150,000. That’s why most editors have a minimum number of copies they have to aim for with any book. (At some imprints, that’s 10,000 copies. At others, it’s 25,000 or even 50,000.) Random House can’t sign up a thousand $3,500-advance novels because each of those books has to carry the weight of all that overhead.

An excellent answer to the question, “why did Random House pay $3.5m for Lena Dunham’s stupid memoir instead of paying 1,000 novelists £3,500 each?”

Cool signs outside independent bookstores.

Struggling to find time to read? Read this.

Chris Abani once said in a workshop that readers will always wonder if your characters are you–even if your main character is a Chihuahua. There’s not much to do about this wondering except write the characters you want to write with complexity and empathy.

Your characters are all you. Here’s how to make it less obvious.

Reading makes you happier: fact.

What’s the difference between riches, wealth and success? Might be interesting to penniless writers!

Part of the reason it took Fitzgerald so long to finish Tender is the Night was Zelda’s worsening condition. But you’d think that his haphazard, alcohol-fueled creative process wasn’t doing him any favors, either.
Yet recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.

Good news, writers! Writing in the pub is a good idea!

I really like Kanye West (or aspects of him… please read this before coming to kill me), so I really liked this.

I’m a sucker for literary tattoos.

You should probably spend a lot of your twenties doing art from the time you wake up to the time you go to sleep, and turning down a lot of unnecessary commitments in service of that. First, because that’s what you need to do to be good enough so that when you have inspiration, your inspiration will lead to something; and second, because it’s almost fucking impossible to make a living drawing pictures, writing words, or playing music. Just the fact that we think we can do these things for a living is an intense act of hope and arrogance. If you want to be able to do that, if you decide to stake your claim on that path, then oh, my God you have to do such hard work! If you’re the sort of person who fucking whines about being motivated, like some of the art students I lecture, then just fucking stop. I’m not interested in speaking to anyone who wonders how to motivate themselves. If you need to talk about how to get motivated, then go get a normal job in the normal scheme of the world and just do art as a hobby so you still love it. Stop clogging up the field for the people who need this like a drug.

Molly Crabapple is great.

Here are 16 photos of Margaret Atwood looking like a badass and saying super smart things. You’re welcome.

My reading speed is 236 words per minute! Find out yours.

I don’t think writing the truth makes you strong by default. I think it makes you vulnerable, which in turn can make you strong. It’s a naked feeling, both writing about yourself and writing about those you once loved, still love, and some you never loved at all. And though we may highly value the opinions of our loved ones, that doesn’t always mean we must ask their permission to write our stories in full.

If, like me, you steal details from real people’s lives for your writing, you should read this.

Hey, authors? Don’t be this desperate.

I genuinely enjoyed this: 50 Facts about Sex and the City you probably didn’t know.

Today, in politically correct 21st-century Britain, you might think things would have changed but somehow the Great White Male has thrived and continues to colonise the high-status, high-earning, high-power roles (93 per cent of executive directors in the UK are white men; 77 per cent of parliament is male). The Great White Male’s combination of good education, manners, charm, confidence and sexual attractiveness (or “money”, as I like to call it) means he has a strong grip on the keys to power.

Grayson Perry is a bloody legend.


Why we need poetry. (More literary TED talks here!)


HOLY SHIT Danny MacAskill!!!

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #132

Friday, September 26th, 2014

tea for me

These dismally low numbers provide a reminder that “access” to education is more complicated than simply throwing open the digital doors to whoever wants to sign up. So how can we turn the mere availability of online instruction in STEM into true access for female students?

Are girls under-respresented in STEM classes because they learn differently?

Poetry books to buy in September. (I have poems in both Be The First To Like This and Songs of Other Places, so definitely get those!)

…and Be The First To Like This now has a Twitter!

She will tell you about how, when she was small, she could lose herself in a novel for hours, and now, all she can do is watch the tweets swim by like glittery fish in the river of time-she-will-never-get-back. You will begin to chafe at what sounds like a humblebrag—I was precocious and remain an intellectual at heart or I feel oppressed by my active participation in the cultural conversation—but then you will realize, with an ache of recognition, that you are in the same predicament.

Reading insecurity: it is a thing. (I loved this article!)

Bad Book Cover Redesigns, as skewered by Flavorwire (I’ve always felt a little uncomfortable about those ‘Murakami is Japanese!’ covers).

It’s very interesting to see what a publication like the Metro thinks are ‘ten books you need in your life.’

The more reading moved online, the less students seemed to understand. There were the architects who wrote to her about students who relied so heavily on ready digital information that they were unprepared to address basic problems onsite. There were the neurosurgeons who worried about the “cut-and-paste chart mentality” that their students exhibited, missing crucial details because they failed to delve deeply enough into any one case. And there were, of course, the English teachers who lamented that no one wanted to read Henry James anymore.

Related to reading insecurity: what online reading is doing to us.

Marina Warner (aka The Woman I Would Most Like To Have As An Aunty Except My Actual Aunties Obv) just quit her teaching position at the University of Essex. She pulls no punches in telling us why.

Zadie Smith reckons there are two types of writers.

If the hero is police, then he’ll be the departmental maverick, too honest and decent to engage in office politics yet laser-focused on nailing his perp. Often there’s a murdered relative, almost always female, to juice this crusader’s motivation. His marriage will have fallen apart because he’s too stoic and too devoted to the Job to sustain a real relationship. But he’ll be devoted to his kid and a one-woman romantic at heart, even if hardly anybody ever gets near that heart. He’ll brood a lot and go home alone. He’ll have a temper, but a righteous one. He might drink too much or be too ready with his fists, but that just makes him a bit of antihero…

Rebus, much?! If you’re sick of cookie-cutter crime fiction, the answer is simple: read women.

Indie bookstores are on the rise again… yay!

The 7 stages of falling in love with reading.

Several times a year I am the recipient of emails or phone calls from friends, colleagues, parents, or complete strangers in search of writing guidance. Often the messages begins, “Hello, my name is Barbra. My daughter wants to be a writer. She’s very talented. Jill Matthews said you might be able to . . .” What follows ranges from, “give some advice” to “edit her trilogy.” These types of messages leave me sighing, not because I don’t enjoy cultivating new voices, but because how those people perceive the writing community and the writing vocation is often vastly different from actuality.

Do you get these emails? (I do!) Here’s a toolkit of things to send back in reply.

Press and PR… but for writers.

I LOVED this article about ‘life after the MFA.’ (Applies to other creative writing qualifications, too!) In it, one writer shares her “dream” back-of-the-book biography, then her real one…

One of the biggest mistakes I see in queries is what I call data-dump. This is when a query is too wordy or too long and is trying too hard to describe the world and/or fantasy elements.

Sending out your novel? Writer’s Digest have a great series showing successful query letters from real authors. Here’s one recent example!

This, also from Writer’s Digest, on applying for grants and residencies, is great.

The power of reading someone else’s words… and seeing yourself.

I’ve always been confused by this new found fetishisation of Scotch eggs and pork pies, with so many flash new pubs selling them at the bar.
I mean, I like Scotch eggs as much as the next Englishman, but I can’t help but think this kind of ancient casual bar snack cuisine they’re nodding to never really existed. Pork scratchings, yes, but Scotch eggs? You buy those from Saino’s, not from pubs. To me, pub cuisine will forever be associated with steak flavoured McCoy’s and the occasional reheated beef pie.

I’m not from London and actually don’t know London at all well, but I LOVED The Great London Gentrified Pub Crawl.

Cakes that are books… or books that are cakes? (I want the Hunger Games one!)

Celebrate Banned Books Week: read these books!


I’ve always loved ELO (sorry not sorry) but only discovered this song with the movie and now can’t. stop. listening.


I’ve posted this before but the video is so beautiful and very autumnal.


& I just discovered The Chin Review and haven’t laughed so much in a long time. So silly.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

What I’m Doing Now. (In case you’re interested!)

Monday, September 1st, 2014

Ginsberg & typewriters

I’m not blogging all that much lately and this is a good excuse. I nicked it from Dorkymum, whose blog is excellent.

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Currently I am: sniffling. I’ve been off work sick twice in the past ten days, which is most embarrassing — firstly with what I thought was a migraine. Turned out it was sinus pain, and now I have full-blown snotball face into the bargain. I’m wrapped up in a cardi drinking tea and avoiding doing anything too taxing.

Reading: I just re-read White Oleander in a single Sunday. I think it was my fifth time reading it. I have never met another book so compelling, even when every word is familiar! Before that I read Ghana Must Go by Taiye Selasi… a novel that got a lot of hype and lists Andrew Wylie and Toni Morrison in the acknowledgements. I started it with a cynical eyebrow raised, I can tell you, but it really is very good. Takes a while to warm up, but you should read it.
(Of course, I always have some poetry on the go, too. Right now it’s Radial Symmetry by Katherine Larson — which is kinda bland, but with a few sparkly lines here and there.)

Listening to: Magpies. My street seems to be full of them at the moment, their monkey-like rattling. Supposedly if a magpie sings outside your window it means death.

Laughing at: Black Books. My bff Martyna — who was my undergrad housemate a shocking ten whole years ago — has just moved back to the UK from Poland and is crashing with us til she finds a flat. I have been introducing her to all my favourite TV shows (she loved House of Cards but shockingly does not share my undying love of The West Wing) and Black Books is her favourite so far. So funny, even if you’ve seen every episode a million times.

Swooning over: this flat, which Martyna, Lovely Boyfriend and I will be staying in when we head to Barcelona in six weeks’ time! I am very, very excited.

Planning: how I am going to use my extremely generous prize money from the Edwin Morgan Award. Right now I work three jobs — if you count Edinburgh Vintage, which I do — and I’m trying to think of a way I can give one of them up in order to use my time to write more. Not a bad dilemma to have, really!

Eating lots of: takeaway. Having Martyna around is making me feel 19 again, which is a good thing in all ways except I seem to have reverted to my undergrad diet of pasta, or takeaway if I can’t be bothered. Which may explain why I’ve recently got sick. Dear self, please return to adulthood now!

Feeling: conflicted, my usual autumn feeling. Autumn is my favourite season, I absolutely love it — but it is also a time that I use to steel myself for the long Scottish winter, which more often than not depresses the hell out of me.

Discovering: new places in my writing. I’m working on this brand new writing project that I have told only five people about (my parents, my sister, Lovely Boyfriend and Martyna), and I just can’t quite allow myself to tell anyone else what it is just yet. But it is proving to be hard and surprising and very fun. Watch this space.

Looking at: the trees. One of the things that really makes me depressed about winter is how bald the trees are, and for how long. They seem to be in full leaf for such a short period of time! So I am trying to look up as much as I can right now, and enjoy the last of the foliage.

Wearing: a cardigan I knitted myself! My first attempt! I made it way too big, because I didn’t follow a pattern (I’ve inherited my gran’s contrary knitter gene) and apparently I genuinely don’t know what size I am (I always just assume: huge). But it’s very cosy, actually quite neat and a great colour (this is the wool, in Blueberry). Mainly though, I am just proud I managed to make something that isn’t a hoop scarf for once!

Cooking: very little — see my “takeaway” answer earlier!

Wondering: how my garden will look next Spring. I am already excited to see things start growing again, as the growing season seems to be winding down. Eventually I want my front garden (an all-edible herb garden, except for two clematis which I’m training over my ugly porch and my uglier fence) to be really wild and fragrant and tasty.

Trying out: procrastination. This sounds ridiculous, but I am always doing something productive, even if it isn’t the thing I’m supposed to be doing. I procrastinate from writing by cleaning my house or listing new items on Edinburgh Vintage, or I procrastinate from preparing writing sessions for the Inside/Out Project by scribbling poems. Right now I am trying out real, not-getting-anything-done procrastination… drinking tea without my computer next to me, reading a book I’ve read a million times before, even (whisper it) watching TV. It’s actually rather good.

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #128

Friday, July 4th, 2014

Shine On

OK, before we get started…

EDINBURGH VINTAGE IS HAVING A HUGE SALE! This is for July only, so get in there and rummage! New items are being added all the time, too!

When you announce that you’re a ghost-writer, people look at you askance. Some say, “You’re writing about ghosts?” Others, with some condescension, ask you when you’re going to write your own book, the inference being that ghost-writing is for those who can’t make it up. And whilst there is a grain of truth in that, to my mind, ghost-writing is a skill and an art of its own.

I was fascinated by these confessions of a ghost writer, Sue Leonard, who does it for a living.

If you click nothing else in this post, click this fabby series of portraits: booksellers in their natural habitats. (As my collague Danny wrote when he emailed me about it “it’s a lovely series and it’s lovely.”)

This guy plants his self-published book in bookstores… and people buy it.

My loyalty to Levin in Anna Karenina is of an entirely different nature to my loyalty to, say, Paul Newman’s caesar salad dressing, which I like very much: it is not a preference but an affinity, an encounter so genuinely self-revealing that the relationship required me first to work and then to alter. My relationship with Levin cannot be improved upon or reproduced.

So I just finished reading Eleanor Catton’s “The Luminaries” [SPOILER: it is amazing, read it], and I am just as enchanted by this excellent essay she wrote about literature and capitalism. (Side note: I cannot believe this woman is only one year older than me. She is a total genius and makes me feel like a failure at life.)

As someone who works a lot with literacy learners, I loved this video of just a few learners describing their literacy journeys.

19 Dilemmas Every Book Lover Has Faced At Least Once

Not buying from Amazon is less a tactic of starving Amazon of a sale, they’re hardly going to miss it. Not buying from Amazon is taking those missed sales to other venues; Waterstones and independents. I’ve had people say to me off-handedly that they don’t expect Waterstones to be around in 5 years. That thought upsets me. So I’ll happily impulsively buy a nice hardback, a slightly overpriced cup of tea and cake as an investment. Please don’t squander my investment, Waterstones.

One woman’s vow to boycott Amazon: her end of year review!

And speaking of which… got a problem with Amazon? No matter what it is, here’s the cure.

Have you checked out Scottish Book Trust’s Opportunities for Writers page lately? Loads of good stuff there at the moment!

I drew plans of my protagonist’s house, her daughter’s house, her brother in law’s, and her friend’s houses. I also printed out, cut up and glued together images from Google maps to create my own picture of her local area.

Also at Scottish Book Trust this week: Novelist Emma Healy lists five practical ways to get to grips with writing your novel.

I can’t wait to read this.

Are you writing a book — fiction or non fiction — that’s somehow about medicine or health? The Wellcome Prize is now accepting entries!

I realise now that I am neither normal nor ordinary, and I become less and less ordinary as time passes. I don’t want to be told that I’m not allowed to react negatively to Paxman’s demand that I speak to everyone except people like me; people who have been historically excluded from poetry events by definition, by default; and who, when they raise that issue, get lumped in with a “pellety nest” by those who refuse to see their privilege

That’s the excellent Mark Burnhope, responding excellently to recently-retired, flailing-against-his-own-irrelevance Jeremy Paxman. (Buy Mark’s new book!)

Have you been to Looking Glass Books? You should go!

Poetry prize culture rewards “competent but unambitious verse lauded as the best our art-form has to offer”? Interesting reading in Poetry Review (via).

And speaking of poetry prize culture… the always-brilliant Dave Coates reviews John Burnside and Hugo Williams and, refreshingly, finds them wanting.

Going through some old bookmarks I found this great poem.

And this one.

There is an oversupply of PhDs. Although a doctorate is designed as training for a job in academia, the number of PhD positions is unrelated to the number of job openings. Meanwhile, business leaders complain about shortages of high-level skills, suggesting PhDs are not teaching the right things. The fiercest critics compare research doctorates to Ponzi or pyramid schemes.

I first read this just as I was starting out on my PhD. Yesterday I graduated. Turns out, the Economist was kinda right.

Have you, like me, ever wanted to escape the tyranny that is hair care? Check this out!

Aaaand while trawling old bookmarks I also discovered this My Mad Fat Diary gif, which may be the best gif ever. (SHARON I LOVE YOU.)

HIPPOS ARE BETTER THAN HUMANS. The end.


…and people say animals have no feelings. (Look how when she falls, he’s like, ADULTS, ARE YOU DOING SOMETHING ABOUT THIS?!)

All by myself from Richard Dunn on Vimeo.

You guys saw this, right? A dude got stuck overnight in an airport in Vegas… so he single handedly shot an epic music video on his phone.


Finally, I kinda want to be friends with these weird guys. (Apparently, so do all the MRAs in the world, because they’re hanging out in the video’s comments. Weeeird!)

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #126

Friday, May 9th, 2014

scrap vomit, close up of quilting

In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.

Junot Diaz on the race problem in creative writing M[F]As, in The New Yorker. (Thanks, Freesia.)

This poem by a small child is amazing. What a last line!

Brand new zine! Seeking submissions! Get on it!

I remember one situation, when we lived in a village, when a woman asked me what I did in the prison and when I said I was a teacher she patronisingly asked what was the purpose if they were criminals. This view holds in general, sadly.

Prisoners — and those who work with prisoners — respond to Chris Grayling’s disgusting and utterly absurd ban on books behind bars.

Here’s Marina Warner being super smart and fascinating. You know, as always.

My book was the No. 6 bestselling title in America for a while, right behind all the different “50 Shades of Grey” and “Gone Girl.” It was selling more copies than “Hunger Games” and “Bossypants.” So, I can sort of see why people thought I was going to start wearing monogrammed silk pajamas and smoking a pipe.
But the truth is, there’s a reason most well-known writers still teach English. There’s a reason most authors drive dented cars. There’s a reason most writers have bad teeth. It’s not because we’ve chosen a life of poverty. It’s that poverty has chosen our profession.
Even when there’s money in writing, there’s not much money.

How much money an Amazon bestseller really makes. (Spoiler: not a lot.)

Hey, are you a teacher of literature, at any level? Scottish Book Trust has made you some reading resources that fit with almost any book imaginable! You’re welcome.

Edinburgh realised you can never have too many libraries: it now has a Library of Mistakes.

The literary novel as an art work and a narrative art form central to our culture is indeed dying before our eyes. Let me refine my terms: I do not mean narrative prose fiction tout court is dying – the kidult boywizardsroman and the soft sadomasochistic porn fantasy are clearly in rude good health. And nor do I mean that serious novels will either cease to be written or read. But what is already no longer the case is the situation that obtained when I was a young man.

Will Self: the novel isn’t dead, but it might be undead.

Yes & Yes is looking for travel writers!

I’m speaking at this event (& billed as “Scottish Book Trust’s Claire Askew”!) next week, and all are welcome. It’s free, too!

My writing devices are a laptop and a green Princess Standard typewriter and a variety of notebooks, each filled less than a third and then jettisoned in favour of new notebooks that will be The Perfect Notebook—the one that will inspire all the words to come.

Jane Flett feels the same way about notebooks that I do.

I just completed a day-long public speaking training with these folks, and I love this advice from them on fielding hostile questions.

Haven’t found yourself a typewriter yet? You can use this typewriter text editor in the meantime!

“How are you so confident?” “I’m an asshole!” Okay? It’s my good time, and my good life, despite what you think of me. I live my life, because I dare. I dare to show up when everyone else might hide their faces and hide their bodies in shame. I show up because I’m an asshole, and I want to have a good time.

Gabourey Sidibe is so freaking great. So great.

I loved these photos of Whitby Goth Fest 2014. Going there is definitely on my bucket list.

I’m obsessed with peeking inside these tiny apartments.

Universal veganism would reduce agriculture-related carbon emissions by 17 percent, methane emissions by 24 percent, and nitrous oxide emissions by 21 percent by 2050. Universal vegetarianism would result in similarly impressive reductions in greenhouse gas emissions. What’s more, the Dutch researchers found that worldwide vegetarianism or veganism would achieve these gains at a much lower cost than a purely energy-focused intervention involving carbon taxes and renewable energy technology. The upshot: Universal eschewal of meat wouldn’t single-handedly stave off global warming, but it would go a long way toward mitigating climate change.

So screw you, carcass-eaters.

Destroyed UKIP billboards… is what UKIP billboards were made for.

DID YOU SEE WHAT JANELLE MONAE WORE TO THE MET GALA?? So going to my high school reunion in this outfit.

& finally…

I hadn’t watched this for years, and I thought that was a damn shame:

(Photo credit)

I never really paid much attention to Adele… not because I didn’t like her or anything, I just sort of never got round to it. Then Sonia shared this with me the other day and wow, Adele is awesome!

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Got five minutes? Help me create a magic book! (Please.)

Monday, April 22nd, 2013

wswmih

Hey ONS-ers. I have a big, big favour to ask.

I don’t often ask you guys for stuff. I’ve never run ads here, and I even took down my tip-jar ’cause I felt bad about it. But now I’m asking for your help, because I know you’re all super-cool individuals who know a damn good cause when you see one.

I’ve spoken a bit before, here (scroll past the inevitable cake pictures!) about the totally life-changing (really!) work I’ve been doing over the past year with a thing called The Making It Home Project. I won’t say too much about it here, because I want you to go and read all the details at this link instead, but I will say: this is the sort of creative work that I deeply, passionately believe in. Forget fancy book launches, forget big anthologies, forget even the humble poetry slam. This is what poetry ought to be doing with itself: opening up amazing new creative possibilities to people who might otherwise never have read a poem in their lives.

I’m being mysterious, so go see what I’m talking about! But first, listen to the following, heartfelt plea…

You guys all know the power of books — you wouldn’t read this bookgeek blog otherwise. You know there’s something about a book: they’ve got a special sort of magic that no other object has. And a lot of you know how much more magical a book becomes if it contains something that you yourself wrote… right? Well, we want to make a really, really magical book. It’ll be a book we can give to the incredible women we’ve been working with, so they can also experience how awesome (literally) it feels to hold and read and share a book that has your words in it. It’ll also be a book we can give to all of you — for free! — to show you the amazing work these groups of women have been doing.

I’d like to ask you to do three small things.

One: watch our video.

RST Poetry Film taster from media co-op on Vimeo.

Two: click on the link in the image below, go and read more about what we’re doing, and how we plan to make our book.

Three: if you can (and only if you can), donate a pound or two to our cause. Any donation over £5 gets a reward… the more you give, the bigger and cooler your reward will be. If you can’t afford to donate, that is totally OK. But I’d be super grateful if you could spread the word around to anyone you think can help us.

These three things will take you what? Five minutes? If that. But your five minutes will make a massive difference and I promise, I will be very, very grateful to you!

Thanks guys. You rock.

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

I’m giving away a bunch of books and I want YOU to have them

Saturday, April 20th, 2013

UPDATE: guys, these books here in the photo? These aren’t the books I’m giving away — this is just a pic off Flickr! Scroll down for the full list in the blog text!

Things I'm Reading Thursday...

So guys, I’m likely moving house soon (VERY EXCITING), and between us, Lovely Boyfriend and I own at least a metric ton of books (really. I think this might be quite an accurate figure). Once I own a book, I am generally extremely loath to part with it again (hence the metric ton thing), but the prospect of carrying all the books we currently own down five flights of stairs and all the way across town has forced me to seriously consider the creaking, slightly-bowed problems that are my various bookshelves.

The list below is only a tiny fraction of my book collection, but it’s also only phase one: when my PhD thesis is finally finished, I’ll likely have a load more academic tomes and textbooks to offload. However, what little there is here I am throwing open to you lot before just sending it all to the charity shop. Would you like a free book? A bunch of free books? If you can come and collect them from Tollcross, they’re yours. Have a browse:

Poetry

GONE, SORRY!The Invisible Mender by Sarah McGuire (Cape)
GONE, SORRY!Looking Through Letterboxes by Caroline Bird (Carcanet)
Trouble Came To The Turnip by Caroline Bird (Carcanet)
Orphaned Latitudes by Gerard Rudolf (Red Squirrel Press)
GONE, SORRY!Cascade Experiment by Alice Fulton (Norton)
GONE, SORRY!Sensual Math by Alice Fulton (Norton)
On Purpose by Nick Laird (Faber)
Not In These Shoes by Samantha Wynne-Rhydderch (Picador)
The Janus Hour by Anne Stewart (Oversteps Books)
GONE, SORRY!Lyric/Anti-Lyric: Essays on Contemporary Poetry by Douglas Barbour
The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America by David Whyte

Fiction

The Secret Agent by Joseph Conrad (Oxford World’s Classics)
Wieland: Memoirs of Carwin the Biloquist by Charles Brockden Brown (Oxford World’s Classics)
GONE, SORRY!Wetlands by Charlotte Roche (hardback)
GONE, SORRY!Ten Women Who Shook The World by Sylvia Brownrigg
The Mambo Kings Play Songs of Love by Oscar Hijuelos

Essays

GONE, SORRY!Wallflower at the Orgy by Nora Ephron
GONE, SORRY!Complete Prose by Woody Allen
GONE, SORRY!Mothers by Daughters edited by Joanna Goldsworthy (Virago)
The Bastard on the Couch edited by Daniel Jones

Women’s Studies/Feminism and Literary Criticism

Dropped Threads: What We Aren’t Told edited by Carol Shields and Marjory Anderson (2001)
GONE, SORRY!Flux: women on sex, work, love, kids and life in a half-changed world edited by Peggy Orenstein (2000)
Men Writing The Feminine: Literature, Theory and the Question of Genders edited by Thais E Morgan (1994)
GONE, SORRY!Is The Future Female?: Troubled Thoughts on Contemporary Feminism Lynne Segal (1987)
GONE, SORRY!The Female Gaze: Women as Viewers of Popular Culture edited by Lorraine Gamman and Margaret Marshment (1988)*
The Fragile Male by Ben Greenstein**
Critical Approaches to Literature by David Daiches (hardback) (1956)

Other

The Best of Cosmopolitan: The 70s and 80s (I know, wtf? I can’t remember when I bought it or why the hell.)
A Handbook of Games and Simulation Exercises edited by GI Gibbs (inexplicably, given to me by my parents, who’ve had it in their book collection — which makes mine look PUNY — since 1974, when it was published. Fascinating if you’re interested in the education system of 1960 & 70s Britain, I’m sure.)

I also have a bunch of 12″ spoken word LPs if you’re interested — mostly ‘great poets’ (Hardy, Pound, Robert Graves) and a few random kitsch things I bought on whims in thrift shops (an LP of the juicier scenes from Dracula, for example, and an LP of a totally trippy reading of Alice in Wonderland). Totally let me know if you’re into weird-literature-on-vinyl!

*Just to show what a small world Edinburgh is: I just noticed that this book has “Hannah McGill, Christmas 1994″ biro-d into the front flyleaf. It became mine via an Edinburgh charity shop.
**OK, this is a book by a Men’s Rights Activist, which I bought because I, stupidly, wanted to hate-read it. Thankfully, I never got round to it, but it looks HEINOUS.

Finally, NB: I haven’t actually read some of these books, so if you ask for a review first, I only might be able to provide one.

Drop a comment in the comments box or email claire[at]onenightstanzas.com to let me know if you’d like any of these!

You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Dear Poetry Newbies: what’s the deal with poetry readings?

Monday, February 4th, 2013

microphone

A previous version of this post appeared at One Night Stanzas in September 2008.

If you write poems, or if you’re interested in poetry, chances are you’re aware of the phenomenon of live poetry readings at some level. However, many young poets – even if they’ve been writing for ages – are fairly clueless about these events (because getting up and reading your own words to a room full of strangers can seem like total insanity!). If you’ve never performed at a poetry reading, and if you’re unsure about what they entail, take a look at this list and get yourself involved! The sooner you start reading your poetry to audiences, the better: fact. Why? Because live readings = four major advantages!

One: Live readings build better poems.
Reading your poetry to an audience can be extremely helpful when it comes to developing your personal poetic voice. Sometimes, what works on the page does not necessarily work when read aloud, so a reading can help you polish up a piece that you previously felt was finished… always a good thing! Reading aloud – and observing the reactions of your audience – also helps you to ‘inhabit’ a poem more fully; you’ll be better able to judge whether the poem’s tone or mood ‘works,’ for example, or whether your audience are convinced by a particular character you portray or a story you tell. Audience members will often seek you out afterwards to tell you what they loved about your stuff, too – make sure you listen to this feedback, because it can be extremely helpful! And even if you can’t use your audience to judge a poem’s ‘performance’ quality, you’ll often see and hear the best and worst bits of your poems much more clearly when you have to take them from page to performance. Reading aloud builds better poems and so I’d always encourage you to do it – audience or no audience!

Two: Readings help you conquer the world.
Reading your poetry in public – particularly the first time – can be very nerve-wracking. It doesn’t matter if you’re a daredevil extreme sports junkie or a budding thespian in your spare time; you’ll probably still find the idea of presenting your personal poetic creations to a potentially critical audience fairly terrifying. BUT! Don’t let the nerves stop you from going ahead with it, because once you’ve felt and conquered that fear, you can probably find the confidence to do anything! If you can step up onto a stage and read your stuff to an audience, then chances are a school presentation or daunting job interview should be a walk in the park! Reading your work builds your confidence massively, and gains you serious respect! The first time is always a scary prospect, but there are ways around this fear.

Three: You get your name in lights!
OK, so maybe not in lights, necessarily, but you get your name “out there.” In poetry, unfortunately, a big part of being successful is knowing and being known by the right people, so getting involved at readings can be the best way to make an impression. Even at small open mic gigs, there’s a chance you might run into a local magazine editor or poetry blogger, who might well give you a positive write-up or even ask you for a submission of work. Readings are fantastic for networking so make an effort to chat to people… and who knows? You could meet a future agent, editor, writing partner or publisher!

Four: Readings provide the three essential Cs.
Constructive criticism, contacts, and craic, of course! As I mentioned in point one, after you’ve got up and given your all, chances are you’ll get people coming to tell you what they thought. Don’t worry! You’ll rarely hear anything negative – even if you don’t feel like you did very well, you can guarantee that there’ll still be people who’ll want to tell you “that was great.” And why would they lie? This positive feedback is great for building your confidence, and improving not only your future performances but also the poems themselves. If you’re feeling extra brave, you can even ask people for details. Which poem did they like in particular? Which one was weakest? Was there anything they’d have done differently? Listen carefully to the answers you get, even if you don’t act on them.
The ‘contacts’ part doesn’t just apply to the editors and agents I mentioned in point three, either. Obviously, the people you’re most likely to meet at poetry readings are other poets! These are people who are into the same stuff as you, doing the same thing as you (and, you never know, possibly just as nervous as you, too!)… get talking to them, listen to their work, get their feedback. That’s where the ‘craic’ part comes in!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

The Next Big Thing: my first collection

Wednesday, January 23rd, 2013

huge_typewriter

You’ve probably seen this meme/questionnaire thingy doing the rounds of literary blogs lately? I have, and was kind of dreading my inevitable tagging. However, I found that filling in the answers below actually made me feel quite uplifted and hopeful about the scattered, half-finished MS that is my forthcoming first collection of poems (it has a working title, but it has a kind-of rude word in it. I’m not sure if I’ll have the bottle to keep it, or if a publisher could stomach it, so I’ll keep it secret for now). Thanks very much to Andy Philip for the nudge! You can see his answers here, at his blog Tonguefire.

Where did the idea come from for the book?
It’ll be my first full-length collection, so I feel a bit like I’ve been working towards it ever since I began writing. However, the central themes that are coming to define the working MS really started to emerge last summer, when I did a writer’s retreat on the Greek island of Hydra. It was July, and much too hot for me to be outside between the hours of about 10am and 5pm, so I was almost literally walled inside this one-room cottage with the Selected Poems of Adrienne Rich, and a notebook. I think it’s the most productive I’ve ever been.

What genre is the book?
Poetry. I’ve been experimenting, writing much longer poems than my usual, but I’m still not sure of them. They may yet end up on the cutting room floor.

What actors would you choose to play the part of your characters in a movie rendition?
I’d love to see a poetry collection — though not necessarily mine! — become a series-of-vignettes movie, like Jim Jarmusch’s Coffee and Cigarettes, one of my favourite movies ever. Like The Mermaid and the Sailors, this book is going to contain a lot of strong women. I can totally see Annette Bening “playing” one of these poems, she’d be great.

What is the one-sentence synopsis of your book?
Oh dear, I’m really crap at this. I remember people sending blurbs for The Mermaid and the Sailors that said things like, “these are poems about x, y and z,” and I thought, “are they? Oh yes, I suppose they are.” So you may have to wait until the book exists properly, and ask someone who’s read it. The closest I can get right now is, “a collection of poems about women… and maybe anger.”

How long did it take you to write the first draft of the manuscript?
See my first answer! There are some poems going in here from as long ago as 2010. But there are also still some to write. I never, ever think anything’s finished. I’ll probably need someone to prize it out of my hands at some point and say, “for goodness sakes, it’s done.”

Who or what inspired you to write this book?
In the past two or three years, I’ve widened the focus of my life. I’ve forced myself to get out of my comfort zone in my work, in my slowly-growing activism, and also in my cultural intake: what I read, watch and attend. I always used to tell my own stories — old family anecodotes nicked and turned into poems, experiences I’d personally had. Now I want to tell stories about bigger things. I’m really interested in class now, and privilege. I feel a real desire to write more about those things.

What else about your book might pique the reader’s interest?
The MS isn’t finished yet… I’m still not sure what’s definitely staying in, and what’s going. But there might be a poem about donkeys. There’s a poem about Allen Ginsberg’s mum. There’s a poem where I answer back, quite cheekily, to Carol Ann Duffy. I’ve also written a series of haiku set in the knicker department of Marks & Spencers in Carlisle… but I’m pretty sure I’ll chicken out with that one!

Will your book be self-published or represented by a publisher?
That remains to be seen! To be honest, getting a first collection placed at the moment seems to be a bit of a nightmare, so I’m not really thinking about it too much. I’m keener to end up with a collection I can be really proud of.

The writers I have tagged are:
Colin McGuire
Helen McClory
Char Runcie

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)