One Night Stanzas

I’m going to be reading some poems in some places — exciting places — over the next three weeks or so. Come and hear me read! I’d love to see your lovely face in the crowd. There will be other amazing poets at these events, too, folk whose wonderful works are an even better reason to come along!

Bletherskites: Scottish Performance Poetry Spectacular

Sunday 7th April 2013, The Jazz Bar, Edinburgh, 3pm (doors 2.30pm) to 5.30pm
£5 admission

Bletherskites is being run by the lovely folks at Inky Fingers. They describe it as: “a showcase of some of the very best of Scottish performance poetry… a big bash for everything that comes out of these brilliant mouths.”

How flattering, then, that I am one of the line-up! But don’t come to hear me — come to hear some of the truly fabulous folks I’ll be reading alongside. Everyone on the bill is great, but I have a particular fondness for The Great McGuire, and the lovely Ms Camilla Chen. Have a look at the Facebook event for more information, and to say you’re coming along!

Rockets for Edwin Morgan

Thursday 25th April 2013, The Scottish Poetry Library, Edinburgh, 6.30pm
£7/£5 admission

Hey, remember back in November when I got all excited about the launch of this brilliant book? Well, I’m really happy to say that its lovely editor, Russell Jones, has organised a second event to celebrate its existence.

“Russell Jones, editor of Where Rockets Burn Through: Contemporary Science Fiction Poems from the UK, and his merry band of sci-fi poets read their work from this genre-busting anthology. This event will also include a short movie by Dan Warren based on Edwin Morgan’s sci-fi poem, ‘In Sobieski’s Shield’”, say the SPL. Sounds good, right?

I’m particularly chuffed to be performing my poems from this anthology (plus a Morgan poem I’ve picked), because I get to do so alongside such wonderful poets as Ron Butlin and Pippa Goldschmidt. It’s going to be out of this world! (…sorry.)

Announce your intention to come along right here at the Facebook event.

The last ever TenRed

Wednesday 1st May, The Persevere Function Room, Edinburgh, 7.30pm
£3 admission

It’s time to play the sad trombones, folks, because TenRed, one of Edinburgh’s best spoken word nights of recent times, is closing its doors. It’s for a happy reason — the wonderful MC, Kevin Cadwallender, is leaving for exciting pastures new. However, he and TenRed will be sadly missed.

I’ve been gutted that I haven’t been able to attend more of these great nights — on Wednesday evenings I’ve taught until 9pm for the past two academic years. Timing, thou art a cruel mistress! However, the TenReds I’ve made it to have been really fantastic. I’ve discovered new poets I’d never have come across otherwise — like the magical Swedish slam-mistress, LouIce — and got the chance to hear the voices of folks who aren’t often coaxed into the open to read their work, like the gorgeous Mira Knoche.

I’ll still be teaching on this particular Wednesday, but there’s also no way I was going to miss out on giving TenRed a fabulous send-off! So, Kevin’s putting me on in the second half and I’ll be running like a mad thing straight from my class in order to catch as much of the rest of the gig as I possibly can. Want to know who else is performing? Why, there’s even a trailer! Check it out!

Want me to perform at YOUR event? Drop me a line at claire[at]onenightstanzas.com and tell me all about it!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

You’ve probably seen this meme/questionnaire thingy doing the rounds of literary blogs lately? I have, and was kind of dreading my inevitable tagging. However, I found that filling in the answers below actually made me feel quite uplifted and hopeful about the scattered, half-finished MS that is my forthcoming first collection of poems (it has a working title, but it has a kind-of rude word in it. I’m not sure if I’ll have the bottle to keep it, or if a publisher could stomach it, so I’ll keep it secret for now). Thanks very much to Andy Philip for the nudge! You can see his answers here, at his blog Tonguefire.

Where did the idea come from for the book?
It’ll be my first full-length collection, so I feel a bit like I’ve been working towards it ever since I began writing. However, the central themes that are coming to define the working MS really started to emerge last summer, when I did a writer’s retreat on the Greek island of Hydra. It was July, and much too hot for me to be outside between the hours of about 10am and 5pm, so I was almost literally walled inside this one-room cottage with the Selected Poems of Adrienne Rich, and a notebook. I think it’s the most productive I’ve ever been.

What genre is the book?
Poetry. I’ve been experimenting, writing much longer poems than my usual, but I’m still not sure of them. They may yet end up on the cutting room floor.

What actors would you choose to play the part of your characters in a movie rendition?
I’d love to see a poetry collection — though not necessarily mine! — become a series-of-vignettes movie, like Jim Jarmusch’s Coffee and Cigarettes, one of my favourite movies ever. Like The Mermaid and the Sailors, this book is going to contain a lot of strong women. I can totally see Annette Bening “playing” one of these poems, she’d be great.

What is the one-sentence synopsis of your book?
Oh dear, I’m really crap at this. I remember people sending blurbs for The Mermaid and the Sailors that said things like, “these are poems about x, y and z,” and I thought, “are they? Oh yes, I suppose they are.” So you may have to wait until the book exists properly, and ask someone who’s read it. The closest I can get right now is, “a collection of poems about women… and maybe anger.”

How long did it take you to write the first draft of the manuscript?
See my first answer! There are some poems going in here from as long ago as 2010. But there are also still some to write. I never, ever think anything’s finished. I’ll probably need someone to prize it out of my hands at some point and say, “for goodness sakes, it’s done.”

Who or what inspired you to write this book?
In the past two or three years, I’ve widened the focus of my life. I’ve forced myself to get out of my comfort zone in my work, in my slowly-growing activism, and also in my cultural intake: what I read, watch and attend. I always used to tell my own stories — old family anecodotes nicked and turned into poems, experiences I’d personally had. Now I want to tell stories about bigger things. I’m really interested in class now, and privilege. I feel a real desire to write more about those things.

What else about your book might pique the reader’s interest?
The MS isn’t finished yet… I’m still not sure what’s definitely staying in, and what’s going. But there might be a poem about donkeys. There’s a poem about Allen Ginsberg’s mum. There’s a poem where I answer back, quite cheekily, to Carol Ann Duffy. I’ve also written a series of haiku set in the knicker department of Marks & Spencers in Carlisle… but I’m pretty sure I’ll chicken out with that one!

Will your book be self-published or represented by a publisher?
That remains to be seen! To be honest, getting a first collection placed at the moment seems to be a bit of a nightmare, so I’m not really thinking about it too much. I’m keener to end up with a collection I can be really proud of.

The writers I have tagged are:
Colin McGuire
Helen McClory
Char Runcie

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

So, I mentioned last week that I wrote a review of Kerry Hardie’s most recent collection, The Oak & The Ash & The Wild Cherry Tree for The Edinburgh Review Issue 136. You can now buy the issue online! BUT, you can also read my review free and gratis — the folks at Gallery Press liked it so much that they put it on their website. Thanks folks!

You may also remember me writing a few weeks ago about the launch of sci-fi poetry anthology Where Rockets Burn Through: Contemporary Science Fiction Poems From The UK? I was super-chuffed to have three poems in it, and I’m even more super-chuffed that the folks over at Nature picked one of them to go in their “Where Rockets Burn Through” podcast this week. Thanks again!

Aaaand this is a bit of a scary one, but I am proud of myself for writing it and chuffed that it was published at xoJane, which is rapidly becoming one of my all-time favourite sites. I’ve written here before (but then destroyed the link in post-publication-panic) about my teenage struggles with a rather extreme form of thanatophobia. It seemed pertinent to write about it in a rather more serious way, given the recent OBSESSIVE APOCALYPSE HYPE that I’m sure you’ve all noticed. Of course, the world didn’t end yesterday — hooray! But I wanted to draw attention to this anyway. And for the first time ever, I connected to a fellow thanatophobia sufferer (in the comments), so double hooray!

Happy holidays!

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You can also visit Read This Press for poetry and typewriter paraphernalia! Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Hey you guys. I know this basically never happens now (and — sshhh! — I actually kinda like that), but I am going to be reading Some Poems in Some Places over the next few weeks, and I just, you know, thought you might be interested in knowing about it. If so, read on. If not, go and make a cup of tea, or hug someone, or look at this cute panda, or do all or none of those things.

Shore Poets
Sunday 25th November 2012, 7.30pm
Henderson’s at St John’s, Edinburgh
I recently joined the Shore Poets committee, and I must say, I am loving being a part of what must surely be one of Edinburgh’s longest-running poetry nights. This month, my Shore Poet job is to read a set of poems, and I’m super looking forward to it, as this is my first proper poetry gig since before the summer. I’ll be guinea-pig-ifying the audience and offering up some hopefully tasty new poems to see what they make of them. If you fancy being part of this experiment, then come along! Doors open at 7.15, it finishes before ten (so you get to bed early), there’s cake for sale, and indeed a raffle where you could win FREE cake. If you don’t fancy the idea of listening to me waffle on, you’ll be happy to hear there are other, most excellent poets and some music. It’s a damn fine time and it costs a measly £5, or £3 for students.

The Edinburgh launch of Where Rockets Burn Through: Contemporary Science Fiction Poetry From The UK
Thursday 29th November 2012, 6.00pm
Blackwells, Edinburgh
My motto always used to be “never knowingly anthologised,” ’cause no one ever seemed to want me for their “young, upcoming, exciting poets!” type anthologies. I kinda liked the motto, actually, but then some people asked me to be in their anthologies and offered me some money, and you know, I’m a starving poet so OBVIOUSLY. And although I lost my motto, I did end up getting five poems placed in this badboy, a collection of stellar (har!) science fiction poetry from across the Universe UK. I will be reading those poems alongside some other very cool people (Jane McKie! Andrew C Ferguson! Pippa Goldschmidt! I’m exclaiming their names ’cause they’re fabby!), at this lovely free-to-attend launch. There’s a Facebook event here to tell ‘em you’re coming. There will PROBABLY be free wine. There will definitely be fun and frolics. I promise!

Book Week Scotland Pop-Up Festival
Saturday 1st December 2012
Mitchell Library (Cafe Bar), Glasgow
I’m really happy to be reading at the Book Week Scotland Pop Up Festival, which promises to be a day-long cavalcade of literary delights. It starts at 10am and goes on til late with all manner of cool and quirky stuff going on. My small role in all of this will involve sipping tea and reading some poems in the cafe bar with my fellow Scottish Book Trust New Writers Award recipients. This will be happening sometime between 4pm and 5pm. I’m extra psyched because we’ll be joined by the World’s Greatest Compere (really) Ryan Van Winkle, without whom no poetry show is quite complete. Seriously, it’s worth the train fare to Glasgow for a glimpse of his beard alone. Here’s the Facebook event. Please do come along and sip tea with me!

Want me to come and read at your event? I MIGHT JUST SAY YES! Catch me in the comments box or use the email address below!

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You can also visit Read This Press for poetry and typewriter paraphernalia! Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

So although I promised myself at the New Year that I’d have a quiet year in terms of performing, it seems I’ve managed to get myself signed up for all manner of interesting literary shenanigans in the coming weeks. If you fancy coming to see me read poems, talk about poems and generally Witter About Stuff, here are the places to be…

10-RED, Wednesday 15th February, 19.00, The Persevere Function Room, Edinburgh. £3.00 entry.
10 RED is an evening of poetry in the beautiful Victorian Lounge of the Persevere Bar, Easter Road, Edinburgh. All the poets performing are published by Red Squirrel Press, who kindly published my pamphlet, The Mermaid and the Sailors, early last year. I’m hoping to try out some new material on a friendly crowd! Some great folk on the bill, too — worth coming along for McGuire alone! You can see a trailer for the event right here:

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“Making Poems, Writing Histories, Excavating Myths”: a lecture by Claire Askew for the Melrose Literary Society, Tuesday 21st February, 19.30, The Ormiston Institute, Melrose. £3.00 entry, non-members welcome.
The truly lovely people at the Melrose Literary Society have asked me to come and talk about my current research, and I am incredibly flattered, very excited and utterly terrified all at once. Come and hear me grapple with the question of Why We Write Poems, and investigate the ways in which poetry informs history, history informs myth and the two inform all kinds of creative writing. You’ll also get chance to ask me probing questions!

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Edinburgh Literary Death Match: March, Tuesday 27th March, 19.00, Voodoo Rooms, Edinburgh. £5.00/£8.00 ticketed — get tickets here!
You’ve probably heard of the massive worldwide phenomenon that is Literary Death Match…? If not, get on it, because it’s a big deal! I’m super flattered to have been nominated (by the fabby @LynseyMay) and invited to perform at Edinburgh’s hippest literary outpost. The Voodoo Rooms is a gorgeous venue and I’m up against some serious talent… Gavin Inglis = legend! Grab your tickets, quick!

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Three Red Squirrel Poets at Trashed Organ’s “Belonging Fest” Opening Night, Monday 30th April, venue and time TBC, Newcastle
Details of this one are still TBC, but let’s just say it’s going to be good. Watch this space!

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Got an event you’d like me to read at? Talk about? Attend? Email me via claire @ onenightstanzas.com and tell me about it!

It’s been ages since this happened, but as you know, I haven’t been keeping up with ONS very well lately. But I can’t let this go by without mention: I got a bloody lovely review from The Great McGuire, over at Cheeky Little Article.

Because I am perhaps the laziest poet in the cosmos, I haven’t really done much to market my pamphlet, The Mermaid and the Sailors, which was unofficially launched at StAnza in March 2011 (my laziness is so all-encompassing that I never even got round to an “official” launch… oops). Somehow, I managed to sell out the first run by August just with a few Facebook status updates and the odd mention on my beloved Twitter. As a result, not many reviews have been forthcoming… in fact, this is only the second (the first is here) I’ve received. (I really don’t mind. The idea of being reviewed is kind of scary.)

But McGuire’s smashing, thoughtful, in-depth review is worth a million shorter, more general responses. I love the fact that he starts out with the etymology of my second name (or rather, the adjective “askew”) rather than just leaping in to analysing the book… I particularly like the fact that by the end of the first paragraph I’ve been somehow promoted to Lady Askew (expect this to stick, folks). And he compares me to Neruda. NERUDA. Do reviews get any better?

However, I’m ultimately grateful to McGuire for this: he has totally “got” what it was I was trying to do… what I’m always trying to do. These days, the poetry scene is such that poems like this are what get praised and published. Now, everyone’s different, and to some people, that’s a great poem — but I just aint the kind of writer who could bring myself to keep a straight face while writing a phrase like “jimmies the diasphora,” let alone while shoving it on a line-break so it draws a ton of attention to itself. I’ve started to realise lately that I write the kind of poems that some people look down their noses at, because they’re poems that are, sometimes, as McGuire so sweetly puts it, “wholesome as a loaf.” But that’s my schtick. To some poets, “wholesome as a loaf” might be an insult. My first response to this review was more, “I want to find McGuire right now and hug him!”

So thanks, dude. I owe you a beer!

(The Mermaid and the Sailors is currently, sadly, sold out. A new print run is coming… once I get my butt in gear and send off new proofs to correct the first run’s inevitable typos. Sorry for the delay! You can read more about the book here, though.)

One Night Stanzas loves mail. Say hello via claire@onenightstanzas.com. NB: I am physically unable to reply to non-urgent stuff unless I have a free afternoon and a cup of tea in my hand. Please be patient!

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Apologies for the delay in posting these details — I know you’ve all been waiting with baited breath! STARRY RHYMES is finally available to purchase, right here, for the bargain price of £5 plus P&P!

You probably know by now what STARRY RHYMES is all about — but if not, check out our submissions call to see what it was we were looking for! We received nearly 150 emails to register interest in the project, and over 130 poems were submitted. After much deliberation, we managed to whittle these down to just 33. You can find out a bit about the folk whose poems we picked here.

Each copy of STARRY RHYMES is printed on high quality 80gsm white paper, and has a unique, handmade cream cardstock cover. No copy is quite the same as the others! Each was lovingly hand-cut and stapled to produce a limited single printing of 140. 33 of these went to our fabulous contributors, and we sold a huge pile of them on our rather raucous launch night (check out Chris Scott’s amazing photos from the event here!)… so these books are disappearing fast!

If you’d like a copy, they’re only a fiver plus P&P, and you can get your hands on one right here. Just click the Paypal button below and follow the instructions! No Paypal account required — if you’re not registered, just pay with your card as you would elsewhere online.

STARRY RHYMES is a product of Read This Press, a DIY micropress specialising in limited edition print runs of handmade poetry pamphlet anthologies and collections. RTP is run by poets/teachers/Edinburgh residents Claire Askew and Stephen Welsh. It is not unknown for us to be described as a “punk” press. We particularly like poets who are new/unknown/upcoming, intimidatingly well-read, and tattooed.

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A lot’s been going on since my appearance in the Observer last Sunday. It spookily coincided with the very last manual typewriter rolling off the very last production line, and as a result I’ve been inundated with emails from folk wanting me to geek out about typewriters at their blog/publication/event, etc. It’s been fantastic. Oddities pending right now: an opportunity to speak on South African public radio, an interview for a major Polish newspaper, and quite a long piece on typewriters vs blogs for the Poetry Society. I’ve also had heaps of emails from people telling me their typewriter stories, wanting to know what models I have, wanting to gift me their old machines/ribbons/typewriter accessories, asking me for advice/giving me advice about typewriter restorers, good eBay stores for typewriter related stuff, the correct use of carbon papers and so on and so forth. I have absolutely loved getting involved in all these weird and wonderful projects, hearing from everyone and striking up so many interesting conversations.

I thought I’d do a wee round-up of all the stuff that’s gone on so far. Some interesting stuff here!

My typewriter poem (previously published in The Guardian) and interview were featured at Writing Ball

I was interviewed by BBC Radio Ulster (listen here) and BBC Radio Wales — you can hear me on the Good Evening Wales programme (available til next Wednesday), about 54 minutes in, geeking out about Underwood 5s and fighting off cheeky comparisons to Hemingway.

I was quoted in the Daily Express (gulp) as part of their obituary for the typewriter.

Exibart included me in their news round-up.

I got Magpie Writes thinking about the nature of anonymous commenting, vitriol and vexatiousness.

I loved this visual typewriter obituary.

More to come!

And in other news…
Chris Scott took a brilliant author photo of me — I absolutely love it.

I’m reading at The Store (as part of Poetry At The…) in May, and loved what The List had to say about my “razor-sharp wit”!

I now have a very pretty profile at A-Gender (thanks Jim).

The Allen Ginsberg blog gave a shoutout to the Starry Rhymes submission call (still seeking poets)!

Want me to geek about about typewriters at your blog/zine/wedding/bar mitzvah/funeral/etc? I’m available! No seriously.
Email claire@onenightstanzas.com

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It’s been three years in the making — I’ve been a total perfectionist, and more latterly, a total idiot, about releasing it, and as a result, I’ve been nagged, mocked and nagged some more about it. But after much blood, sweat, tears and nerves, it’s here: my debut poetry pamphlet, The Mermaid and the Sailors.

CLICK THE BUTTON TO BUY THE MERMAID AND THE SAILORS HERE!

Praise for “The Mermaid and the Sailors”:

‘Claire Askew’s verse can be enjoyed for its playfulness and sharp wit. More rarely, it can also be treasured for its sureness of voice, its rich linguistic texture and deep emotional core. Rooted in the everyday, she has an ability to make the ordinary startling. Often funny, frequently startling in her imagery, she is adept at giving us the surprises, anxieties and estrangements of the modern world. But a series of poems about grandparents, of vividly rendered domestic interiors and Northern landscapes, also haunt with their poignant sense of belonging and loss. The Mermaid and the Sailors offers a procession of poems that have been honed with precision and skill, but which are effortlessly entertaining, echoing in the mind long after one has read them. This generous debut pamphlet confirms that Claire Askew is one of the most distinctive young poets to emerge in Britain in recent years.’

– ALAN GILLIS

‘These finely tuned poems, studded with arresting and memorable images, often resonate with loss and longing, absences and distances, yet many are shot through with a wry and sometimes very dark humour which unsettles even as it delights. People’s inner lives come alive in these poised and telling narratives. Claire Askew is a fresh and highly distinctive new voice.’

– BRIAN McCABE

‘Askew’s debut pamphlet displays great assurance. Her poems impact immediately, offering brief yet memorable vignettes of quiet lives and moments … one senses a major talent emergent in The Mermaid and the Sailors.’

– ROBERT ALAN JAMIESON

‘Claire Askew is a young poet at once cosmopolitan and distinctively northern, with a fine ear for the aptly-placed colloquialism, the unusual word. A skilful and understated user of form, at times she is painterly, allowing sequences of images to play out like stills from a lost reel of footage, and at other times joyously musical, creating an interplay of word-sounds whose sheer energy draws the reader onward. “The Mermaid and the Sailors” is a welcome first publication from a sparky new writer.’

– KONA MACPHEE

‘Askew writes with haunting precision, bringing to life the magic and wonder of the things we ordinarily overlook or take for granted. These are poems to savor, poems of electrifying intimacy and startling beauty.’

– SAM MEEKINGS

CONVINCED?

Any questions? Want to let me know what you thought of it? I’d love to hear from you! Email claire@onenightstanzas.com

Cover image: Miriam Parker // Cover design: Leon Crosby (leon.a.crosby@gmail.com) // Editor: Kevin Cadwallender // Publisher: Red Squirrel Press

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