Posts Tagged ‘colin mcguire’

Where is Claire? AUGUST MADNESS edition

Sunday, July 30th, 2017

The Flint & Pitch Revue #6
Photo by Chris Scott

August is almost upon us, and every Edinburgh resident knows what that means. MADNESS IS ABOUT TO DESCEND. But also gigs. Lots of them.

Listen Softly Edinburgh
Friday 11th August, 6pm - 8pm
Forest Cafe (Tollcross Junction)

Okay, I am really glad this one is the first event I get to put under your eyeballs, because I REALLY want it to go well! I AM MAKING ANOTHER FORAY INTO POETRY PROMOTING, friends, after a long hiatus (I must have forgotten how stressful it is again), and this is the first dipping-of-my-toes-into-the-water. I’m teaming up with the inimitable Dom Stevenson of Listen Softly London, to deliver a one-off LSL-style Edinburgh event for the Fringe. However, if all goes well I’m hoping to turn LSE into a semi-regular thing. So call this a pilot phase, if you will…
There’ll be poems from the brilliant Theresa Munoz, Colin McGuire and Laura Rae — one other feature TBC! You might get the odd poem out of Dom and I, too. AND, there are five open mic slots up for grabs, which YOU could read in if you email claire@onenightstanzas.com and ask me to put your name in the hat!
The Facebook event is here — please come along, bring friends, help me fill the Forest and convince me that becoming a promoter again is in fact a good idea…

She Grrrowls
Monday 14th August, 7.20pm
Black Market (venue 399)

“London’s favourite feminist arts night”, says the Facebook event, “bringing you a night of the best women in spoken word, mixed in with some music and comedy. There are new features every night and you can give us your best growl with the all-inclusive open mic!” I’ll be one of three feature readers at this — the others are Katie Pritchard and Beth Hunt. I’m also hoping to be sharing the stage with some pals as part of the open mic! Come along!

Political Poetry with Andy Jackson and WN Herbert
Tuesday 15th August, 12.30pm
Edinburgh International Book Festival, Bosco Theatre (George Street)

Andy and Bill are the brains behind some of the best anthologies of Scottish literature to happen lately: most recently, they edited New Boots and Pantisocracies, which started out as a daily blog and then became a fantastic book. I’m honoured to have been picked from among the contributors to read my contribution at the Edinburgh International Book Festival. This one’s ticketed but well worth the ticket price! And perfect for your midweek lunchtime…

Edinburgh, City of Poetry with Russell Jones and Claire Askew
Thursday 17th August, 12.30pm
Edinburgh International Book Festival, Bosco Theatre (George Street)

So, yaknow I helped the lovely Russell Jones to edit that wee book of Edinburgh poems and stories, Umbrellas of Edinburgh, recently? Well we’ve only gone and bagged ourselves a Book Festival event! Come along and hear Russell and I introduce work by the geniuses that are Harry Giles, Jane Yolen, Finola Scott and Marjorie Lotfi Gill. There’ll also be poems by Russell and I that have been specially commissioned for the event! This one’s also ticketed but you get six — SIX — writers for the price of one event!

Reshuffling The Pack with MacGillivray and Courtney Sina Meredith
Sunday 20th August, 5pm
Edinburgh International Book Festival, Writers’ Retreat (Charlotte Square)

I’m chairing this one, but I’m counting it as a gig because I am super excited and also SUPER NERVOUS about doing it! These two poets are very different, but both of them make mind-blowing work that is complex, experimental, political and brilliant. This one is well worth every one of the shiny pounds of its ticket price… come and ask smart questions in the Q&A, and I shall field them!

She Grrrowls
Monday 21st August, 7.20pm
Black Market (venue 399)

My second go at this fine feminist night… again, I will be one of three features! The other two are Katie Pritchard and Kathryn O’Driscoll. There’s also that open mic, if you fancy coming and sharing a stage with yours truly!

That’s What She Said
Tuesday 22nd August, 5.45pm
Bar Bados, Cowgate (venue 281)

I am really excited to be reading as a feature at this bloody amazing women’s spoken word night, run by none other than fellow #GrrrlCon organiser and all-round magical goddess Jane Bradley! I get to appear alongside Rosie Freakin’ Garland!!! And also my lovely lovely pal Sasha de Buyl — trust me, you do NOT want to miss a very rare appearance by Sasha! That’s What She Said is doing a whole run, and every single night looks absolutely golden. It’s at a great time of day as well… come along before you head to your evening shows!

Coffee and a Poem with Paul Muldoon
Thursday 24th August, 10am
Golden Hare Books, Stockbridge

YES, I AM CHAIRING AN EVENT WITH PAUL MULDOON. YES, THAT PAUL MULDOON. Obviously come along to this one because it’s PAUL FREAKING MULDOON. But also, come along and make supportive faces at me so I can at least attempt to form sentences in the presence of this man? The event is, after all, free — and you get coffee!

Please come along to these events, friends! But mainly come to this one. Seriously.

The Next Big Thing: my first collection

Wednesday, January 23rd, 2013

huge_typewriter

You’ve probably seen this meme/questionnaire thingy doing the rounds of literary blogs lately? I have, and was kind of dreading my inevitable tagging. However, I found that filling in the answers below actually made me feel quite uplifted and hopeful about the scattered, half-finished MS that is my forthcoming first collection of poems (it has a working title, but it has a kind-of rude word in it. I’m not sure if I’ll have the bottle to keep it, or if a publisher could stomach it, so I’ll keep it secret for now). Thanks very much to Andy Philip for the nudge! You can see his answers here, at his blog Tonguefire.

Where did the idea come from for the book?
It’ll be my first full-length collection, so I feel a bit like I’ve been working towards it ever since I began writing. However, the central themes that are coming to define the working MS really started to emerge last summer, when I did a writer’s retreat on the Greek island of Hydra. It was July, and much too hot for me to be outside between the hours of about 10am and 5pm, so I was almost literally walled inside this one-room cottage with the Selected Poems of Adrienne Rich, and a notebook. I think it’s the most productive I’ve ever been.

What genre is the book?
Poetry. I’ve been experimenting, writing much longer poems than my usual, but I’m still not sure of them. They may yet end up on the cutting room floor.

What actors would you choose to play the part of your characters in a movie rendition?
I’d love to see a poetry collection — though not necessarily mine! — become a series-of-vignettes movie, like Jim Jarmusch’s Coffee and Cigarettes, one of my favourite movies ever. Like The Mermaid and the Sailors, this book is going to contain a lot of strong women. I can totally see Annette Bening “playing” one of these poems, she’d be great.

What is the one-sentence synopsis of your book?
Oh dear, I’m really crap at this. I remember people sending blurbs for The Mermaid and the Sailors that said things like, “these are poems about x, y and z,” and I thought, “are they? Oh yes, I suppose they are.” So you may have to wait until the book exists properly, and ask someone who’s read it. The closest I can get right now is, “a collection of poems about women… and maybe anger.”

How long did it take you to write the first draft of the manuscript?
See my first answer! There are some poems going in here from as long ago as 2007. But there are also still some to write. I never, ever think anything’s finished. I’ll probably need someone to prize it out of my hands at some point and say, “for goodness sakes, it’s done.”

Who or what inspired you to write this book?
In the past two or three years, I’ve widened the focus of my life. I’ve forced myself to get out of my comfort zone in my work, in my slowly-growing activism, and also in my cultural intake: what I read, watch and attend. I always used to tell my own stories — old family anecodotes nicked and turned into poems, experiences I’d personally had. Now I want to tell stories about bigger things. I’m really interested in class now, and privilege. I feel a real desire to write more about those things.

What else about your book might pique the reader’s interest?
The MS isn’t finished yet… I’m still not sure what’s definitely staying in, and what’s going. But there might be a poem about donkeys. There’s a poem about Allen Ginsberg’s mum. There’s a poem where I answer back, quite cheekily, to Carol Ann Duffy. I’ve also written a series of haiku set in the knicker department of Marks & Spencers in Carlisle… but I’m pretty sure I’ll chicken out with that one!

Will your book be self-published or represented by a publisher?
That remains to be seen! To be honest, getting a first collection placed at the moment seems to be a bit of a nightmare, so I’m not really thinking about it too much. I’m keener to end up with a collection I can be really proud of.

The writers I have tagged are:
Colin McGuire
Helen McClory
Char Runcie

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Featured Poem, ‘Reducio Ab Absurdum,’ by Colin McGuire

Tuesday, January 8th, 2013

Poetry @ The Rag Factory 14/12/12

Reducio Ab Absurdum

Shakespeare’s more a performance poet
a throat poet, a fire and tongue type.
A poet of larynx, a diaphragmatic breathing poet
Not a serious poet in a gentleman’s jacket.

I’m a page poet; a take the time and consider
the exact length and breadth of the line poet.
I am an architect with form but never formulaic.
I am a master of design but not mastered by design.

Heaney’s more a performance poet;
a wave-your-arms-and-gesticulate-wildly-and-know-it.
A show it all and throoooooow it at you poet.
Not a serious poet who reads the classics and shows it.

I’m page poet, a literary allusions and allegorical conclusions poet.
A lay subtle structure which unravels a slow-burning conundrum poet.
I take the time to make something so delicate even a breath could break it
yet it withstands that breath, and you cannot fake it.

Sexton is more a performance poet; a shout at the top of your soul poet.
A rant in the mirror solipsistic I-alone-exist-and-will-prove-it-poet.
A should have been an actor instead but never knew it poet.
I wrote this on the loo and you can whiff it poet.

I’m a page poet with stable demeanour and quiet composure.
I build poem liners out of the thin matchsticks of words
and they set sail quietly on calm waters across oceans of eyes.

Rimbaud is more a performance poet.
A of the internet-attention-deficit-quickly-type-it-with-no-edit-poet.
A scribbler of slapdashery, a knee jerk reactionary bound to be burned
as waste under the well read eye of reality.

I’m a page poet. An on the crusade poet. Here to explode
the false dichotomy of page and perform it, show and tell it poet.
Let the words carry the weight we carry. Let tastes divide.
Quality lingers upon the shelf life longer than the debate will have it.

(In the jungle the soul’s wild eyes glare white in the shadow.
The cauldron of the heart sounds like a warm drum.
We continually reach out to that which is comprehensible.)

McGuire: A thin 30 year old Glaswegian man, touch giddy in the head, sometimes poet of mangled form and dirty prose, sporadic drummer, drunk grammarian, waffler, painter using crayons, lover, hater, learner, teacher, pedestrian, provocateur, wanderer, confronter of shadows, irritating whine. He mines the darker regions of Scottish Culture and Psychology. McGuire has produced a collection of poetry and short stories, printed by ClydeSide Press called - Riddle With Errors - and is currently working on a pamphlet due for release in 2013 with Red Squirrel Press. He reads regularly in Scotland and England. Find out more at: http://a-glaswegian.blogspot.co.uk/

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Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)