Posts Tagged ‘kevin cadwallender’

Featured poem, ‘King Water’ by Kevin Cadwallender

Tuesday, May 22nd, 2012

River Clyde in New Lanark

King Water

King Water opens himself
Tips his transparency into the day
Doodles a river on the landscape
Blots lakes and spills oceans.

Apologising for his absence
In desert and in drought,
Offers no explanations
His smile dangerous,
Tidal, sweeps us away.

Greeted like a god
He takes our worship,
Our need, and ignores it.

Moving off ,
Head in a cloud.
His memory only
Returning when he is gone.

He takes us for granted
And we take him if we can.

Kevin Cadwallender is an enigma wrapped up in a mystery except on the days when he is a puzzle shrouded by questions. He lives and writes in Edinburgh often at the same time. Google him!

*

Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!
*

You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

‘The Mermaid & The Sailors’ by Claire Askew, published by Red Squirrel Press

Monday, March 28th, 2011

The Mermaid and the Sailors cover

Praise for “The Mermaid and the Sailors”:

‘Claire Askew’s verse can be enjoyed for its playfulness and sharp wit. More rarely, it can also be treasured for its sureness of voice, its rich linguistic texture and deep emotional core. Rooted in the everyday, she has an ability to make the ordinary startling. Often funny, frequently startling in her imagery, she is adept at giving us the surprises, anxieties and estrangements of the modern world. But a series of poems about grandparents, of vividly rendered domestic interiors and Northern landscapes, also haunt with their poignant sense of belonging and loss. The Mermaid and the Sailors offers a procession of poems that have been honed with precision and skill, but which are effortlessly entertaining, echoing in the mind long after one has read them. This generous debut pamphlet confirms that Claire Askew is one of the most distinctive young poets to emerge in Britain in recent years.’

ALAN GILLIS

‘These finely tuned poems, studded with arresting and memorable images, often resonate with loss and longing, absences and distances, yet many are shot through with a wry and sometimes very dark humour which unsettles even as it delights. People’s inner lives come alive in these poised and telling narratives. Claire Askew is a fresh and highly distinctive new voice.’

BRIAN McCABE

‘Askew’s debut pamphlet displays great assurance. Her poems impact immediately, offering brief yet memorable vignettes of quiet lives and moments … one senses a major talent emergent in The Mermaid and the Sailors.’

ROBERT ALAN JAMIESON

‘Claire Askew is a young poet at once cosmopolitan and distinctively northern, with a fine ear for the aptly-placed colloquialism, the unusual word. A skilful and understated user of form, at times she is painterly, allowing sequences of images to play out like stills from a lost reel of footage, and at other times joyously musical, creating an interplay of word-sounds whose sheer energy draws the reader onward. “The Mermaid and the Sailors” is a welcome first publication from a sparky new writer.’

KONA MACPHEE

‘Askew writes with haunting precision, bringing to life the magic and wonder of the things we ordinarily overlook or take for granted. These are poems to savor, poems of electrifying intimacy and startling beauty.’

SAM MEEKINGS

Cover image: Miriam Parker // Cover design: Leon Crosby (leon.a.crosby@gmail.com) // Editor: Kevin Cadwallender // Publisher: Red Squirrel Press