Posts Tagged ‘poetry’

You should read this: “Furies, A Poetry Anthology of Women Warriors”

Monday, September 29th, 2014

Furies Poetry Anthology #FBSFuries

2014 is the year of the #ReadWomen2014 campaign. It’s sad that such a campaign exists in the twenty-first century, to be honest… how the heck can it be that we still live in a world where men who write are “writers,” but women who write are “female writers”? Just the other day, a friend of mine asked their Facebook friends for recommendations of poetry to read… and the first fifteen or so recommendations were all for male poets. When I queried this, one of the commenters responded, “well, [person who requested poetry] has just been through a binge of reading women, so I didn’t recommend any!” It’s a weird attitude, but it’s alarmingly common: most of the time you read, and then sometimes you read women.

It’s because of these bizarrely 1950s-style attitudes (and this is all before you get to the really depressing stuff, like the VIDA count or this, by the way) that I am always keen to get involved in projects that promote and encourage the work of women writers. Furies, the first ever poetry book from the brilliant all-female book-geek’s dream that is For Books’ Sake, is very much one such project.

This is the poetry of wronged and revolutionary women, the new verse that emerges when poets take a sinner and spin her anew. Here, Furies arise from history and myth to set the story straight once and for all. For many, the Lazarus trick spans only the space of a verse in which they tell their tale. The rest of the resurrection, the living on beyond the page, relies on the reader to keep telling and retelling, and then telling once more. Traditionally, ghosts haunt because they still have something left to say. This is their stage.

FURIES is the first poetry collection from For Books’ Sake, compiled following an open call for submissions that attracted over 700 entries from across the globe… all profits from the collection (a minimum of £5 per copy) will be donated to Rape Crisis England & Wales.

Furies Poetry Anthology #FBSFuries

Furies Poetry Anthology #FBSFuries

Furies features my poem Poltergeistrix, which you can also hear a recording of right here — and I get a rather lovely mention in the introduction. Always a little anthology bonus! If you want to read the whole poem — and of course, the many other fine poems by other women warriors! — you can order your copy of the anthology here.

Furies Poetry Anthology #FBSFuries

This is what a woman warrior looks like.
Apparently.

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #132

Friday, September 26th, 2014

tea for me

These dismally low numbers provide a reminder that “access” to education is more complicated than simply throwing open the digital doors to whoever wants to sign up. So how can we turn the mere availability of online instruction in STEM into true access for female students?

Are girls under-respresented in STEM classes because they learn differently?

Poetry books to buy in September. (I have poems in both Be The First To Like This and Songs of Other Places, so definitely get those!)

…and Be The First To Like This now has a Twitter!

She will tell you about how, when she was small, she could lose herself in a novel for hours, and now, all she can do is watch the tweets swim by like glittery fish in the river of time-she-will-never-get-back. You will begin to chafe at what sounds like a humblebrag—I was precocious and remain an intellectual at heart or I feel oppressed by my active participation in the cultural conversation—but then you will realize, with an ache of recognition, that you are in the same predicament.

Reading insecurity: it is a thing. (I loved this article!)

Bad Book Cover Redesigns, as skewered by Flavorwire (I’ve always felt a little uncomfortable about those ‘Murakami is Japanese!’ covers).

It’s very interesting to see what a publication like the Metro thinks are ‘ten books you need in your life.’

The more reading moved online, the less students seemed to understand. There were the architects who wrote to her about students who relied so heavily on ready digital information that they were unprepared to address basic problems onsite. There were the neurosurgeons who worried about the “cut-and-paste chart mentality” that their students exhibited, missing crucial details because they failed to delve deeply enough into any one case. And there were, of course, the English teachers who lamented that no one wanted to read Henry James anymore.

Related to reading insecurity: what online reading is doing to us.

Marina Warner (aka The Woman I Would Most Like To Have As An Aunty Except My Actual Aunties Obv) just quit her teaching position at the University of Essex. She pulls no punches in telling us why.

Zadie Smith reckons there are two types of writers.

If the hero is police, then he’ll be the departmental maverick, too honest and decent to engage in office politics yet laser-focused on nailing his perp. Often there’s a murdered relative, almost always female, to juice this crusader’s motivation. His marriage will have fallen apart because he’s too stoic and too devoted to the Job to sustain a real relationship. But he’ll be devoted to his kid and a one-woman romantic at heart, even if hardly anybody ever gets near that heart. He’ll brood a lot and go home alone. He’ll have a temper, but a righteous one. He might drink too much or be too ready with his fists, but that just makes him a bit of antihero…

Rebus, much?! If you’re sick of cookie-cutter crime fiction, the answer is simple: read women.

Indie bookstores are on the rise again… yay!

The 7 stages of falling in love with reading.

Several times a year I am the recipient of emails or phone calls from friends, colleagues, parents, or complete strangers in search of writing guidance. Often the messages begins, “Hello, my name is Barbra. My daughter wants to be a writer. She’s very talented. Jill Matthews said you might be able to . . .” What follows ranges from, “give some advice” to “edit her trilogy.” These types of messages leave me sighing, not because I don’t enjoy cultivating new voices, but because how those people perceive the writing community and the writing vocation is often vastly different from actuality.

Do you get these emails? (I do!) Here’s a toolkit of things to send back in reply.

Press and PR… but for writers.

I LOVED this article about ‘life after the MFA.’ (Applies to other creative writing qualifications, too!) In it, one writer shares her “dream” back-of-the-book biography, then her real one…

One of the biggest mistakes I see in queries is what I call data-dump. This is when a query is too wordy or too long and is trying too hard to describe the world and/or fantasy elements.

Sending out your novel? Writer’s Digest have a great series showing successful query letters from real authors. Here’s one recent example!

This, also from Writer’s Digest, on applying for grants and residencies, is great.

The power of reading someone else’s words… and seeing yourself.

I’ve always been confused by this new found fetishisation of Scotch eggs and pork pies, with so many flash new pubs selling them at the bar.
I mean, I like Scotch eggs as much as the next Englishman, but I can’t help but think this kind of ancient casual bar snack cuisine they’re nodding to never really existed. Pork scratchings, yes, but Scotch eggs? You buy those from Saino’s, not from pubs. To me, pub cuisine will forever be associated with steak flavoured McCoy’s and the occasional reheated beef pie.

I’m not from London and actually don’t know London at all well, but I LOVED The Great London Gentrified Pub Crawl.

Cakes that are books… or books that are cakes? (I want the Hunger Games one!)

Celebrate Banned Books Week: read these books!


I’ve always loved ELO (sorry not sorry) but only discovered this song with the movie and now can’t. stop. listening.


I’ve posted this before but the video is so beautiful and very autumnal.


& I just discovered The Chin Review and haven’t laughed so much in a long time. So silly.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Need a writer? Book a writer! (& pick me!)

Tuesday, September 23rd, 2014

StAnza 2011 Preview
Photo by Chris Scott.

Have you ever fancied:

- organising a poetry reading?
- organising a reading of fiction?
- inviting a writer to come and speak at your community group?
- getting your youth group involved with creative writing?
- organising a talk about writing?
- having an author come and visit your book club?
- finding a really good judge for your slam?
- hiring a professional writer for just about anything at all?

Scottish Book Trust can help!
Right now, SBT is open for applications to its Live Literature Fund. This amazing, one-of-a-kind fund enables individuals and organisations to source a poet, author, storyteller or illustrator to take part in an event or events, and helps to pay them a proper fee. The Live Literature Fund has its own database of vetted writers and artists, each of them bringing a different skillset to the fore.

Applications for the latest round of Live Literature Funding close on 30th September, so if you fancy doing any of the above, get in there quick!

…and, if you’re stuck for a writer to invite, you could always pick me!

To date, I have:

- visited high schools and talked to students about all aspects of poetry, reading and writing
- worked with vulnerable adults (in settings like women’s support groups, homeless and vulnerably housed groups, and groups for intravenous drug-users), using poetry as a way to voice, share or move on from traumatic stories or experiences
- worked extensively with adult literacy groups to engage those who struggle with reading
- worked extensively with ‘reluctant readers,’ especially young men
- worked with refugees, asylum seekers and migrants to help them tell stories of home and homecoming
- judged many a poetry competition, and many a slam
- competed in many a slam, and won a few!
- taken part in panel discussions on all manner of things
- given talks on all sorts of stuff, from my PhD research into contemporary women’s poetry, to the strategies we need to adopt to get vulnerable individuals more involved in Scottish culture and the arts
- given hundreds of poetry readings to audiences ranging from four people in a field to an Edinburgh International Book Festival crowd!

I’m always up for a challenge, too, so if what you fancy doing doesn’t sound like anything you see listed there, that doesn’t mean I won’t be up for trying it. So if you successfully secure LLF funding (or even if you don’t, and find the funds from elsewhere!), feel free to drop me a line via claire [at] onenightstanzas.com, or you can follow my antics on Twitter. You can also read my profile on the Live Literature Database itself.

Good luck!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

30 before 30: the first six months! 2. Find a publisher for my poetry manuscript

Tuesday, September 2nd, 2014

Edwin Morgan Poetry Award
^ That would be me, reading at the Edinburgh International Book Festival! (Blurrily.)

I’m only a quarter of the way into my 30 before 30 “to-do list,” and it’s been a BIG six months for poetry happenings!

First off, there was this:

OMG!

…and this would be me reading Fire Comes, complete with strange CLAW HAND and terrible slouch (#6ftwomanproblems) at the award ceremony.

Edwin Morgan Poetry Award

In the judges’ report, Stewart Conn said:

Claire Askew’s voice is arrestingly and distinctively her own, imbued with a sense of caring and inducing, in her more intimate moments, a scarcely bearable poignancy. These poems are flexibly yet firmly structured, their rhythms unforced, words and imagery constantly seeming fresh-minted. And throughout, her work is invitingly accessible.

And Jen Hadfield said:

Askew’s is a humane consciousness, with a genius for communicating how people tick. There’s never any doubt with Askew about why her poems exist: they exist because they insist upon it. She writes with an agenda compellingly, harnessing flashes of imagist brilliance.

But all of ^ that stuff was basically eclipsed by THIS news…!

OMG!

I sent my manuscript out shortly after my birthday in March, and Bloodaxe was the first place I sent it. Bloodaxe has always been the publisher I wanted for my MS — in a wildest dreams sort of way — ever since I started to dare believe that my poetry might be good enough to one day be a book. Although of course I read poets from all manner of presses and publishers worldwide, a large majority of my all-time favourites — and of those whose work has influenced my own — are published by Bloodaxe. Their list is by far the most diverse of the UK’s larger presses, and I feel that Bloodaxe take risks and always strive for quality when it comes to the poets they choose to work with and the books they produce. It’s totally amazing to think that, in early 2016 when This changes things comes out, I will be part of a stable of artists that includes Mary Oliver, Jane Kenyon, Kerry Hardie, Karen Solie and dozens of other poets I have looked up to for years, if not decades. This news has literally made my year!

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Other amazing writing-related news since March…

One poem featured in New Writing Scotland 32: Songs of Other Places. I was also invited to read at the launch at Blackwells bookshop in August.

I submitted my poem ‘Hometown’ to Scottish Book Trust’s “Scotland’s Stories of Home” public participation campaign, and it was chosen to be featured in the Sunday Mail (without my prior knowledge, I should add)!

My poem ‘Poltergeistrix’ was selected to appear in the all-female anthology Furies, coming soon from For Books’ Sake.

Poems of mine were selected to appear in the anthology Be The First To Like This: New Scottish Poetry, coming later this month from Vagabond Voices.

Poems of mine were selected to appear in the all-female anthology Raving Beauties, coming soon from Bloodaxe.

My poem ‘Jack’ was runner-up in the Mslexia Women’s Poetry Competition, and will be published in the next issue of Mslexia… issue 63! You can order it here.

My poem ‘Dukkha’ was shortlisted for the Dermot Healy Poetry Prize.

Not to be sniffed at! But, as my 30 before 30 challenge goes on, I am increasingly adopting the mantra of President Josiah Bartlet…

MY NEW MANTRA!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

What I’m Doing Now. (In case you’re interested!)

Monday, September 1st, 2014

Ginsberg & typewriters

I’m not blogging all that much lately and this is a good excuse. I nicked it from Dorkymum, whose blog is excellent.

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Currently I am: sniffling. I’ve been off work sick twice in the past ten days, which is most embarrassing — firstly with what I thought was a migraine. Turned out it was sinus pain, and now I have full-blown snotball face into the bargain. I’m wrapped up in a cardi drinking tea and avoiding doing anything too taxing.

Reading: I just re-read White Oleander in a single Sunday. I think it was my fifth time reading it. I have never met another book so compelling, even when every word is familiar! Before that I read Ghana Must Go by Taiye Selasi… a novel that got a lot of hype and lists Andrew Wylie and Toni Morrison in the acknowledgements. I started it with a cynical eyebrow raised, I can tell you, but it really is very good. Takes a while to warm up, but you should read it.
(Of course, I always have some poetry on the go, too. Right now it’s Radial Symmetry by Katherine Larson — which is kinda bland, but with a few sparkly lines here and there.)

Listening to: Magpies. My street seems to be full of them at the moment, their monkey-like rattling. Supposedly if a magpie sings outside your window it means death.

Laughing at: Black Books. My bff Martyna — who was my undergrad housemate a shocking ten whole years ago — has just moved back to the UK from Poland and is crashing with us til she finds a flat. I have been introducing her to all my favourite TV shows (she loved House of Cards but shockingly does not share my undying love of The West Wing) and Black Books is her favourite so far. So funny, even if you’ve seen every episode a million times.

Swooning over: this flat, which Martyna, Lovely Boyfriend and I will be staying in when we head to Barcelona in six weeks’ time! I am very, very excited.

Planning: how I am going to use my extremely generous prize money from the Edwin Morgan Award. Right now I work three jobs — if you count Edinburgh Vintage, which I do — and I’m trying to think of a way I can give one of them up in order to use my time to write more. Not a bad dilemma to have, really!

Eating lots of: takeaway. Having Martyna around is making me feel 19 again, which is a good thing in all ways except I seem to have reverted to my undergrad diet of pasta, or takeaway if I can’t be bothered. Which may explain why I’ve recently got sick. Dear self, please return to adulthood now!

Feeling: conflicted, my usual autumn feeling. Autumn is my favourite season, I absolutely love it — but it is also a time that I use to steel myself for the long Scottish winter, which more often than not depresses the hell out of me.

Discovering: new places in my writing. I’m working on this brand new writing project that I have told only five people about (my parents, my sister, Lovely Boyfriend and Martyna), and I just can’t quite allow myself to tell anyone else what it is just yet. But it is proving to be hard and surprising and very fun. Watch this space.

Looking at: the trees. One of the things that really makes me depressed about winter is how bald the trees are, and for how long. They seem to be in full leaf for such a short period of time! So I am trying to look up as much as I can right now, and enjoy the last of the foliage.

Wearing: a cardigan I knitted myself! My first attempt! I made it way too big, because I didn’t follow a pattern (I’ve inherited my gran’s contrary knitter gene) and apparently I genuinely don’t know what size I am (I always just assume: huge). But it’s very cosy, actually quite neat and a great colour (this is the wool, in Blueberry). Mainly though, I am just proud I managed to make something that isn’t a hoop scarf for once!

Cooking: very little — see my “takeaway” answer earlier!

Wondering: how my garden will look next Spring. I am already excited to see things start growing again, as the growing season seems to be winding down. Eventually I want my front garden (an all-edible herb garden, except for two clematis which I’m training over my ugly porch and my uglier fence) to be really wild and fragrant and tasty.

Trying out: procrastination. This sounds ridiculous, but I am always doing something productive, even if it isn’t the thing I’m supposed to be doing. I procrastinate from writing by cleaning my house or listing new items on Edinburgh Vintage, or I procrastinate from preparing writing sessions for the Inside/Out Project by scribbling poems. Right now I am trying out real, not-getting-anything-done procrastination… drinking tea without my computer next to me, reading a book I’ve read a million times before, even (whisper it) watching TV. It’s actually rather good.

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #130

Friday, August 22nd, 2014

Edinburgh Festival

Is it, you may be wondering, good? No. But neither is it entirely bad. “Directing Herbert White” is the sort of collection written by reasonably talented M.F.A. students in hundreds of M.F.A. programs stretching from sea to shining sea. Which is perhaps not surprising, since Franco actually has an M.F.A. in poetry. I’m obliged here to note that this actor is well acquainted with the educational system, having apparently attended graduate programs at Yale, Columbia, New York University, Brooklyn College, Warren Wilson College, the Rhode Island School of Design, Le Cordon Bleu, Quantico, Hogwarts (Ravenclaw), the Vaganova School of Russian Ballet and the Jedi Academy.

This review of James Franco’s “jesus age” poetry collection is actually mildly complimentary!

If you read nothing else in this post, read the poem not an elegy for Mike Brown, by Danez Smith. alternate names for black boys is another beautiful and devastating piece of his.

Are you feeling despairing about the state of poetry today?

Her website (since removed) claimed incorrectly that she had been a Gilbert-Chappell Distinguished Poet, when in fact she had been in a program to be mentored by a Gilbert-Chappell Distinguished Poet.

Riiiight. SEEMS LEGIT.

Here are some kids moaning about great books on Twitter (Or I should say great books, except The Mayor of Casterbridge. I TOTALLY AGREE WITH YOU, CHILD.)

This article, though mostly common sense, had some smart ideas for marketing your novel — especially if you self-publish.
(Related: How to screw up a book proposal.)

Technology has upended the business of publishing at precisely the same time as writers with a broader range of stories to tell about human experience are finally gaining a platform. In the past year I have scarfed down novels by and about survivors of the mental health system, as well as immigrants, queers and angry young women whose experience informs their prose but does not define it. On those nights when I wake up worrying that some day I’ll have read all the interesting novels, I am comforted by the sure knowledge that there are more than seven billion stories to tell, and they’re being told better than ever.

Here’s Laurie Penny (quoting here does not equal endorsement!!!1!!!eleventy!!) doing the apparently-obligatory Journo Speculates On The Future Of Fiction piece.

I am so not a wedding-y woman, but these literary wedding ideas are rather lovely nontheless.

And while we’re being whimsical, here’s a cute literary Etsy treasury!

The internet is your friend, but not your best mate.

Never a truer word, sir! Matt Whyman on creating setting and place in your writing.

50 novels by women under 50… also known as My New To-Read List.

The Hand Drawn Map Association is a stunning collection of creative and alternative maps of everything from London to the human heart.

“As a writer who is also a woman, I increasingly feel that writing is a political act whether I intend it to be or not,” she writes, because we live in a culture in which [rape apologism] “is permissible and publishable. I am troubled by how we have allowed such intellectual distance between violence and the representation of violence. We talk about rape, but we don’t carefully talk about rape.”

I really, really, really want to go out for a beer with Roxane Gay.

I’m a sucker for these “Top 10 Most whatever whatevers!” posts, I know… but this Powerful Social Issue Ads one is really rather interesting.

Edible cupcake wrappers. You’re welcome.

I remember and cherish that scene: him running, naked thighs flashing, penis bobbing, her gasping and chasing after him in her old-fashioned white nightgown, the dogs barking outside.

I’m sorry, but It Happened To Me: I Broke My Boyfriend’s Penis is one of the funniest things I’ve read on the internet for quite a while.

It’s OK, you can stop looking. I found the best Tumblr ever. (My fav post.)

What lifting weights taught me about being a woman is GREAT. (It made me, allergic-to-exercise-woman, want to go and join a gym.)

Bleeding glaciers, blue lava, rainbow mountains, UFO clouds: these are Real Things In The World.

How tattooed people were saved from their terrible past choices.


Have I posted this stand-up before? Rape jokes: you are doing it RIGHT.


And I have needed this SO MANY TIMES lately.

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #129

Friday, July 11th, 2014

Something changed inside me,  you were fading away.

You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen—it becomes distorted, and it’s been diminished. The writing you end up with is an approximation, if you’re lucky, of whatever it was you really wanted to say.
When this happens, it’s quite a sobering reminder of your limitations as a writer. It can be extremely frustrating. When I’m writing, a thought will occasionally pass unblemished, unperturbed, through my head onto the screen—clearly, like through a glass. It’s an intoxicating, euphoric sensation to feel that I’ve communicated something so real, and so true. But this doesn’t happen often. (I can only think that there are some writers who write that way all the time. I think that’s the difference between greatness and just being good.)
Even my finished books are approximations of what I intended to do. I try to narrow the gap, as much as I possibly can, between what I wanted to say and what’s actually on the page. But there’s still a gap, there always is. It’s very, very difficult. And it’s humbling.

Just one of the brilliant, comforting and very true thoughts from How To Write: A Year In Advice. Read it! Even Jonathan Franzen has something sensible to say!

Scottish poetry books to buy in July — thanks, SPL! (I already have Dat Trickster Sun and it’s great!)

This is a great article by Scottish Book Trust’s Chris, on why Michael Gove’s new “ideas” for the classroom are more harmful than people think.

I don’t even know what to say about this: “I don’t mean that Twitter is stupid but rather that it rewards careful phrasing, careful impersonating, brisk readings of cultural attitudes — in short, rhetoric.” Go ahead and replace “Twitter” with “poetry” in that last sentence and tell me if the meaning changes any for you.

How Not To Review Women’s Writing is just completely sublime.

I just discovered Kim Addonizio’s twitter feed, and it’s full of small poems she’s written specially for Twitter! Brighten up your lunch break!

Reading can ruin your life. Trufax.

Not many writers manage to get sober and those who do often suffer a decline in output: testament not so much to the power of alcohol as a creative stimulant as to its role in destroying brain function, obliterating memory and playing havoc with the ability to formulate and express thought in former alcoholics. But Duras wrote one of her best and certainly most famous novels two years after she stopped drinking. The Lover tells the story of a 15-year-old French girl in Indochina who has an erotic relationship with – yes – a much older Chinese man. Much of the book was drawn from the violence and degradation from which Duras had emerged.

This article about women writers who drank was so good that I went straight out and bought the author’s book.

Where to submit your writing this summer. You’re welcome.

Here is a list of all of the books referenced on Orange Is The New Black in case you wanted to know.

Would it have made Sexton happy to know she won the award by default? She thought she’d won based on the merit of her work. Everyone else (except perhaps those in the know, the literary elite) thought so, too. That’s how awards look—on the outside. In the end, none of the jurors got what they wanted. And the Pulitzer Prize made Anne Sexton a star. She was primed for it: beautiful, sexy, chain-smoking, death-obsessed—“the living Sylvia Plath,” as she came to call herself. The first two books she wrote after winning the Pulitzer, Love Poems and Transformations, were bestsellers. They’re Sexton at her apex. The prize gave her confidence; it loosened her up. In Transformations she even let herself have some good, mordant fun.

How Anne Sexton won the Pulitzer Prize.

I guess I have to stop making snarky comments about James Patterson now.

This is a super positive way to look at rejection!

So what happens to nerdy guys who keep finding out that the princess they were promised is always in another castle? When they “do everything right,” they get good grades, they get a decent job, and that wife they were promised in the package deal doesn’t arrive? When the persistent passive-aggressive Nice Guy act fails, do they step it up to elaborate Steve-Urkel-esque stalking and stunts? Do they try elaborate Revenge of the Nerds-style ruses? Do they tap into their inner John Galt and try blatant, violent rape?
Do they buy into the “pickup artist” snake oil—started by nerdy guys, for nerdy guys—filled with techniques to manipulate, pressure and in some cases outright assault women to get what they want? Or when that doesn’t work, and they spend hours a day on sites bitching about how it doesn’t work, like Elliot Rodger’s hangout “PUAHate.com,” sometimes, do they buy some handguns, leave a manifesto on the Internet and then drive off to a sorority house to murder as many women as they can?

Your Princess Is In Another Castle is one of the best things I’ve seen written about Elliot Rodger and the tragic Isla Vista shootings…

…and another is this poem by Freesia McKee.

I really want to see this movie (named after my favourite song).

Instead of your real phone number, give a guy who’s bothering you the number of the bell hooks hotline! (WE NEED THIS IN THE UK.)

Tattoos on old people.

I like this picture of my cellulite is rather heart-warming. (And possibly, ought to be a body acceptance hashtag.)

OK, everyone go home. This eleven year old wins at everything.

DOG GIFS ALL DAY LONG BECAUSE FRIDAY.


Who needs Westeros?


THANK YOU SO MUCH SARAH for sending this woman into my life. (Don’t ask questions. Just watch this.)


& finally… here is a cat beating a human at Jenga.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #128

Friday, July 4th, 2014

Shine On

OK, before we get started…

EDINBURGH VINTAGE IS HAVING A HUGE SALE! This is for July only, so get in there and rummage! New items are being added all the time, too!

When you announce that you’re a ghost-writer, people look at you askance. Some say, “You’re writing about ghosts?” Others, with some condescension, ask you when you’re going to write your own book, the inference being that ghost-writing is for those who can’t make it up. And whilst there is a grain of truth in that, to my mind, ghost-writing is a skill and an art of its own.

I was fascinated by these confessions of a ghost writer, Sue Leonard, who does it for a living.

If you click nothing else in this post, click this fabby series of portraits: booksellers in their natural habitats. (As my collague Danny wrote when he emailed me about it “it’s a lovely series and it’s lovely.”)

This guy plants his self-published book in bookstores… and people buy it.

My loyalty to Levin in Anna Karenina is of an entirely different nature to my loyalty to, say, Paul Newman’s caesar salad dressing, which I like very much: it is not a preference but an affinity, an encounter so genuinely self-revealing that the relationship required me first to work and then to alter. My relationship with Levin cannot be improved upon or reproduced.

So I just finished reading Eleanor Catton’s “The Luminaries” [SPOILER: it is amazing, read it], and I am just as enchanted by this excellent essay she wrote about literature and capitalism. (Side note: I cannot believe this woman is only one year older than me. She is a total genius and makes me feel like a failure at life.)

As someone who works a lot with literacy learners, I loved this video of just a few learners describing their literacy journeys.

19 Dilemmas Every Book Lover Has Faced At Least Once

Not buying from Amazon is less a tactic of starving Amazon of a sale, they’re hardly going to miss it. Not buying from Amazon is taking those missed sales to other venues; Waterstones and independents. I’ve had people say to me off-handedly that they don’t expect Waterstones to be around in 5 years. That thought upsets me. So I’ll happily impulsively buy a nice hardback, a slightly overpriced cup of tea and cake as an investment. Please don’t squander my investment, Waterstones.

One woman’s vow to boycott Amazon: her end of year review!

And speaking of which… got a problem with Amazon? No matter what it is, here’s the cure.

Have you checked out Scottish Book Trust’s Opportunities for Writers page lately? Loads of good stuff there at the moment!

I drew plans of my protagonist’s house, her daughter’s house, her brother in law’s, and her friend’s houses. I also printed out, cut up and glued together images from Google maps to create my own picture of her local area.

Also at Scottish Book Trust this week: Novelist Emma Healy lists five practical ways to get to grips with writing your novel.

I can’t wait to read this.

Are you writing a book — fiction or non fiction — that’s somehow about medicine or health? The Wellcome Prize is now accepting entries!

I realise now that I am neither normal nor ordinary, and I become less and less ordinary as time passes. I don’t want to be told that I’m not allowed to react negatively to Paxman’s demand that I speak to everyone except people like me; people who have been historically excluded from poetry events by definition, by default; and who, when they raise that issue, get lumped in with a “pellety nest” by those who refuse to see their privilege

That’s the excellent Mark Burnhope, responding excellently to recently-retired, flailing-against-his-own-irrelevance Jeremy Paxman. (Buy Mark’s new book!)

Have you been to Looking Glass Books? You should go!

Poetry prize culture rewards “competent but unambitious verse lauded as the best our art-form has to offer”? Interesting reading in Poetry Review (via).

And speaking of poetry prize culture… the always-brilliant Dave Coates reviews John Burnside and Hugo Williams and, refreshingly, finds them wanting.

Going through some old bookmarks I found this great poem.

And this one.

There is an oversupply of PhDs. Although a doctorate is designed as training for a job in academia, the number of PhD positions is unrelated to the number of job openings. Meanwhile, business leaders complain about shortages of high-level skills, suggesting PhDs are not teaching the right things. The fiercest critics compare research doctorates to Ponzi or pyramid schemes.

I first read this just as I was starting out on my PhD. Yesterday I graduated. Turns out, the Economist was kinda right.

Have you, like me, ever wanted to escape the tyranny that is hair care? Check this out!

Aaaand while trawling old bookmarks I also discovered this My Mad Fat Diary gif, which may be the best gif ever. (SHARON I LOVE YOU.)

HIPPOS ARE BETTER THAN HUMANS. The end.


…and people say animals have no feelings. (Look how when she falls, he’s like, ADULTS, ARE YOU DOING SOMETHING ABOUT THIS?!)

All by myself from Richard Dunn on Vimeo.

You guys saw this, right? A dude got stuck overnight in an airport in Vegas… so he single handedly shot an epic music video on his phone.


Finally, I kinda want to be friends with these weird guys. (Apparently, so do all the MRAs in the world, because they’re hanging out in the video’s comments. Weeeird!)

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

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Seven pieces of writing advice from the speakers of The Business

Monday, May 26th, 2014

The Business writing event at Pleasance Cabaret Bar (1)

Last week, I was extremely flattered to be invited to speak at The Business, an event run by the University of Edinburgh and hosted by their Writer in Residence Jenni Fagan. The event was designed for budding writers who were keen to know more about the ‘business’ side of being a writer. I was asked to speak alongside publishing megastars like Francis Bickmore and Jenny Brown (!!!), and my topic was, essentially “is a Creative Writing PhD right for you?”

I think my talk went OK: the best part about it was definitely making my supervisor, Alan — who was hiding at the back of the room — blush quite a lot as I talked about what a brilliant mentor he’d been. But much better than my barely coherent ramblings were the talks of the other speakers. I hand-picked some useful advice from each of them for your reading pleasure…

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1. Jenny Brown of Jenny Brown Associates, literary agent:

“Don’t write to trends.”

I’ve seen Jenny Brown speak on many occasions, and she always manages to make her advice to writers fresh and relevant to what’s going on in the book world at that very moment. However, this piece of advice is always in there and I think it’s something a lot of young novelists (in particular) need to hear. “You can never get on top of a trend,” she says, “because by the time you get your novel out there, you’ll have just missed it.” Instead, she advises, you should concentrate on writing a great novel that you love, and that your agent will love. “I don’t pick books based on genre, or based on whether or not I think they will be commercially successful,” Jenny said. “I mean, those things are factors, but at the end of the day if I love your book, that’s the main thing. All the books I’ve picked to represent, I have loved.”

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2. Chris Hamilton-Emery of Salt, publisher:

“We need more narrative non-fiction.”

Did you know that the market for non-fiction is far larger than the market for fiction? “Fiction is declining,” Chris revealed, and he picked up on a point that Jenny had made about her love of nature writing. “Jenny said she was disappointed not to see more nature books. I agree. I wish more young writers would break into non-fiction earlier.” He said that for every fifty novels that landed on his desk, he’d see only one non-fiction work. (He also mentioned poetry’s market share: less than 1% of the entire book market. But then, we knew that, right?)

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3. Francis Bickmore of Canongate, publisher:

“The hair shines with brushing.”

Francis gave his own seven rules for writers, all of which were great, but this was by far my favourite. He said it came from a friend of his, another publisher, who’d been listening to one of their writers moaning about how many edits they were needing to do on their novel. “The guy’s response was, ah yes, but the hair shines with brushing. The hair shines with brushing. I think it’s Flaubert or something, and it’s so true.” In other words, edit, edit, polish, edit, polish and then edit some more. Make your writing shine.

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4. Stuart Kelly of The Guardian and many other places, critic:

“If you’re not interested in writing a novel that changes what the novel is capable of, get out of the business.”

This was probably my favourite piece of advice from the entire event. It’s something I might nick, except I’d replace the word ‘novel’ with ‘poem.’ What Stuart was saying is that the best novels are the ones that really push the boundaries of the form: one of the audience members gave the example of Jennifer Egan’s Visit from the Goon Squad, which happens to be my favourite novel ever, and really does do what Stuart’s talking about. “It’s not enough to just mention Twitter here and there,” Stuart said. “I’m talking about really experimenting with what this form can do.”

The Business writing event at Pleasance Cabaret Bar (10)

5. Peggy Hughes, of Dundee Book Festival, promoter:

“Perform your work in public.”

Peggy, aka the most-loved person in Scottish arts administration (no joke, she’s awesome) was in attendance to talk about the role of literary festivals in the writing business. She revealed that she routinely attends poetry readings, open mics and other literary events in order to scout for potential talent to book for her festival. “Go and read at these things,” she said. “You never know when someone like me might be sitting in the audience thinking, I should book this person.”

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6. Kevin Williamson of Neu! Reekie!, promoter:

“Embrace the improbable.”

Kevin’s talk was mostly about his whirlwind experience at the helm of the Creative Scotland-funded cabaret sensation that is Neu! Reekie! He talked about having his face put on a new whisky brand’s label, meeting Richard Hell and somehow managing to get Primal Scream to play at one of his gigs. But it wasn’t just half an hour of how cool Kevin Williamson’s life is: he also talked about how rewarding community work can be for writers, talking a bit about his experiences teaching the poetry of Robert Burns in Scottish prisons. “All the things that have happened to me have been pretty improbable,” he said. “When Neu! Reekie! started we had no idea where it was going to go. So just embrace it, just go with whatever comes to you.”

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7. Jenni Fagan of the University of Edinburgh, writer:

“Pace yourself… and get off Facebook.”

Jenni is in the middle of developing her novel The Panopticon (which is good and you should read it, by the way) into a film script, so she fielded a lot of questions from the audience about that side of things. However, she warned that “98% of all films never get made,” and pushed the importance of focussing on the writing first and foremost. “I got off Facebook because I found that I was looking at things like the best way to peel a banana, and then from that I clicked on to a really cute photo of a koala bear… and then before I knew it I’d spent a whole hour and all I’d done was surf a bunch of crap.” She says writers ought to focus on removing anything from their lives “that takes you away from words,” but she also noted the value of pacing yourself, and knowing that everything does not happen at once. “I have this idea for another novel,” she said, “but I am pretty sure I won’t start writing it for maybe another five or ten years. You just have to let things take their course.”

Incidentally, if you have any questions about Creative Writing PhDs, keep an eye out for a post on the topic in the next little while!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #127

Friday, May 23rd, 2014

take it easy

Average earnings in the UK were around £26,500 in 2012. To make this amount on a book contract for a paperback edition selling at £7.99 that pays 10% a writer would need to sell 33,166 copies a year. And that’s if the book isn’t discounted as part of a 3 for 2 promotion, for example. That is a lot of books! To put it in perspective to get to number one in the UK paperback chart last month you’d have needed to sell almost 20,000 copies a week. This means that going to number 1 doesn’t even earn you the national average wage (and that book may have taken the writer months or even years to produce). The odds of making a mint are very long - writing is a risky profession. And like most jobs in the UK there is a glass ceiling. Female writers on average earn only 77.5% as much as their male counterparts. Their books are also less likely to get reviewed in the traditional press or for that matter win awards.

Can’t believe I forgot to link this in my last PS. If you read nothing else from this post, read this: Sara Sheridan being real about what writers earn.

Nic Cage wants you to READ, and other hilarious and shocking moments in literary history.

OMG Julianne Moore has been cast as President Coin in the Mockingjay movies and look, she’s perfect.

[Paterson] is counselling against navel-gazing, against writing for the precious few, but his notion of the poor, undoted-upon general reader is a vision of himself in the throne room of every individual’s brain.

Jon Stone of Sidekick Books called out Don Paterson on what can only be described as some major bullshit. And it’s amazing.

The habits of highly sensitive people. aka, writers.

Muriel Rukeyser had some extremely smart things to say about poetry.

I’m only a year or so into an MFA. I stop by the office of a friend, an older white poet in my department. Publication to me feels impossible then, and the friend means to be encouraging when he says, “With a name like Jaswinder Bolina, you could publish plenty of poems right now if you wrote about the first-generation, minority stuff. What I admire is that you don’t write that kind of poetry.” He’s right. I don’t write “that kind” of poetry. To him, this is upstanding, correct, what a poet ought to do. It’s indicative of a vigor exceeding that of other minority poets come calling. It turns out I’m a hard worker too. I should be offended—if not for myself, then on behalf of writers who do take on the difficult subject of minority experience in their poetry—but I understand that my friend means no ill by it. To his mind, embracing my difference would open editorial inboxes, but knowing that I tend to eschew/exclude/deny “that kind” of subject in my poetry, he adds, “This’ll make it harder for you.”

Freesia sends me all the best links. This essay is called Writing Like A White Guy, and it is brilliant.

Here’s a big list of feminist literary resources. You’re welcome.

And here’s a nice poem I liked.

THAT THIS IS WHAT BEING A TEENAGE GIRL IS MEANT TO FEEL LIKE. I wanted to make them write out those words a hundred times each day. Embroider them on cushions. Have them printed on a t-shirt. Instead I started writing YA novels.

YA author Sarra Manning, defending “difficult” teenage girls in fiction.

Ever been ’splained at? 10 simple words all girls (& if you ask me, women) should learn.

Terrible real estate photos: one of the most fun parts of house hunting, I thought.

Aaron wrote me a very lovely email saying that Toby is one of his favorite characters he’s ever written, and he talked about our relationship building that character. He said, “I’ve heard what’s happening to your character [Toby was fired and faced years in prison during season seven but ultimately was pardoned] and I’m so sorry.” And that’s how I felt: very sorry that they had chose to do what they did. They didn’t tell me in advance like Aaron and Tommy would have. Clearly they didn’t want to tell me because they were scared of my reaction to it. I would have talked them out of it because it was not in line with the six years of work that I built with that character. I was very, very hurt by it.

^ That’s Richard Schiff talking about his role as Toby in The West Wing (my all-time fav TV show). It comes from this amazing TWW retrospective which only makes me love the show (& oddly, hate Aaron Sorkin) all the more.

The 100 Most Important Dog Pictures of All Time is a Friday must-see.

So is the brilliant Saving Room For Cats.

Calling Beyoncé a terrorist in a moment when 300 Black girls from Nigeria are being raped and otherwise terrorized daily and can’t nobody seem to come up with a strategy to get them back is not only intellectually and politically irresponsible – it’s ill. bell hooks knows Beyoncé isn’t a terrorist.

bell hooks is a heroine of mine, so I was pretty disappointed by her recent comments on Beyoncé. Thankfully, Dr Brittney Cooper created this brilliant response.

Here are some photos taken by daredevil Russian dudes who climb skyscrapers for fun. Beautiful and terrifying.

Last week I went to visit the lovely Jill Calder at her studio, and she made me these. AS AMAZING AS THEY SOUND, folks.

I find women fascinating. I adore men, however, I really sometimes try to observe particularly how, when women talk to me about something, we both begin to hear the whole story. There are layers and levels operating in any conversation: protection mechanisms, what she does say, what she doesn’t say, to a lover, friend or boss. All these things become part of the story. How she responds and doesn’t respond. How she tells me. She might have started talking about one song, but now she’s part of an emotional relay, a baton-passing. It’s a circular giving. There’s the woman in a song, which tells a story, which touches someone, which becomes another song. It’s so powerful—a woman finding the strength to confront her situation because of another woman’s story.

Tori Amos? Total badass.

& finally, here are three amazing animations of Charles Bukowski poems:

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)