Posts Tagged ‘scotland’

Guest Post by Sally Evans: “Elizabeth Burns, A Friendship.”

Monday, October 26th, 2015

Sally Evans and Elizabeth Burns
Eye to eye: Sally Evans and Elizabeth Burns, in Edinburgh in the 1990s.

I’m not sure whether I first met Lizzie Burns in Edinburgh at the First of May, Women Live, or the early School of Poets. Certainly I met her in all those milieus and whatever the circumstances we were soon good friends. It was the early 1980s.

Lizzie saw me as a feminist writer, while I saw her as one. She liked my young children and the way I tried to care for them, in addition to writing, and, I expect, my curiosity about what was going on. I was interested in her Scottish background, her poetry, and her feminist and bookselling friends. She was nearly twenty years younger than me, or I older, but that was never mentioned or indeed noticed. She was quiet and shy, quite the opposite of me, and with her quiet voice wouldn’t read her poems at events. She already had her characteristic grasp of phrase, together with a strong interest in people and their characters. We met in town and visited each other’s homes, and once I visited her parents’ home at Corstorphine. We shared new writing and gossip about our mutual friends, and went to cafes, Women Live events, School of Poets sessions in the Tweeddale Court building of the Poetry Library, etc. We were by no means exclusively friends with each other but we came to know each other very well.

The Poem for Peace was a joint project between us. Peace activists were prominent among the young people in Edinburgh and we capitalised on the number of poets one could then find lurking in Edinburgh places and pubs, by concocting a communal poem to be written by these poets on four rolls of plain wallpaper, which we lugged round from the Sandy Bells to Rose Street, the old Traverse building, and such places until we had 120 poets’ contributions, from the most eminent Edinburgh poets to the most casual, musicians, songwriters and more poets, all in holograph, scrawled on the wallpaper rolls. We laboriously typed out the MSS and submitted it to Canongate Publishers, then run by Stephanie Wolfe Murray, who kept it just long enough to send it up for a possible Arts Council grant, and then returned it, commenting that it was one of the few books of poetry that would actually sell. We considered publishing it ourselves but this was well before the days of diehard – I hadn’t met Ian then nor had Lizzie met Alan, though these events in our lives were to come very soon.

My marriage had been clearly unstable for a long time, although my children were young, and eventually my husband moved out of our house, at first into Lizzie’s old room in her flat in London Street – when she moved to her house in Tollcross.
A visit to the Lancaster area with my kids and Lizzie followed. My father, ill in old age, had vacated his house, at that point temporarily I think. We had a country holiday and Lizzie went off to visit Haworth on her own one day, coming back laden with research on the Brontës.
Changes happen fast in the cities and soon enough Ian and I had joined forces and were setting up Old Grindles Bookshop (which opened in 1987), while Lizzie’s interest the First of May, the left-wing co-operative bookshop, ran itself into the ground after ten successful years.

By 1997, when poems by Lizzie appeared in the first issues of Poetry Scotland, we were both much busier with other things and we saw less of each other, but were still in touch. Soon Lizzie and Alan Rice were calling into Grindles which was by now our Edinburgh daytime home. Lizzie next became a new mother, to her own and everyone’s delight. I went to a happy welcoming event for the baby in a hall near the Pleasance, where Hamish Henderson blessed the baby – no surprise that Alan and Lizzie knew Hamish well.

Next time I saw Lizzie, it was in Lancaster, where they had moved for Alan’s work, and where she now settled to a life of writing and bringing up her two daughters.
In 1999 we published her book The Gift of Light. (The Arts Council wanted us to call it Dragons in the Car Park, but we resisted.) Lizzie didn’t like Ian’s carefully chosen bold cover design, so we substituted a printed marbling design which filled the gap, but didn’t please anyone particularly well. Lizzie was an author who found working with publishers rather difficult. This was another effect of her retiring nature. Pamphlets, such as those she made with Galdragon Press, probably suited her better than working with any of her book publishers, Polygon, diehard, Shoestring and lastly again, Polygon
None the less, The Gift of Light showed Elizabeth’s progress, and the sustaining of her sensitive poetic style, and it undoubtedly filled its function as part of her oevre.

Alan and Elizabeth finally decided to get married and had a typically simple and happy wedding party on the beach at North Berwick, with her children in attendance and a private visit to her parents to follow. Here I met one of her potter friends, who was to play a part in her later poetry.
Because Elizabeth didn’t particularly like the internet – which fitted in with her shyness – our relationship had the old-fashioned characteristic of long intervals without being in touch at all. It was a major difference between us, that she was such a private and I such a public person. Yet determination and grit were not lacking in her make-up, for she always knew what she wanted and strove to achieve it.

We still met up after Ian and I moved on to Callander, when her family sometimes called during their trips to Scotland, and practically every year at StAnza where we both had many other friends, Elizabeth in fact being a St Andrews graduate. The first time they called at Callander, Lizzie’s daughters were joking that she couldn’t be called Elizabeth Burns Rice.

I have my own strong links with Lancaster – my family lived near there from my late teen years, my parents died there, & my brother recently bought back our home in Kirkby Lonsdale. Old memories include writing to enquire about a library job at the newly proposed Lancaster University, when the new Librarian, himself only just appointed, wrote back delighted that someone even knew he existed, though he at that time had no prospect of extra staff.

I was in Lancaster this summer when I had a phone call from my husband. Alan had telephoned to tell us of Lizzie’s death and the funeral. I was very shaken up. I had written to her a couple of months back – May or June – and had a small note in reply, which did not mention her illness. She knew I would now often be in Kirkby Lonsdale and the idea was we would meet up in Lancaster or Kirkby Lonsdale fairly soon. The occasion of my letter was her winning a prize in our Tinker’s Heart haibun competition, in which she wrote of her beloved Solway Firth. I had sent her a small card, hand printed by Gordon Chesterman, of Wordsworth’s Lucy poem. I have another copy of it in my kitchen and it’s a constant reminder of Lizzie.

It hadn’t been an active Edinburgh festival for us – the car was getting old, the traffic conditions less favourable within the city – parking had been suspended in some of my regularly used places, and we couldn’t get back to Callander without the car, particularly late at night. I knew she had an exhibition on but didn’t make it along. I did hear someone mention that Elizabeth was ill, but given my recent letter from her, I heard no alarm bells. Meanwhile her husband, daughters, sisters and mother had been supporting her through months of turmoil while she wrote, wrote and wrote.

I remember when John Cargill Thompson was very ill, I asked him, Can’t you write through it? And he replied, Don’t be silly! It struck me then, that the difference between a poet and other kinds of writers is that poets will write through experience, while other writers will not write while they are below par, though they may use their experience afterwards when they consider themselves in a fit state to write. Elizabeth wrote a whole booklet in her last months – Clay, and copies of it were available after her funeral, an event of light, garden flowers and youth, in the substantial Friends Meeting House in Lancaster.


Sally Evans is a poet, and publisher, editor and blogger of and about poetry. She has three collections of poetry, including The Bees (diehard, 2008). As a Gaelic learner, she has done translations from the Gaelic; she is the translator of the title poem in Christopher Whyte’s Bho Leabhar-Latha Maria Malibran/From the Diary of Maria Malibran (Acair, 2009). She is the editor of Poetry Scotland broadsheet, and lives in Callander, where she hosts the annual Callander Poetry Weekend.

Having spent much of her life in Scotland, Elizabeth Burns lived in Lancaster where she taught creative writing. She published four books and several pamphlets of poetry. Her publications inlcude Held (Polygon, 2010) and The Shortest Days (Galdragon Press, 2008), which won the inaugural Michael Marks Award for Poetry Pamphlets. Elizabeth passed away on 20th August this year.


Where is Claire? Readings & events for Summer 2015

Monday, June 1st, 2015

Poet Claire Askew
^ Yeah, that’s me! From a photoshoot for the Herald Newspaper, photo by Julie Howden!

Still not sick of me after my various Spring 2015 outings? No? In which case…

The Dark Horse: 20th Anniversary Issue Launch
Thursday 4th June, 7pm, The Voodoo Rooms (Edinburgh)
I am so excited to have poetry featured in The Dark Horse once again, and this time in the sure-to-be-amazing 20th Anniversary issue! I’ll be reading alongside literary GIANTS Alasdair Gray (yes, really), Douglas Dunn (OMG) and Vicki Feaver (I am not worthy) at the Edinburgh launch.
UPDATE: sorry, it’s now SOLD OUT!

10Red (or TenRed… I am never quite sure!) July
Wednesday 1st July, 8pm, Persevere Function Rooms (Edinburgh)
UPDATE: After a bit of a last-minute diary reshuffle, I am no longer reading at 10Red June, but 10Red July! My feelings about 10Red, below, have of course not changed in the slightest!
I am always happy to be invited to read at 10Red, one of Edinburgh’s most reliably excellent live literature nights. I don’t yet know who else is on the bill, but please do come along to see me, and doubtless 9 other bloody excellent people. There’s also the increasingly famous mega book raffle, and entry is a very reasonable three quid.

Launching “Shoreline of Infinity“, a brand new Scottish sci-fi magazine
Thursday 2nd July, time + venue TBC (Edinburgh)
Remember the brilliant science fiction anthology Where Rockets Burn Through: Contemporary Science Fiction Poems from the UK? I had a couple of silly poems in it, and wrote about the launch here? Well, the editor of that publication, the esteemed Dr Russell Jones, has set up his own science fiction journal, Shoreline Of Infinity, and is holding a summer shindig to introduce it to the world! I’ll be reading at it, alongside Ryan Van Winkle, and probably Russell himself, as well as some other fine folks TBC. More information when I get it, but for now, put the date in your diaries!

Just Festival: contemporary women’s writing event (chaired by me!)
Thursday 20th August, 4pm, St John’s Church
This is all very TBC… I can’t tell you yet which women writers are going to be involved but, like anything that’s part of Just Festival, it’s going to be good. And I am going to be chairing it! Make sure you reserve this particular Thursday afternoon because you’ll want to be at this event, I promise!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

More reasons to Write Like A Grrrl!: spaces on the May course

Monday, April 27th, 2015

(Photo credit)

You must have been living on the moon (with no wifi, obv) if you haven’t noticed that I am running a(n amazingly fun) all-female writing course in Edinburgh at the moment! It’s called Write Like A Grrrl!, the Edinburgh version started in January, and I have already posted some responses to the course from the women who bravely signed up for the first round.

I’ve just finished the second Edinburgh Write Like A Grrrl! course and I don’t think it’s at all an exaggeration to say that it’s going from strength to strength. I have loved teaching both ‘blocks’ and meeting the wonderful women who signed up — and I am now booking for a third course, starting on 12th May.

Here’s what some of the March/April ladies had to say about Write Like A Grrrl! Edinburgh:

Talking things through and getting different perspectives is so helpful. Meeting other really cool writers has been amazing… if you are serious about getting serious about writing, it’ll kick you into shape. I’ve written more in six weeks than I had in the previous six years. I don’t want it to end.

The chance to speak informally with like-minded people and be reminded that the first draft won’t be perfect but it’s important to keep going… I’d wholeheartedly recommend it. Even if I never write another word (which won’t happen!), I wouldn’t regret taking the course.

It’s been a great kick-start for me and I’ve enjoyed forming our group and sharing the experience with others. Getting the basics has also been so helpful as I’ve not done creative writing since school, and found the idea of other creative writing courses intimidating. This felt relaxed and accessible. Thanks, Claire, it’s been ace!

Do it! It cures all self doubt. It stops you from being your own worst critic.

I would say that it stops you from procrastinating and makes you get on with it. It’s not a passive course – don’t expect to be spoon-fed. There is work! But it’s excellent. And I doubt there is anyone who actually manages to finish it and not feel that [writing] is something they can do, and even enjoy doing!

I always found it hard to even start anything. I’m now looking at things differently and finding inspiration in the oddest places. I would say that it’s a great way of getting started on the road of writing… if you’re stuck, this will pull you out.

You can’t procrastinate forever. Just do it – this course will make you do it, but you have to do the course!

Hearing that other people have similar blocks was so reassuring… Absolutely do this course! You’ll learn so much, not only about writing, but about yourself as a writer (and you are!) in a supportive, accessible format. There’s nothing to be afraid of, and everything to gain.

Sound good to you? The new May/June course is booking up fast, but there are a couple of spaces left. If you fancy grabbing one of them, just click here and scroll down for instructions!

Not in Edinburgh? Write Like A Grrrl! can also be found in London, Manchester, Liverpool and Bristol — just check out the right hand sidebar at this page!

See you there, grrrls?


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

You should read this! Mixing The Colours: Women Speaking About Sectarianism anthology

Monday, April 6th, 2015

A couple of weeks ago I was lucky enough to be invited to Glasgow Women’s Library’s brilliant Mixing The Colours Conference 2015. Mixing The Colours: Women Speaking About Sectarianism is a groundbreaking project, which has been running for about two years now, funded by the Scottish Government and designed to get women talking about one of Scotland’s most taboo subjects. The conference was an amazing day of discussion, performance and ideas, but importantly, it was also the launch-day of the project’s amazing anthology of women’s writing.

I’ve also been working on a project designed to tackle sectarianism: until just a few days ago, when the project reached completion, I was the Project Co-Ordinator for Scottish Book Trust’s graphic novel project Walk The Walk. I worked reasonably closely with staff from Mixing The Colours throughout that project, and so came to see clearly the various ways in which women’s voices have traditionally been erased from discussions about sectarianism.

Think about it for a second. When you read a newspaper article about a story relating to sectarianism, what is the accompanying photo usually of? Chances are, a stand full of male football fans. Perhaps a line of police personnel in their yellow jackets. There might be the odd female face or two if you squint closely, but traditionally, sectarianism in Scotland is considered a “men’s issue,” and all too often, seen as synonymous with football. I’m sure you’ll agree that this hurts men as well as women.

Thankfully, we now have the truly amazing Mixing The Colours: Women Speaking About Sectarianism anthology to add to the conversation. It features poetry, memoir, fiction and drama, all exploring individual women’s responses to their experiences of sectarianism. My favourite story is ‘Paddy,’ written by Ethyl Smith — a bittersweet tale of a young girl who is unwittingly caught up in the sectarianism that exists between two of her adult neighbours, all because she wants to be friends with a wee dog. But every piece in the book is brilliant, and important, and merits reading, re-reading and sharing.

You can get a look at the book by heading over to Glasgow Women’s Library’s stunning new(ish) home in Bridgeton, Glasgow. GWL is located in what was once the Bridgeton Men’s Reading Room, which I find rather delicious. The Mixing The Colours team have also been steadily gathering a collection of other resources that examine women’s reactions to sectarianism, so while you’re there, you can browse the whole lot.

Finally, the Mixing The Colours film gives a taster of what’s inside the book, and as you can see from my conference notes above, gives plenty of food for thought! Here’s a trailer:


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

Procrastination Station #142

Friday, March 27th, 2015

York March 15 (13)

Certainly the PBS still loves it some authoritative dude poetry. I helped out with a criticism workshop the other day and we were discussing a review of Harsent by Michael Hulse, which started out by listing Harsent’s achievements and using words like ‘magisterial’, ‘masterful’, ‘universal’. One of the other folks said she didn’t feel like there was room for the reader to make their own decisions… That’s kind of what I mean when I talk about the ‘aggrandising’ stuff; when the poet’s so big there’s no room for the reader. Why bother having readers when you’ve already decided how you are going to be read? It’s dull and usually comes bearing nostalgia for the time of Great Men. Which is fine if you’re in a position to be a Great Man.

Dave Coates, aka the most sensible poetry reviewer around, was interviewed by Hinterland and he spoke SO MUCH TRUTH. (If you read nothing else from this post, read this. Really.)

The new Scottish Book Trust public participation campaign is now open! The theme is “Journeys” — send SBT your journey-related story and it could end up in a book!

Check out these cheeky book “recommendations” from mischevious Waterstones staff!

I’ve always wanted to belong to the city of ideas, and it seems to me that membership of such a city is often incompatible with the other kinds of membership on offer along the way. Choices, or compromises, have to be made, and I find myself more and more inclined to say no to some invitations as a way of saying yes to to something closer to that ideal. I found it liberating to refuse both the Poet Laureate’s invitation to write a poem for the Queen’s Jubilee in 2012, and the Poetry Book Society’s attempt to include me in its Next Generation promotion of emerging poets this year. It’s not that I don’t want to be read, or that I object on principal to the business of actively seeking a readership. The question is one of context—do I feel happy in those groupings, in those lights? Do I want to be marketed as “young” and “new” and “sanctioned by”? Am I prepared to curtsey to the Queen, figuratively or otherwise? Do these things, these appointments, sit well with the actual poems I’m writing?


I both do and do not agree with Ms Trollope here. Discuss.

Related: In case you’re feeling depressed about the fact that one of the Scottish Children’s Book Awards was just won by a 21 year old (a deserving one — well done Alex McCall!) here’s a list of twelve authors who weren’t published til later in life.

People who complain that creative writing courses produce relatively few writers don’t complain that history degrees produce few historians, that music schools produce relatively few world renowned soloists, that art departments don’t necessarily produce a lot of major artists. I spent 16 years in schools teaching art. Are people asking how many of those are ‘great’ artists now? I sincerely can’t see why writing is different from any other art.

So that guy wrote that article about Creative Writing MFAs, which I [largely] totally and utterly agreed with… but I agreed even more with George Szirtes’ response. (I’m contrary like that.)

I have seen so many lovely, touching tributes to Terry Pratchett online over the last few days… but among my favourites were xkcd’s cartoon and Chris Riddell’s wonderful drawing.

OMFG, Kindle Cover Disasters is… amazing.

Of writing itself, Rilke wrote: “Depict your sorrows and desires, your passing thoughts and beliefs in some kind of beauty—depict all that with heartfelt, quiet, humble sincerity; and use to express yourself the things that surround you, the images of your dreams and the objects of your memory. If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor or unimportant place.” All writers know this problem. A poor workman blames his tools, and we have only two: language and experience.

This essay on Rilke and ‘writing from the middle of things’ is pretty excellent.

Have you read Barthes’ Death of the Author? Here’s a pretty cool discussion on it.

Calisthenics for writers is pretty hilarious…

Your Chicken Leg Hut Performance Art will explore the idea that women can never win when it comes to their appearance; in a culture of pervasive misogyny, there will always be something “wrong” with how a woman looks. It will also ask its viewers to examine their own internal biases with regards to the objectification of women. Divorced of their context, are the chicken legs simply things? Or are they body parts deserving of love and respect? Remember that there are no right answers to these questions.
Plus you will be running around like the fucking boss of the forest in your hut on legs.

Feminist advice from Baba Yaga is pretty excellent.

You really ought to read these extracts from Citizen: An American Lyric, by Claudia Rankine, which just won a National Book Critics Circle Award.

Do you say “in a weird way”? Do you know why you say it?

It’s critical to understand that this isn’t censorship, but rather that these are amendments not permanently made to an already-published text. But the question is raised: What damage could be done to a writer’s intended vision in the name of this cleanliness?

Someone’s invented an app that will take all the swears out of any book. EYEROLL.

You might have seen this Forty Portraits in Forty Years post floating around… it is wonderful, touching, inspiring.

I LOVE Jessamyn (thanks to Lucy for introducing me to her) and I love this easy morning yoga routine she’s put together for Buzzfeed.

What is a writer’s freedom?
To me it is [hir] right to maintain and publish to the world a deep, intense, private view of the situation in which [zie] finds [hir] society. If [zie] is to work as well as [zie] can, [zie] must take, and be granted, freedom from the public conformity of political interpretation, morals and tastes.

[pronouns changed by me because they were all needlessly male]
^This is Nadine Gordimer on what freedom to write really means. Pretty good, pronouns aside.

I want to be ALL of these people when I grow up. …and related, here are some more excellent women.

Celebrities standing up to fat-shaming. As it should be!

The lovely Jane Alexander is launching her first novel… check it out!

Author Cesca Major created a writing webseries which is now done — this is video one and you can see all the rest here.

And the brilliant Sasha just introduced me to Australian feminist songstress Courtney Barnett and I. love. her.

Have a great weekend!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

Reasons to Write Like A Grrrl!

Tuesday, March 3rd, 2015

@ the Indiana State Museum // 60s/70s feminist badge
(Photo credit)

Hey, remember that all-female writing course I was banging on about before Christmas? Well, my first bunch of students have just graduated — look out world, thirteen newly-confident ladywriters are COMING FOR YOU!

That means that I am now taking bookings for the second round of Write Like A Grrrl! Edinburgh, which starts on the evening of Thursday 19th March at Sandeman House. In fact, I am almost fully booked already, with only one space remaining!

If you’re a female writer who’s struggling to stay on track with a novel, or if you fancy trying some short stories, or you need to beat writer’s block, or if you just want to get involved with a group of lovely, like-minded women, here are some reasons why you should click over here and book up that final place!

All of these comments are verbatim feedback from graduates from the first ever Write Like A Grrrl! Edinburgh course:

“Great content and brilliant to get the chance to meet other aspiring writers. Claire, the tutor delivering the Edinburgh course is fantastic, very knowledgeable, a great teacher: includes and makes everyone feel involved and valuable.”

“It’s well-structured, practical, the materials are excellent and it’s a supportive environment in which to develop your writing. Well worth the money.”

“Needs to be longer please, 12 weeks would be wonderful!”

“Do it! It helps you to open up and understand that your writing worries are shared by other people.”

“Speaking to everyone on the course, it’s great to be in a group you can talk to about aspects of your writing. I wish the course was longer. I have already recommended it to several friends. The handouts each week are a fantastic reference. The course has a nice pace.”

“It was really the best decision in terms of writing but also meeting people with similar interests. Turned up quiet and unsure about talking about writing, now have like a little circle for advice and encouragement, and look forward to seeing where everyone goes from here!”

“Great - fun, friendly, informative. Whatever issue or goal you have in writing, this will definitely help. Twelve hours of classes has gotten my writing further than years of thinking I was trying.”

That all-important sign-up link again: Write Like A Grrrl! Edinburgh.
Hope to see you there!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

Procrastination Station #139

Friday, January 16th, 2015

Christmas Eve 2014

I knew when I really got going on the book that there were places in the writing that reflected my potential. That’s as much as you can ask for as a writer, at least initially. It was a long, long journey. But by the time I had completed a draft of the book, I knew I had something. And yet on the day my agent submitted it to editors I had a mild breakdown and thought, What if nobody wants this? And I spent all these years?

If you read nothing else in this post, read How To Write Your First Book. Newsflash: the biggest, best and brightest writers feel or have felt the exact same anxieties you do. It is wonderful.

I just came across this Poet’s Calendar, showing which major journals are open for submissions when. Very handy!

Fancy a fancy writing residency? Here are the big hitters for 2015.

Villains always have the best houses.

^Here’s Lucy Ribchester talking about drinking cocktails with Dracula and writing instead of having sex.

The book market is finally starting to care about female protagonists in novels!

Did you know that Edinburgh City Libraries provide a whole suite of resources to accommodate dyslexic readers?

Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can.

Anyone who has the post-Christmas blues should read (or re-read, or re-re-read) Matt Haig’s Reasons To Stay Alive.

32 books that will actually change your life, and 28 of the best books by women of 2014… aka my 2015 to-read list. Thanks, Buzzfeed!

…oh, and once I am done reading those, I’ll start on The Millions’ massive list of hotly anticipated 2015 fiction!

“If you’re not an author with a slavish fan following, you’re in a lot of trouble.”

In today’s utterly unsurprising news, Amazon continue to be assholes.


As far as “cool” book launches go, it’s hard to beat this! (Cool. Geddit? OK.)

“He writes like an in-flight magazine.”

OK, I just discovered The Millions and found Scribbling In The Margins of Dan Brown’s Inferno. Hilarious and true.

Submitting to journals? Use the Jo Bell method. (Trust me, it’s good.)

Tights are the work of the devil (leggings rule OK). However, I am tempted by these poetic ones.

While we’re still fascinated by the young world-changers who can barely grow stubble and the 60-year-olds who realize their ‘true passion’ is to raise alpacas/grow wine/renovate houses in France, the concept of a single dream is beginning to look both difficult and oddly obsolete.

17 genuinely useful pieces of life advice from great people, including Sylvia Plath and Terry Pratchett!

& speaking of life advice: some wise words by Amy Poehler got turned into a really cool webcomic.

Withnail & I is one of my favourite movies ever (partly because Paul McGann is lush). So I was really chuffed when my sister sent me these rare behind the scenes photos from the making of it!

Her hobbies included smoking, wearing trousers, martial arts, motor cars, and swearing. She passed her retirement in Cornwall gambling, drinking, and painting – all the while, of course, giving no fucks.

I’m quite sure you’ve already seen Historical Women Who Gave No Fucks, but just in case you haven’t… click it.

Would you like to see some vintage photos of amazing women with full-body tattoos? Yeah, you would.

A dude on OKCupid (yeah, any sentence that starts with those words spells trouble) attacked a woman for supposedly lying about how fast she could type. So she kicked his ignorant ass.

Losing weight doesn’t make you a more interesting, attractive person. It just makes you thinner. And I don’t buy into thinness as the ultimate goal. Stop indulging weight-loss talk. Assert the fact that you have not bought into the fatphobic and ableist belief that weight loss is the social and ethical holy grail. Tell weight loss to fuck off.

Bethany of Arched Eyebrow being right on as always always.

THIS IS WHERE I WORK, Y’ALL. We do some amazing stuff, if I do say so myself.

This video is absolutely gorgeous, and full of wonderous advice.

The media depiction of women (and men) in 2014 was a bit grim at times. Let’s do better.

& finally, in case you need cheering up after that… just a really pretty song.

Have a great weekend!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

Need a writer? Book a writer! (& pick me!)

Monday, January 5th, 2015

StAnza 2011 Preview
Photo by Chris Scott.

Yep, it’s that time once again… time to get your application in to the Live Literature Fund! What, I hear you cry? Well…

Have you ever fancied:

- organising a poetry reading?
- organising a reading of fiction?
- inviting a writer to come and speak at your community group?
- getting your youth group involved with creative writing?
- organising a talk about writing?
- having an author come and visit your book club?
- finding a really good judge for your slam?
- hiring a professional writer for just about anything at all?

Scottish Book Trust can help!
Right now, SBT is open for applications to its Live Literature Fund. This amazing, one-of-a-kind fund enables individuals and organisations to source a poet, author, storyteller or illustrator to take part in an event or events, and helps to pay them a proper fee. The Live Literature Fund has its own database of vetted writers and artists, each of them bringing a different skillset to the fore.

Applications for the latest round of Live Literature Funding close on 16th February, so if you fancy doing any of the above, get in there quick!

…and, if you’re stuck for a writer to invite, you could always pick me!

To date, I have:

- visited high schools and talked to students about all aspects of poetry, reading and writing
- worked with vulnerable adults (in settings like women’s support groups, homeless and vulnerably housed groups, and groups for intravenous drug-users), using poetry as a way to voice, share or move on from traumatic stories or experiences
- worked extensively with adult literacy groups to engage those who struggle with reading
- worked extensively with ‘reluctant readers,’ especially young men
- worked with refugees, asylum seekers and migrants to help them tell stories of home and homecoming
- judged many a poetry competition, and many a slam
- competed in many a slam, and won a few!
- taken part in panel discussions on all manner of things
- given talks on all sorts of stuff, from my PhD research into contemporary women’s poetry, to the strategies we need to adopt to get vulnerable individuals more involved in Scottish culture and the arts
- given hundreds of poetry readings to audiences ranging from four people in a field to an Edinburgh International Book Festival crowd!

I’m always up for a challenge, too, so if what you fancy doing doesn’t sound like anything you see listed there, that doesn’t mean I won’t be up for trying it. So if you successfully secure LLF funding (or even if you don’t, and find the funds from elsewhere!), feel free to drop me a line via claire [at], or you can follow my antics on Twitter. You can also read my profile on the Live Literature Database itself.

Good luck!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

My Top 10 Independent Bookstores of 2014: a northward bookish road trip!

Monday, December 22nd, 2014

PhD grad weekend adventures (12)

Withnail Books, Penrith

Range of books? Excellent for such a small place.
Specialism? Lake District related, and all things Withnail & I.
Prices? About right (all the books are second hand).
Easy to find? Not really. A bit off the beaten track and hidden away in an antiques/restoration salvage yard! You’d be better off looking for Booths supermarket… it’s across the road from there!
Accessible? Accessible-ish… it’s ground level but in the middle of a salvage yard so there may be obstacles.
Cafe? No.
Best bit? There’s a vintage clothing store upstairs, and this aforementioned antiques salvage yard right outside which is also brilliant for a poke about in!

Beckside Books, Penrith

Beckside Books, Penrith

Range of books? Again, excellent for such a wee place.
Specialism? Lake District.
Prices? About right (all the books are second hand).
Easy to find? Yes, it’s in the centre of Penrith and well signposted.
Accessible? Partly — it’s on two floors with stairs to the first floor.
Cafe? No.
Best bit? It’s a place to find hidden gems… and it’s a very, very cute building.

Bookcase Books in Carlisle.  Place of dreams.

Bookcase, Carlisle

Range of books? Massive. This place is absolutely huge. You want it? They have it.
Specialism? Being unapologetically huge and maze-like.
Prices? Cheap (all the books are second hand).
Easy to find? Yes, although not signposted it’s two minutes from Carlisle’s market square and any local could direct you there.
Accessible? No.
Cafe? No, but there’s a tea and coffee machine and lots of posters encouraging you to make use of it!
Best bit? I have been four times and still not seen it all. It’s that big.

Word Power Books

Word Power Books, Edinburgh

Range of books? Great. If I can’t find a book anywhere else, I can usually find it here.
Specialism? Politics, and Scottish writers.
Prices? Almost all the books are new, so RRP or above.
Easy to find? Yes.
Accessible? No.
Cafe? No.
Best bit? Marshall, the friendly Rottweiler-cross who follows you around as you browse and appreciates a good scratch behind the ears!

Looking Glass Books, Edinburgh

Looking Glass Books, Edinburgh

Range of books? Modest, but carefully hand-picked. (I do sometimes find them hard to browse, though… there’s a funny categorising/display system going on!)
Specialism? Scottish writers.
Prices? All the books are new, so RRP.
Easy to find? Yes. Well signposted from Middle Meadow Walk!
Accessible? Fully! Go LGB!
Cafe? Yes.
Best bit? Vegan flapjack. Sorry not sorry!

Glasgow Aug 14

Alba Musick, Glasgow

Range of books? Surprisingly wide for a bookshop that calls itself a music shop!
Specialism? Music.
Prices? About right (all the books are second hand).
Easy to find? Nope. It’s in a yard behind some flats. Although if you know where the similarly-weirdly-placed Glasgow legend Tchai Ovna is, start there… it’s one yard over.
Accessible? Yes… although the yard outside is cobbled and sometimes cars park across the doorway.
Cafe? No.
Best bit? Surprisingly excellent poetry section!

Glasgow Aug 14

Voltaire & Rousseau, Glasgow

Range of books? Very wide… but this bookstore is famous for having absolutely no logical cataloguing system whatsoever. If you’re looking for something specific, be prepared to rummage. For a long, long time.
Specialism? Intimidating, haphazard piles of books!
Prices? Cheap (all the books are second hand).
Easy to find? See above. This one’s in the same yard as Tchai Ovna. Get off the Subway at Kelvinbridge and then ask someone!
Accessible? Theoretically, yes. Realistically, no.
Cafe? No, but the aforementioned Tchai Ovna is a couple of doors down.
Best bit? Rummaging.

Inverness 2014 (8)

Leakey’s, Inverness

Range of books? Huge! Although surprisingly little fiction and poetry in comparison to other stuff.
Specialism? Scottish travel/antiquarian.
Prices? A bit on the dear side (all the books are second hand).
Easy to find? Yes.
Accessible? No.
Cafe? Yes.
Best bit? Just hanging out in this place is really cool. It’s a converted church and every surface is covered with books. There’s also a woodburning stove!

Gairloch 2014 (2)

Hillbillies Bookstore and Trading Post, Gairloch

Range of books? Amazingly great, considering this place is down a 60-mile-long, single-track cul-de-sac in the Highlands.
Specialism? Politics / social science, book-related geeky gifts, and really, really good coffee.
Prices? All the books are new, so RRP.
Easy to find? Once you’re in Gairloch, yes. But first you must gird your loins and drive to Gairloch!
Accessible? Yes — although it’s split-level with stairs, both levels are accessible via their own outside doors.
Cafe? Oh hell yes.
Best bit? The place is papered with political slogan posters, and the cafe’s coffee is great. This place is basically like a little piece of North Beach, San Francisco… in Gairloch.

Thurso 2014

Tall Tales, Thurso

Range of books? Modest. It’s a wee place!
Specialism? None… but lots of Scottish titles.
Prices? Super cheap.
Easy to find? Yes, it’s in the middle of Thurso and Thurso is, well, pretty tiny.
Accessible? No.
Cafe? No.
Best bit? Tall Tales is the best thing about Thurso (although Thurso also has a surprisingly cosmopolitan health food store). Hooray!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!

Attention women writers! Brand new writing opportunity in Edinburgh!

Tuesday, December 2nd, 2014

Writing ♥
(Photo credit)

Hello, friends!

I am very excited to announce that from January 2015, I will be delivering the innovative all-female fiction writing class Write Like A Grrrl.

Write Like A Grrrl is already established in London, and a Manchester class is starting up shortly. But I thought it would be very sad if all the brilliant female writers north of the border were unable to take part, so I pitched myself to the lovely people at For Books’ Sake as a potential Scotland-based tutor. After some very excitable chats — and some training in the ins and outs of the course, natch — they signed me up! Now all I need is for YOU to come and join me!

Write Like A Grrrl is open to any self-identifying woman who writes fiction, or would like to write fiction. As well as helping you make your writing as brilliant as it can be — focussing on the essential stuff like characterisation and dialogue — the course also empowers women writers to beat procrastination and create that precious thing, productive writing time!

The Edinburgh course begins on 24th January and runs for six weeks — so if you’re planning to make “do more writing” one of your New Year’s Resolutions for 2015, then Write Like A Grrrl might just be perfect for you!

The venue is the cozy back room at Boda, which — for those of you have never been there before — is full of comfy couches, and a perfect space for chatting about writing and sharing ideas. The course is six weeks long and runs for six consecutive Saturdays, from 24th January 2015, between 12.30pm and 2.30pm.

The Write Like A Grrrl: Edinburgh website has all the info you need, and you can book your place using the drop-down menu, too!

Please do join me! I’d love to see you there!


Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at] I reply as swiftly as I can!