Posts Tagged ‘submissions’

Featured Poem, ‘When There Is No Other Way,’ by Melissa Fry Beasley

Tuesday, May 21st, 2013

top of the world

When There Is No Other Way

I have come
with the same heat
as the sun,
same cold as emptiness.
I am those before me.
This soil is my ancestors
and I am made of secrets,
things we become
when the light has gone.
Black and blue
like butterflies on fingertips
or birds eating some dead thing.
Men are made of consequence.
The world will give you reproaches,
but not relief.
We have risen from that
fearful bed,
the slime of it
clinging to us still.
Strong hands will close
reluctantly into fists
when there is no other way.

Melissa Fry Beasley is a Cherokee poet, artist, and activist from Oklahoma. She is proud to have red dirt running through her veins. She is the Literary Editor of Churn: an art, music, & fashion magazine. You can find her work in print and online in numerous publications including Indian Country Today, Working Effectively With Aboriginal People, Big River Poetry Review, Dog On A Chain Press, Yareah Magazine, and others. She has a blog at http://melissafrybeasley.wordpress.com/, and you can also find her on Facebook, Twitter and Linkedin.

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Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Dear Poetry Newbies: quit procrastinating!

Monday, January 14th, 2013

An earlier version of this post appeared at One Night Stanzas in September 2008.

Procrastination. You know, that thing where re-cataloguing your record collection or washing all the skirting-boards in your house suddenly seems really important? Here’s how to beat it.

1: Start.
When you have a task or tasks that you’re avoiding, for whatever reason, it’s often just the thought of getting started that’s daunting. It may be hard to do, but just sit down, shove everything else out of your mind, and start. Even if you can only write a title, or the first sentence, it’s something… you’ve given yourself something to work from. Get something done; knowing you’ve started can make all the difference, because that task is no longer “to do”, it’s “in progress” instead.

2: Make a timetable.
When I had my PhD thesis to write, I found I couldn’t empty my head of all the other stuff that I “should” be doing — laundry that I’d previously been happy to leave spilling over the top of the washing-basket, sorting out my bank-statements, writing to people I hadn’t been in touch with for years, etc. Of course, none of these things were essential, but my brain wouldn’t let me focus on my essay-writing until I’d removed these distractions. In the end, I made myself a timetable. I wrote up a mental list of all the “other stuff” I needed to do, and then spent a full morning completing these tasks. At 1pm sharp, forced myself to start writing. And eventually, I’d get into it… or maybe I just ran out of “other stuff.”

3: Unplug the internet.
Just about anyone you ask will tell you that the internet is one of the worst distractions there is. It doesn’t just eat into your writing time… all too often it disguises itself as a writing “aid”, so you feel justified in surfing when you should be working. If you’re reading writing blogs or other people’s poems, then surely that’s just research, right? That’s just helping? But you know, deep down, that it’s just not true.
Stop it! Pull the plug! Disconnect your internet… or move to another room, the garden, or anywhere out of range! If you don’t need the internet to do what you’re doing (and chances are, you really don’t), then there’s no reason for it to be accessible. For some people this feels like severing an arm, but try it, and see what a difference it can make!

4: Bitesize it.
As a tutor, I constantly get pupils complaining that they can’t concentrate for long enough to get their revision done properly, and I always send them in the direction of Bitesize. You can browse it by a subject - say, English Lit - and it will break your subject down into its modules: in this case, Reading, Close Reading, Speaking, Writing etc. The students find that it makes their essay-writing and revision sessions so much easier, because they are given managable amounts of work to do at once.
When you find yourself procrastinating, you have to do the same thing. Think about your task. Do you need to write an essay, put together a poem, do some editing? Think about how you could split the task into several smaller tasks. Could you edit a stanza at a time? Write your essay paragraph by paragraph? Doing something slowly is better than doing nothing at all.

5: Don’t go it alone.
You might think that having other people around would be even more distracting, but in fact, working in someone else’s presence can really focus you. Get together, have a cup of tea, talk things over, and then get to work. If someone else is keeping an eye on you, you’re less likely to leap up and say “I think I might just wash the car / clean out the kitchen cupboards / bake a cake” or whatever… and if the other person is working away diligently, you’ll feel the need to keep up. If you can’t concentrate with someone else sitting next to you, or if you can’t find anyone who’s willing to come and work too, just get your partner to look in on you every so often to see if you’re still working, or get a friend to text you for a word-count at the top of each hour. It might feel a bit like being in detention, but it’ll keep you going!

6: Take breaks.
I nag and nag and nag my students constantly about this. Your brain only works at its best for 45 minutes at a time… after that, your concentration starts to flag and the task you’re working on gets less and less of your attention. For that reason, you should only ever work for one full hour maximum before you take a break… and your break should be a proper break, where you set aside at least ten minutes to do something other than the task at hand. Not taking breaks can encourage procrastination, because if you work and work until you’re sick and tired of working, eventually you’re going to get to a point where you walk away from your task and don’t go back to it.

7: Go against your habits.
You may not like working in the evening (or in the morning, afternoon, whenever), but that’s tough luck if your deadline is looming. Your favourite library or internet cafe may be closed, your favourite writing pen might have run out. Deal with it! Don’t let these things become excuses not to complete your task! Procrastination is pressure enough without you placing further limitations on yourself. Even if you do have to work in the evening / in your living room / with a different pen, you’ll be glad you soldiered through once the task is finished!

8: Give yourself an incentive.
For some people, just the idea of getting a project finished is incentive enough. However, telling yourself that “eventually I will have a finished poem” or “some day I will get paid for this commission” or “perhaps this poem will get into a magazine once I edit it” might not be enough to get you worked up to the task. If so, you need some incentive, so think of a way to reward yourself once you’re done. Resolve to treat yourself to a takeaway, a long soak in the bath, a new book or whatever you think will make it all feel a bit more worthwhile. Sit down to work with your reward in mind, and you may well find that you suddenly feel more like putting your nose to the grindstone. No cheating though - don’t let yourself dial for a pizza or step into a bookshop before you’re done. Get the task finished… and then you can mix the relief of finishing with the sweet taste of a celebratory tub of Ben and Jerry’s!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Featured Poem, ‘Reducio Ab Absurdum,’ by Colin McGuire

Tuesday, January 8th, 2013

Poetry @ The Rag Factory 14/12/12

Reducio Ab Absurdum

Shakespeare’s more a performance poet
a throat poet, a fire and tongue type.
A poet of larynx, a diaphragmatic breathing poet
Not a serious poet in a gentleman’s jacket.

I’m a page poet; a take the time and consider
the exact length and breadth of the line poet.
I am an architect with form but never formulaic.
I am a master of design but not mastered by design.

Heaney’s more a performance poet;
a wave-your-arms-and-gesticulate-wildly-and-know-it.
A show it all and throoooooow it at you poet.
Not a serious poet who reads the classics and shows it.

I’m page poet, a literary allusions and allegorical conclusions poet.
A lay subtle structure which unravels a slow-burning conundrum poet.
I take the time to make something so delicate even a breath could break it
yet it withstands that breath, and you cannot fake it.

Sexton is more a performance poet; a shout at the top of your soul poet.
A rant in the mirror solipsistic I-alone-exist-and-will-prove-it-poet.
A should have been an actor instead but never knew it poet.
I wrote this on the loo and you can whiff it poet.

I’m a page poet with stable demeanour and quiet composure.
I build poem liners out of the thin matchsticks of words
and they set sail quietly on calm waters across oceans of eyes.

Rimbaud is more a performance poet.
A of the internet-attention-deficit-quickly-type-it-with-no-edit-poet.
A scribbler of slapdashery, a knee jerk reactionary bound to be burned
as waste under the well read eye of reality.

I’m a page poet. An on the crusade poet. Here to explode
the false dichotomy of page and perform it, show and tell it poet.
Let the words carry the weight we carry. Let tastes divide.
Quality lingers upon the shelf life longer than the debate will have it.

(In the jungle the soul’s wild eyes glare white in the shadow.
The cauldron of the heart sounds like a warm drum.
We continually reach out to that which is comprehensible.)

McGuire: A thin 30 year old Glaswegian man, touch giddy in the head, sometimes poet of mangled form and dirty prose, sporadic drummer, drunk grammarian, waffler, painter using crayons, lover, hater, learner, teacher, pedestrian, provocateur, wanderer, confronter of shadows, irritating whine. He mines the darker regions of Scottish Culture and Psychology. McGuire has produced a collection of poetry and short stories, printed by ClydeSide Press called - Riddle With Errors - and is currently working on a pamphlet due for release in 2013 with Red Squirrel Press. He reads regularly in Scotland and England. Find out more at: http://a-glaswegian.blogspot.co.uk/

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Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Dear Poetry Newbies: 10 Commandments! What to AVOID when sending your poetry to magazines.

Monday, December 10th, 2012

Rules

An earlier version of this post appeared at One Night Stanzas in September 2008.

1: Thou shalt not lie.
I know I keep banging on about “being yourself,” but it’s important! So when it comes to sending off your work, not lying means not pretending that you haven’t sent your work elsewhere if you have, not making up imaginary writing credits or other frillies to spice up your bio, and not using other people’s material without crediting them or asking their permission. OK?

2: Thou shalt not be rude.
Do you want these people to publish you or not?! Always be polite and respect magazine staff and eds.

3: Thou shalt not be lazy about your cover letter..
Any kind of correspondence that informs your editor that you “hav sum poems 4u guys 2 read” (or the like) is going to seriously damage your chances! And no cover letter is basically just rude.

4: Thou shalt not be negative.
Assuming that your poems will be rejected is not the way to go, and saying as much in your cover-letter (e.g. “I’m guessing you guys will just reject these”) is even worse! Don’t put the R-word in the editor’s mind… and better still, keep it out of yours, too.

5: Thou shalt not be boastful.
Whether it’s in your cover-letter, your bio or your writers’ group meeting… it doesn’t matter how many publications you have to your name. Nobody likes a show-off!

6: Thou shalt not enter into any nasty or aggressively competitive stuff with other poets.
Sadly, the poetry world contains a fair few people who like to see others fail. Please, please don’t be one of them.

7: Thou shalt not question the editor.
Unless they’re unnecessarily rude to you (unlikely, I hope) or you need clarification about something, do not try and question the editor’s decision. Pleading, arguing and mud-slinging are unlikely to change their mind… trust me, I’ve tried!

8: Thou shalt not listen to bad advice.
e.g. “you’re too young to be published” or “I never read the submission guidelines” or “why are you bothering with this? You’ll never get accepted!” People who say such things are best ignored!

9: Thou shalt not ignore feedback from magazine editors.
It’s a rare commodity - use it wisely!

10: Thou shalt not give up.
Don’t let rejection / submission fatigue / writer’s block / negative criticism get you down. Keep writing, editing, improving, submitting. You can do it!

Disagree? Think I’ve missed a commandment? Got your own ideas? Let me know!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #117

Friday, December 7th, 2012

snowflake teacup & saucer

Procrastination Station’s been taking a break these past couple of weeks, so here’s a bumper edition of what I’ve been loving online lately!

Embarrassing admission: I never knew E Nesbit was a woman. I also love this poem of hers.

Speaking of poems by women, there’ve been some fantastic ones at the Poetry Foundation recently! Thanks Chris for alerting me to this one by Leigh Stein, and to Freesia for sending me in the direction of Peanut Butter by Eileen Myles. This one by Bernadette Mayer is pretty cool, too!

Are you a Flannery O’Connor fan? If you’re also patient enough to let this F O’C soundboard load, it will MAKE YOUR DAY.

The idea that there is only one right way of doing English – and everyone else is doing it wrong – is inherently flawed. And by “flawed” I mean illogical, elitist and even oppressive. Judgements about what counts as “right”, “good” and “correct” in writing and grammar always – ALWAYS – align with characteristics of the dialects spoken by privileged, mostly wealthy, mostly white people. We make these judgements based on learned biases, as well as a certain emotional attachment to our own way of doing things. But when people study dialects in an objective, scientific way (which is what cunning linguists actually do), they find that low-prestige dialects, such as African-American Vernacular English or Cockney English, have fully-formed grammar rules of their own that make just as much sense as any others. They are perfectly valid and functional forms of communication used by millions of people. The only difference is that they don’t have people running around telling everyone else to do it their way.

This piece on literary privilege is great (and I’m totally a still-recovering grammar Nazi).

This ‘how good is your pronounciation?’ test has been doing the rounds of the internetz forever, but the other day I tried actually reading the whole poem aloud. “Loth” caught me out!

One of my poems from The Mermaid and the Sailors was graciously published by Writers for Libraries. It’s a great project and you should definitely check it out.

The lovely Mandy is featuring my weird and wonderful sister and her wacky advent creations at her blog right now!

If you live in Scotland you should absolutely take this survey, and be part of the Equality Network’s consultation on how to make our fine country better for LGBT*QI folks.

Melissa McEwan is one of my all-time favourite bloggers, and this is a great interview with her.

Oh, I’m sorry, thin people, for exercising in your gleaming anti-fatness temple, but I’ll wear these baggy clothes and stay away from the popular machines so I don’t inconvenience the real exercisers.

Lindy West is awesome. I loved this article of hers on fat people going to the gym. And in related news, the equally awesome Lesley Kinzel writes about how truly terrible shapewear is.

I now want to write EVERYTHING in this font! (Thanks Mandy!)

20 Things Overachievers Like struck a bit too much of a chord with me… (except for the unpaid internship part, because I can’t afford that. Oh, and the working out.)

…and speaking of lists, The 21 Most Awkward Situations In History is really rather amusing.

Things I love: tea, typewriters, and cardigans.

Have you guys seen Barack Obama Being Adorable With Adorable Children? Prepare to smile.

& speaking of which… TERRAPIN RESCUE!

OK, I’ll be honest: I’ve watched this video about ten times. This woman FASCINATES me. Not just because she’s super super hot, has amazing tattoos and basically the cutest laugh-face ever, but also because of what she’s doing with her modelling and her philosophies thereof. I DEFY YOU NOT TO FALL IN LOVE WITH HER JUST A LITTLE BIT.

A little bit of idealism to brighten your day — and I love the narrator’s voice!

This week I went to see the GiftED sculptures on the last leg of their Scotland tour. Find out more in this lovely short film about ‘em!

Paper Sculptures GIFTED Tour 2012 from Blue Iris Films on Vimeo.

When the wonderful Watsky came to Edinburgh for the Watskyx2 gig I hosted, the Scottish Book Trust asked him to read a poem for them. It’s finally online!

I love the Big Bang Theory and want to be Amy Farrah-Fowler’s best friend. Therefore it stands to reason that I love this flashmob the cast and crew did recently!

& finally — have you watched Kilroy Loops yet? TRIPPY AND HILARIOUS.

Have a great weekend!

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You can also visit Read This Press for poetry and typewriter paraphernalia! Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Featured poem, ‘Embroidering Chinese Pin Cushions’ by Jennifer Wong

Tuesday, October 2nd, 2012

103/365 (Explored!) Chinese Pin Cushion

Embroidering Chinese Pin Cushions

We start with a satin circle,
fill it with wood shaving or cotton,
steady the centre, cut out

six square cloths to make
six little dolls whose hands
are almost touching.

Grandma lets me draw their beady eyes,
their meek smiles. You fix them in the right places.
Grandma teaches me how to plait their hair.

From early evening until midnight
We’d sit, talking as we work,
the kerosene lamp glowing in the dark.

We’d make enough to fill
the red-and-blue tarpaulin bag:
three dollars for a cushion. A fortune.

Next day we’d bring our satin needlework
to the missionary church
where the sisters would teach us a song,

Admiring the stained glass windows
and the brass eagle on the altar,
we’d hide our blistered fingers in jingling pockets.

Originally from Hong Kong, Jennifer’s poems have appeared in magazines and anthologies such as Lung Jazz: Young British Poets by Cinnamon Press, Frogmore Papers, Iota, Orbis and others. Her poetry collection, Summer Cicadas, was published by Chameleon Press and her second collection is forthcoming from Salmon Poetry. In 2012, she was writer-in-residence at Lingnan University of Hong Kong, and took part in the Poetry Parnassus hosted by the Southbank Centre. She is based in London and works for Magma Poetry.

Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Featured poem, ‘Most Fateful Day: A Ghazal’, by Susan Chast

Tuesday, September 18th, 2012

Autumn Apples

Most Fateful Day: A Ghazal

A hiss echoed from its spiked tongue and you thought
That the snake had not lied to you in word and in thought?

Watch it slide away and take the apple along too
Neither giving it to you nor to God as we thought

Your tell-tale teeth marks are in it too, along with my own—
Seeing our DNA together, the snake will know that you thought

We’d be together in Eden or in jail and– no matter how much
We pay for it–happiness follows this ability to have thought.

But doubt is quite difficult. I liked it much better
When fate was determined and we need not have thought

About all of the options, the leaves of the trees, whether
To beat you or to love you. I wish I had thought

This before, dear Lady, I opened my mouth to your pleases
And caresses and most seductive scatterings of thought.

Susan Chast’s work has been workshopped at dVersePoets and Imaginary Gardens with Real Toads. One of her poems was recently published in the first issue of Nain Rouge Magazine. She blogs at Susan’s Poetry, and you can find out a bit more about her in this interview at Poets United.

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Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Featured poem, ‘Pre-Genesis’ by Daniel Dowe

Tuesday, September 11th, 2012

Secret Garden

Pre-Genesis

Seven grey and rainy days
And no one to say It is good.
The backyard smells swampy
The mosquitoes are forming posses
And sunlight sends postcards saying
Wish you were here.
Meanwhile we wait for a change
For brighter and clearer and knowing.
These days, though, do fit my waiting mood.
For waiting is neither light nor dark
But somewhere in between
A dim room before the switch
The refrigerator as the door unsticks
The filled mailbox while the hinge squeaks.
Answers and arrivals have strong color—are vivid and loud
But waiting is like these seven grey and rainy days
And now I invite the sunshine and the changes in,
So God and I can say, Let there be light.
And my mud is like Adam’s, ready for a bite of knowledge.

Daniel Dowe is a high school English teacher with a Ph.D. in English and American Literature. He is from a big family. He likes old movies and red wine and talking.

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Want to see YOUR poem featured on ONS? Read this post first: submission guidelines are at the bottom. Good luck!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Call for submissions: “Article-8″ mixed media magazine project

Wednesday, April 25th, 2012

the plague

Today I had a very exciting and highly informative meeting with one Mr Nic Cameron, a graphic design student at Edinburgh’s Telford College (full disclosure: for my sins, I work here). Nic is a music enthusiast and former scribbler of poems, and for one of his big course projects, he’s decided to do something very ambitious and pretty darned innovative: create his own hybrid poetry/spoken word and music magazine.

In our meet-up, Nic outlined his reasons for choosing this particular path. Although he hasn’t written poetry himself for a while, he is still very aware of the question, “why don’t more people read poems?” Like many youngsters, he’s bugged by how inaccessible the poetry world sometimes seems. He’s also aware that music magazines can and do attract the kind of people who might like poems, if they only had the chance to see and hear some. His project aims to kill all these problematic birds with one stone. Music magazines have the ability to pull in loads of readers — why not add some poetry into the mix? That way you’d introduce poetry to a new, young audience — and vice-versa.

Personally, I think thought this was a great idea — even more so when I heard a few more details. Article-8, as the magazine has been dubbed, will be a long way from your standard print poetry journal. Nic showed me examples of concrete poetry that had got him fired up, and then talked to me about the potential for changing the way poems interact with the page. In short, he wants to put his graphic design skills to use when editing the magazine together: he’s looking for poets who’d be cool to have their words snaked across the page or ribboned through videos in weird and wonderful shapes… shapes determined by a graphic artist’s eye.

Nic is also looking for poets who’d be willing to supply audio recordings of themselves reading their poems. As well as a print magazine, Article-8 will also become a website and a smartphone app. Performance and sound are two things that link poetry and music, and it seems they’ll be integral to this publication. Nic can help you record good quality audio if you’d be willing to meet with him — or if you’ve already got your own clean recording, you can send it to him with your written work.

In short, Article-8 is looking for brave, open-minded poets who are willing to put their words into the hands of a smart, ambitious graphic artist and see what the results might be. This is a great chance to collaborate and learn about how the shape of your poem changes how it’s read and seen. It’s also a chance to get involved in a conversation about how we make poetry more relevant and interesting to young people — a conversation that really needs to be had. If you fancy offering up some of your work (and, if you’re willing to meet for a recording session, a wee bit of your time) for this excellent cause, then read the blurb below, and submit some stuff to nicholas[dot]cameron[at]live.co.uk.

I’m Nic Cameron – a graphic design student from Edinburgh’s Telford College and I have this mad idea… as a working title I’m calling it ‘Article-8 Magazine’ and here’s the gist:

What would the birth-child of a spoken word/poetry journal and a music magazine look like? Could clever typography and design let words speak in the absence of a voice – would bold features, useful articles and engaging content allow the format to reach out to a new, younger and broader audience?

These are questions I’m trying to answer in my final project but I need writers on board to help generate content and volunteer their work for this venture. If you’d like to see a visual interpretation of your writing - now’s the chance. For the project I’d be looking to produce 8 double page spreads, 2 front covers, 2 kinetic type videos, a website and a smart phone app and I need relevant writing/performance for all of these. I’d ask that those who want to donate audio for the videos could arrange with me to be recorded on a good microphone - I’ll take care of the technical side, you just need to read into the machine!

Unfortunately - because this is to a limited timescale there is a chance that not all the work submitted will be used - that said, if this prototype receives positive reviews it may become a much larger beast in the future. I had completely underestimated the excitement this would generate.

This would be non-profit and unreleased. However, if I use your work, you will be able to use the visuals wherever you see fit.

Interested in this idea? Please email a short bio (150 words or so) and two samples of work to nicholas[dot]cameron[at]live.co.uk”

I’m sure Nic would be more than willing to answer any questions you might have about the process, too! Happy submitting, and GOOD LUCK to Nic for what I’m sure will be a great project!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Submit! One Night Stanzas wants your poems!

Thursday, April 5th, 2012

Late Night Read

Those of you who’ve been here a while will remember that once upon a time, One Night Stanzas used to have a frequent-ish feature called ONS Featured Poet.

Every week (roughly) for a good while, I’d feature three poems by a poet I’d taken a fancy to, and an interview with that poet about how they felt about their work, other people’s work, etc.

I featured some great folk as this trend continued — everyone was great, but some favourites of mine include Ryan Van Winkle, Eddie Gibbons, Kerri Ni Dochartaigh, Suzannah Evans, Cindy Emch, Charlotte Runcie, the great McGuire, William Soule, Chris Lindores and of course, my all-time favourite Heather Schimel (now Heather Bell).

After a while the whole thing shut up shop — submissions were hard to keep track of, doing the interviews every week was time consuming, a lot of the stuff I started to get wasn’t really right for ONS. I kept on promising to bring the Featured Poet thing back properly — I even put out a submissions call at one point — but I never actually got round to it. Sorry about that. Some cool folk submitted some cool work and I promised to get back to them and never did. I am a rubbish human.

HOWEVER, all is not lost. I have missed the presence of other people’s poetry on this blog, and it’s time for me to get over all my rubbishness, pull my socks up and sort things out. Therefore, I am revamping the whole Featured Poet thing. It’s back.

But this time it’s different. I kind of became aware that a lot of people weren’t fussed about the poet interviews — and although vital and important and relevant, a lot of the authors said very similar things anyway. Some of the poets expressed hindsighted frustration about the fact that I’d used three whole pieces, some of which could’ve been sent elsewhere. Other folk didn’t dig my pick of poets. All reasonble criticisms.

Therefore, it’s no longer ONS Featured Poet. I’m now going to be running a Featured Poem section instead. Every so often (unfortunately I can’t commit to ‘weekly’, and right now I have no submissions anyway, so this is partly down to YOU GUYS), I will put up a single poem by a cool poet, and a bit of info about that poet. If you want to read more, you can then go and buy their book, frequent their blog or Tweet manically at them. If you don’t like ‘em, you can just wait and see if you like the next one. Less work for me, less work for you, just good poems. Fair?

ALRIGHT. SO HERE’S HOW TO SEND ME YOUR WORK!
The rules are few, and they are simple. Please don’t ignore or break them, or you won’t get featured.

1. Don’t send more than 5 (FIVE. One more than four. One less than six. FIVE, ‘k?) poems at once.
2. Send them in the body of the email. Attachments make me cry.
3. Include a SHORT bio. Let’s say 150 words max.
4. Tell me of any links you’d like to send people to. Blog? Twitter? Whatever. Several is fine.
5. Send all this stuff IN ONE EMAIL to claire [at] onenightstanzas [dot] com
6. Don’t query me til at least six weeks have passed, please. PLEASE. I BEG YOU. (People always ignore this. Just watch.)

Other than that, no rules. I’m happy to have poems of all forms, styles, lengths etc, but bear in mind that if it’s really long or the formatting is particularly bizarre I might not be able to accomodate it. Yes, I’ll take prose-poems. Yes, I’ll take concrete poems. Yes, I’ll take sound and vispo and whatever else kinda poems. I’ll read literally anything once.

And any questions? claire [at] onenightstanzas [dot] com is your place, or hit me up on Twitter.

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