Posts Tagged ‘writers’

How Many Wrongs Make A Mr Right? Debut novelist Stella Hervey Birrell on rejection, writing, and men jumping up and down in nightclubs…

Saturday, April 16th, 2016

Hello friends! Remember me? I am indeed still alive, though my blog hardly shows it. Thankfully, I am lucky enough to know the brilliant Stella Hervey Birrell, and even luckier enough to be able to host one of the stops of her blog tour… so I am, rustily, back to blogging! (Thanks, Stella.) Stella’s debut novel is described as “chick lit with grit,” a slogan so great I wish I came up with it — and it’s called How Many Wrong Make A Mr Right? I managed to corner Stella for a small interview… you’re going to enjoy what she has to say, so grab a cuppa and get settled!

1.  I’m always interested to hear about how people started out writing.  I know that you’re also a singer-songwriter, and wonder — did that come first, then story-writing, or the other way around?  Or do you see them as being wholly unconnected?

Not wholly unconnected, no. I had to think really hard about this question: which did come first? It was terribly earnest poetry, really, as a child and then an angsty teenager. Songs have been part of the deal as an adult for a long time, and my husband normally writes the tunes, so it’s something we do together.
But when I gave up work, it wasn’t to write songs, it was so that I could write a commercial, full length novel. Songs are mostly written as gifts, or for my band, The Domestics, which isn’t a full time job.
I’d love to think that writing lyrics informs my prose, but actually I think they’re pretty different. Although it’s probably best that I don’t write in rhyming couplets!

Sam Burns Yard Domestics Pic
‘And now I will read you my full-length novel…’ Stella with her band, The Domestics. Picture by Caroline Pearson.

2.  Kind of related to that first question: what do you think, say, your sixteen-year-old self would make of the fact that you’ve published a novel? 

Oh my goodness she’d be delighted! She was so pretentious though, she’d have been super snooty about the fact that I don’t have a traditional, paper based publishing deal, or an agent.
She’d probably be more surprised that I’m a generally happy, settled person though, neither of us thought that would ever happen…

Correct cover!
Available on UK Amazon, US Amazon, Kobo, Nook and iBooks. (sorry, 16 year old Stella)

3.  What do you see as the major themes of your work?  What questions are you interested in exploring?  Not necessarily just in your novel, but in your writing in general, I mean.  I’m always nosy about the things folk want to drive at with their writing.

At root, I write for women. In my first book, the strongest theme is probably ‘loving yourself first.’
I’m also interested in writing about the female orgasm, in an educational way though – I don’t write erotica.
In other work, women’s empowerment, women’s support networks (good, bad and non-existent), and the whole parenting lark: things I’m experiencing now. For example, my youngest son started school last year, and the piece that came out of the devastation I felt was accepted by the Ropes Journal. Nothing is wasted, as they say.

Strident Feminist cropped
Melissa, How Many Wrongs Make a Mr Right?

4.  I know (*eyebrow-wiggle*) that you’re a member of at least one writer’s group.  Can you talk about the ways in which being part of writing community helps or influences your writing?  

When I started writing ‘seriously,’ my cousin advised me to join a writers group. I’m so glad she did. Being part of Tyne & Esk Writers means I have a place to read works in progress, the impetus to improve as a writer, a community of writers that I now consider friends, access to a ‘proper’ published author and mentoring from her, a beta-reader who surpasses all other beta-readers, the opportunity to read and comment on other people’s work, and somewhere I go every second Wednesday where I know I’ll have a laugh.

5.  If time, money, and lifestyle circumstances were not a factor, what would your writing career look like in 10 years’ time?

In ten years’ time I’d like a readership, not made up of my close family and friends, and a good few novels under my belt. Like about a million other people!

6.  I have to do it: what advice can you give to other writers?  What have you learned that you wished you knew before you started?

Oooh, advice. Er, no idea. Actually, there have been a few things I didn’t do, because I didn’t think to use Google. For example, I didn’t write a one-line pitch for my debut novel, and at first I didn’t write a good cover email either.
Having short works placed in journals really helps, as you have something to write about in said cover letter. All this advice is online, I wish I’d done my research before going out to agents and publishers! Or read ‘On Writing’ by Stephen King. Especially as one agent emailed me the other day saying she doesn’t accept a second pass, once you’ve been rejected, she’s not interested in looking at future works.

Rejection email table
This is part of the deal folks. I love the smell of rejection on a Monday morning…

7.  I guess we should devote at least one question to your novel…!  What’s your favourite moment in the novel?  And was that moment the most fun part to write?

I really like the scene where the ‘gang’ all go dancing. I’m too old for clubbing now, but I used to go out a lot. It was fun, trying to get across the whole club atmosphere: how you lose all your friends but you don’t care, how obvious it is when a guy wants to snog you on the dancefloor, how, when a particular type of song comes on, all the men jump up and down a lot…

8.  Finally… what’s next for your writing?  Do you have a new novel in progress, or is there something else on the cards for you?

I have a work in progress (The Perfects) which is with my aforementioned beta-reader that surpasses all beta-readers. I am really excited about this second novel, and can’t wait to share it with other people. And I’ve got a sketchy plan for a third too (Having it All). My sisters are slightly nervous about it, because my main characters are two sisters. I’m still submitting short works as and when I can, and blogging twice-weekly.
For me, it’s about keeping going. Helen Fielding said ‘there’s always someone trying to tell you you’re not really a writer,’ and for a long time that person was myself. But with the support of my writing community and the validation of a publishing deal, I’m very nearly convinced.

17.11.2015. Stella Hervey Birrell.
Trying to act normal while getting your photograph taken, there’s another lifeskill I could do with learning… (Photo: Gordon Bell)

Stella says: “please come and say ‘hi’ in one or more of these places!
My blog space is
https://atinylife140.wordpress.com/
Twitter is @atinylife140
I have a page on Facebook here.
Email me at atinylife140@gmail.com.
I can also be found wandering the streets of various East Lothian villages.”

Thanks, Stella!

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I wrote a book of poems! It’s called This changes things, and you can order it here!

You can now get more content from me — and help me pay the bills! — by supporting my Patreon. Get a monthly writing support pack for just $5 a month! It’s like buying me a pint.
You can also support me by checking out the many sweet and sparkly things at Edinburgh Vintage, my Etsy-based store for jewellery and small antiques.
If you just want to say hi, you can find me on Twitter, or email me via claire[at]onenightstanzas.com. You’ll get a fairly good sense of the kind of person I am by checking out my Tumblr.

Where is Claire? Readings & happenings in Spring 2016

Thursday, January 21st, 2016

Me, reading at the Dark Horse 20th anniversary launch, Edinburgh

I have a book to promote, folks! So I guess that means I need to get out of my fluffy slippers and go forth into the world… here’s where to find me. (And yes, I’m counting late January as ’spring.’ I’m trying to be optimistic, OK?)

The Arts & Precarity: Forging New Solidarities (Cabaret)
Friday 22nd January 2016, 19:00, FREE
Kinning Park Complex, Glasgow
This cabaret, featuring a variety of writers, artists and musicians (including the brilliant Harry Giles) is part of a whole-weekend exploration of precarity in the arts. Most artists live precariously: they are precariously employed, precariously housed, surviving thanks to a precarious income, or some mixture of the lot. I’ll be reading poems from the point of view of individuals I have known whose lives might be called ‘precarious.’ There’s also a day of workshops on these themes the day following the cabaret.

Neu Reekie!: The Burns Belter
Saturday 23rd January 2016, 18:00, £16 / £14
Pilrig Church, Leith Walk, Edinburgh
Don’t panic! I won’t be reciting Burns! Burns will, of course, be recited… but not by a clueless Cumbrian bint like myself. I’ll be reading from ye olde collection. There’ll also be haggis and whisky and music and lots and lots of hip stuff. And it’s in the Republic of Leith!

This changes things: the launch (THIS IS MY BOOK LAUNCH BY THE WAY, JUST SAYIN’)
Friday 5th February, 18:00, FREE
Blackwells Bookshop, South Bridge, Edinburgh
Come and help me celebrate MY BOOK BEING OUT IN THE WORLD OMG!!!! There’ll be about a half-hour of free wine, cake, and book-buying, before my dear friend, the amazing poet Colin McGuire will entertain us with some great poems (because he’s ace and more people should know about his work, and also because I didn’t want it to be a solid hour of JUST ME TALKING). Then I’ll read some poems from the book and say some dorky things, most likely. Then there’ll be another half-hour of free wine, when I will be available to sign books, if you’re into the whole defacing of books thing. We all get kicked out by 8pm when the shop closes, so it should all be pretty painless. Come along?

World Book Day event with Scottish PEN - TBC!
Thursday 3rd March

University of Edinburgh George Square campus
The event’s TBC, so I can’t say much about it so far… but maybe pencil it into your diaries, because any event Scottish PEN does is worth going to.

Shore Poets APRIL: The Open Night, + little old me
Sunday 24th April, 19:00, £5 / £3

Oh! (The Outhouse), off Broughton Street, Edinburgh
I always really like reading alongside the Shore Poets open night. It is probably my favourite Shore Poets night of the year, because we welcome brand new voices to our stage and always hear such a great variety of diverse work. I’ll have a fifteen-or-so minute set in the midst of this, during which I will probably read poems from, you guessed it, This changes things. If you’re not sick of them by April, it’d be great if you wanted to come along! (Also, get in touch via publicity[at]shorepoets.org.uk if you’d like to be part of the open mic! But be warned — spaces fill FAST.)

Writing Poetry: Getting Started workshop
Friday 27th May, 15:00, £6

Dunbar Library, Bleachingfield, Dunbar
I’m really pleased to be delivering a workshop as part of the CoastWord Festival in Dunbar! For the past four months I’ve been working as the Creative Writing Fellow at Tyne and Esk Writers, and I’ve discovered that there’s a thriving and brilliant writing community all across Mid- and East Lothian. I hope you’ll come along to this workshop and meet some great local writers, and get started on a new poem with me.

NB: This is not an exhaustive list — more things will be added as they come up! So please check back!

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I wrote a book of poems! It’s called This changes things, and you can order it here!

You can now get more content from me — and help me pay the bills! — by supporting my Patreon. Get a monthly writing support pack for just $5 a month! It’s like buying me a pint.
You can also support me by checking out the many sweet and sparkly things at Edinburgh Vintage, my Etsy-based store for jewellery and small antiques.
If you just want to say hi, you can find me on Twitter, or email me via claire[at]onenightstanzas.com. You’ll get a fairly good sense of the kind of person I am by checking out my Tumblr.

A 2016 To Read list

Wednesday, December 30th, 2015

april is national poetry month

OK, so I am really bad for talking about my “To Read list,” without actually having a To Read list. A smart person will recommend a book, and I’ll say, “I’ll add it to the list!” Then I don’t. I forget about it. I wander around with this idea that there are loads of books I’d like to read… but no idea what they are. So this year, I AM ACTUALLY MAKING THE LIST. That way, when I get to my Almost All The Books I Read list, I’ll hopefully be able to cross everything off! I love the crossing-off-of-lists.

Books I’ve already bought that have been on my shelf for ages and I really should read…

Frog - Mo Yan
I bought this for Lovely Boyfriend’s birthday in 2015 and have been waiting for him to read it, as it’s only polite. But if he hasn’t read it by his birthday this year (end of January) I’m ditching the politeness and getting in there.

Yes Please - Amy Poehler
I wanted to watch some Parks & Rec before I read this, and I’ve been working through a bunch of other TV shows first. I’m now into P&R, but also less into Amy Poehler than I was when I bought the book. But I really should read it, I’m sure it’s fun.

Gone Girl - Gillian Flynn
This is one of those that I actually thought I had read because everyone’s talked about it so much and I basically know the whole plot. But then I realised recently that I haven’t, and probably ought to.

We Are Not Ourselves - Matthew Thomas
This was a ‘find a third one to complete the 3-for-2′ job. I wasn’t super enthused, but I was mildly interested. It’s sat on the shelf for months. Time to see if it’s any good!

Being Mortal - Atul Gawande
I was excited to read this… then my grandfather died, and I wasn’t sure if I could handle it. It’s been nearly a year now since that happened, so let’s see.

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Books that have been out there for years, and I should have read by now…

The Shipping News - Annie Proulx (BOUGHT IT!)
Embarrassing admittance: I didn’t realise how ace Annie Proulx was until 2015, when I read Close Range. Now I need to get on with it and read through her entire back-catalogue!

The Dark Road - Ma Jian
Lovely Boyfriend has this, has read it, and really rates it. He keeps telling me to read it. I really should.

The Singer’s Gun - Emily St John Mandel
In 2015 I fell in love with ESJM via Station Eleven. Now I need to read more of her, and this one looks most ‘me’.

Miss Wyoming - Douglas Coupland
Again, I discovered DC in 2015 with Hey Nostradamus!, and I want to read more. All his novels sound ace, but this one in particular piqued my interest…

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2015 books I didn’t get round to in 2015 because I am bad at being a proper book geek

The First Bad Man - Miranda July
When everyone’s salivating over an author, I find it hard to read them. That’s weird, isn’t it? I mean, this book looks great and everyone loves her. What’s the matter with me?

Almost Famous Women - Megan Mayhew Bergman
I want to read more short fic, and this one came recommended by The Millions.

Watch Me Go - Mark Wisniewski
I cannot remember why, but at the beginning of 2015 I made a note in my diary to seek this book out. It was in a list of a few, the rest of which follow. I must have read a review of it and thought it sounded good. I’ve only just found that note again, and now I’m quite looking forward to discovering why I wrote it down, along with these others…

Find Me - Laura Van Den Berg
I have a vague feeling it’s a post-apocalyptic novel. I love those.

The Dead Lands - Benjamin Percy
Yep, this was noted down in the diary too. Also post-apocalyptic, maybe? I’m guessing, from the title only. No memory of this one either.

Girls Will Be Girls - Emer O’Toole
And another one from the diary. Maybe it’s feminist-y?

The Book of Aron - Jim Shepard
Last mystery book from this little clump of notes.

Hammerhead: The Making of a Carpenter - Nina McLaughlin
This looks so great, and I’m annoyed I didn’t get round to it in 2015!

Undermajordomo Minor - Patrick deWitt
He was in Edinburgh this autumn, presumably promoting this, and I couldn’t go and see him. Sadface! Better read the book, ’cause I love him. (And I’m not one of these Sisters Brothers johnny-come-latelies either… I’ve loved him since I read an advance copy of Ablutions way back when I worked for the James Tait Black Prize. Proper hipster fangirl over here.)

The Well - Catherine Chanter
At the EIBF event I went to with Emily St John Mandel, Catherine Chanter was the other author. I swooned so much over ESJM at the time that I sort of forgot to go buy the other book. I really ought to though, because it sounds very interesting.

Fishnet - Kirsten Innes
Yeah, I know. I ought to read this.

A Brief History of Seven Killings - Marlon James (READ IT!)
I was given this for Christmas! Hooray!

The Heart Goes Last - Margaret Atwood
I wanted to read this in time for her event in Edinburgh this autumn. Not only did I not do that, I didn’t get to the event. It looks great though, and I always appreciate a new fix of Atwood.

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Books coming in 2016 that I am super looking forward to…

Gold Fame Citrus - Claire Vaye Watkins
This might already be out in USA? If so, no spoilers please. It’s another post-apocalyptic novel, so just my kind of thing.

The Girls: A Novel - Emma Cline
How great does this look?

Zero K - Don Delillo
OMG HE WROTE A NEW NOVEL!!!!!!!!1!!1!!

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Poetry books I would like to read in 2016…

Settle - Theresa Munoz
I don’t know when this is appearing or who’s publishing but I want to be at the front of the queue to buy a copy!

Wild Nights - Kim Addonizio (BOUGHT IT!)
HOW HAVE I NOT READ THIS YET WHAT AM I DOING?

Dog Songs - Mary Oliver
See above.

The Bonniest Companie - Kathleen Jamie (BOUGHT IT!)
As you may have noticed, whatever Dave rates this highly, I want to read.

The Terrible - Daniel Sluman
Did this only just come out, or did I only just hear of it?!

Hannah Lowe - Chan
It’s not out til June! No faaaaair!

Helen Farish - The Dog of Memory
‘What if everyone who ever lived here had left one thing behind?’ is the loose theme of this, apparently. SOUNDS GREAT.

Nine Arches Press’ forthcoming anthology of UK Disability Poetry / Crip Poetics
It’s a groundbreaking concept (though it shouldn’t be) and it’s edited by a trio of absolute superstars. I am really excited about this.

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A poetry collection I am sick of looking at but which you might like to read in 2016…

My book!

This changes things - Claire Askew
Yes, it’s me! You can find out all about this particular collection, and order yourself a copy, right here. (Thanks!)

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I wrote a book of poems! It’s called This changes things, and you can order it here!

You can now get more content from me — and help me pay the bills! — by supporting my Patreon. Get a monthly writing support pack for just $5 a month! It’s like buying me a pint.
You can also support me by checking out the many sweet and sparkly things at Edinburgh Vintage, my Etsy-based store for jewellery and small antiques.
If you just want to say hi, you can find me on Twitter, or email me via claire[at]onenightstanzas.com. You’ll get a fairly good sense of the kind of person I am by checking out my Tumblr.

Almost all the books I read in 2015 and the things I thought about them

Monday, December 28th, 2015

Yep, I’m doing this again! Gird your loins…

JUST finished reading "Life After Life" by Kate Atkinson. Holy Cow...it was incredible! 5 out of 5.
(Photo credit)

JANUARY FICTION
MR Carey: The Girl With All The Gifts

This book is like crack. I read it really, really fast and couldn’t stop! Then I heard that the main character (a badass middle aged black woman) is being played by Gemma Arterton in the movie adaptation, and now I feel angry whenever I think about it.

Kate Atkinson: Life After Life
This woman’s books really don’t deserve the soppy covers they get. I was put off reading her for years because the covers of all her books made me think they’d be saccharine. Then I finally read this and loved it and wished I’d thought of the idea (a really smart take on “what if you could go back in time and kill Hitler?”, essentially) first. It’s great.

Amber Benson: The Witches of Echo Park
I seem to remember that this author is also an actress who was in Buffy, or something. I didn’t know that when I bought it. I bought it because the idea sounded awesome (a coven of witches in contemporary LA, HELLO). I ditched it about thirty pages in because the writing was about the worst I’d ever seen in a published book. Seriously, it was like having my fingernails pulled out. I now show it to my Write Like A Grrrl! students as an example of How Not To Write Sentences.

JANUARY POETRY
Chris Banks: Bonfires

Things I can remember about this book: I think the poet is Canadian. I think I thought it was OK at the time. I seem to remember it has a weird cover. Make of all that what you will.

Tracey S Rosenberg: The Naming of Cancer
Ooh, this one’s easy! I reviewed it here!

JANUARY NON-FICTION
Francine Prose: Reading Like A Writer
She’s quite pompous: there are some fairly rude retorts written at her in the margins of my copy. BUT her advice is genuinely really useful. The Dialogue and Sentence chapters are especially good.

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Norman Nicholson pilgrimage

FEBRUARY FICTION
Sandra Newman: The Country of Ice Cream Star

I absolutely loved this when I read it, because I thought that the writer was a woman of colour. Then I found out that she’s white, and she’s said some mildly clueless things about the book’s approach to race. Now I just have all the feels about it. All of them.

Beauty Tips for Girls by Margaret Montgomery
This author is an absolutely lovely lady — I have it on good authority from many people who have met her. The book is not my personal cup of tea, but I was happy for her when it was published, and when so many other folk seemed to like it.

FEBRUARY POETRY
Marie Howe: The Kingdom of Ordinary Time

I didn’t like it quite as much as What The Living Do, but that book is actually perfect. This one’s still pretty freaking amazing. I want to be Marie Howe when I grow up, including having her amazing hair.

Kayla Czaga: For Your Safety, Please Hold On
I am getting harder and harder to please when it comes to poetry. I liked this fine, but it didn’t set me on fire. Nice cover design, is the main thing I remember about this ten months on.

FEBRUARY NON-FICTION
Kathleen Jones: Norman Nicholson, The Whispering Poet

I absolutely love Norman Nicholson and I absolutely love Kathleen Jones’ books, so this was a no brainer. It was great. It made me go on a NN pilgrimage, it was so great!

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Mixing The Colours from Glasgow Women's Library

MARCH FICTION
Annie Proulx: Close Range

Short fiction! I keep telling myself I need to read more short fic. God Annie Proulx is horribly talented. Every sentence is bloody perfect. Every story is totally gripping. I love her and hate her in equal measure, the talented cow.

Mixing The Colours: Women Speaking About Sectarianism, ed. Rachel Thain Gray
I followed the fortunes of this project all year, went to its launch, and met many of the cool ladies who contributed to this anthology. It’s thought-provoking, handmade, and gorgeous. Well done, GWL and Rachel!

MARCH POETRY
The Collected Poems of Norman Nicholson

How to be inspired to write poetry: wait til spring, then go to Cumbria, stay there, and read nothing but Norman Nicholson for the best part of the month. I feel like I wrote the best part of my second-collection-in-progress in March, thanks to Norman!

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Hallelujah for 50ft Women

APRIL POETRY
Mary Oliver: Dream Work

Yes, again. Springtime means Mary Oliver. You just can’t get through spring without reaching for her.

Frances Leviston: Disinformation
Another effortlessly talented smartypants. I basically agree with the entirety of Dave’s review. Reading this made my brain hurt, but in a good way.

Hallelujah for 50ft Women: poems about women’s relationships with their bodies, ed. The Raving Beauties
Great poems, slightly cissexist introduction.

Mark Doty: Deep Lane
OH MY GOD OH MY GOD OH MY GOD. Just when you thought he couldn’t get any better, he went and got better. This book is perfect. PERFECT I TELL YOU. I wanted to eat it. I wanted to swim in it. I read it about once a week for six months… but the first time was the best. Buy it, read it, do it now.

Mark Doty: My Alexandria
Mark Doty: Sweet Machine

After I finished Deep Lane I was just in the grip of Doty fever. Addicted, I tell you! PS: Hey look! In April I read only poetry! Nice.

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goverments should fear thir people and support literacy
(Photo credit. I love this pic of Jo Bell!)

MAY FICTION
Laura McBride: We Are Called To Rise

I got this ’cause I had two ‘three for two’ books in Waterstones and needed a third. It was a punt, but it turned out to be great. Holy crap it was good. Just good, strong, confident storytelling. And gripping. A little predictable at the end but I really didn’t care. Bonus: its structure helped me figure out how I wanted to structure my own novel. Yay!

MAY POETRY
Sophie Cabot Black: The Descent

This is a book with two (or three? I forget) sections, the poems in each of which seem to be lots of variations on the same theme. The first section, with poems all about travelling through wildernesses, is bloody great. It was weird how much I liked that section, only to massively dislike the section that was all love poems. It felt like two massively different poetry collections in one. But hey, it won a ton of awards, so what the hell do I know?

Patricia Young: Here Come The Moonbathers
Re-reading this for about the millionth time. Whenever I read this book I wish I was back where I was when I first read it: on the deck of the Vancouver-Victoria ferry with a beer, sailing towards a month-long Canadian roadtrip. Sigh.

Polly Clark: Kiss
I can remember absolutely nothing about this collection, six-or-so-months on, except that there was a naked lady on the cover. That’s not good, but I think the fault lies with me, not the book.

Jo Bell: Kith
I read this at the same time as the book above, and enjoyed the similarity of their titles. I remember lots about this one, though: mainly, the poems are all very short and a good number of them made me snort-laugh. I read them on a sunny long weekend in my aunty’s little Lake District cottage and they were perfect for that time and that place. There’s one amazing poem that really stuck with me, about Jo waking up in her narrowboat and realising that the canal had frozen overnight. Simple and gorgeous.

MAY NON-FICTION
Helen Macdonald: H is for Hawk

Bored the pants off me. Got about… sixty pages in? If that? Then thought… next.

Malcolm Gladwell: Outliers
I was on holiday (see above) and wanted something totally un-taxing. This was a re-read, and I possibly enjoyed it even more second time around. It reinforced my opinion that people who hate on Malcolm Gladwell are suuuuper dull and rather joyless individuals.

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Well hello there beautiful. Next on deck, Smoke Gets In Your Eyes & Other Lessons From The Crematory by Caitlin Doughty. "She breathes life into death."
(Photo credit)

JUNE FICTION
Rufi Thorpe: The Girls of Corona Del Mar

Self-absorbed, messily written, totally unconvincing, and somehow also pretty dull. In my line of work, I meet young women who have real actual problems in their lives. This asshole narrator needed to get a grip, frankly. (Maybe she was supposed to be annoying and eventually got her comeuppance, but I’m afraid I ditched out early.)

Peter Carey: Amnesia
What an utterly odd book. It was totally not about what its blurb said it was about. But it was really rather funny (and much funnier, I’m sure, if you’re Australian and get all the in-jokes) and I enjoyed it. May seek out more Carey in future (recommendations of particular titles welcomed!).

JUNE POETRY
The Dark Horse: 20th Anniversary Edition

I can’t say too much about this ’cause I’m featured in it (!!!) but I can say it also features folk like Alasdair Gray, Douglas Dunn and Vicki Feaver, so yaknow, that gives you a sense of things. (Also, it’s not just poetry, it’s a mix of genres, but I put it under poetry ’cause the poetry section includes Little Old Me!)

JUNE NON-FICTION
Caitlin Doughty: Smoke Gets In Your Eyes, and Other Lessons from the Crematorium
This is a memoir/rumination on death by a female funeral director, and it’s absolutely bloody brilliant. Very funny, very poignant — I read it on a very wet two-day work trip to Oban and it made my seven hours of train travel fly by. My only criticism would be, occasionally some of her controversial-y, non-PC-y humour felt like it was punching down, not up. See what you think.

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Untitled
(Photo credit)

JULY FICTION
Jennifer Egan: Look at Me

BRING OUT ANOTHER NOVEL ALREADY PLEASE JENNIFER. In order to worship at the altar of your absolutely perfect writing, I am having to re-re-re-re-re-read all your novels, and there aren’t enough of them. GET ON IT.

John Updike: The Witches of Eastwick
I decided to have a summer of re-reading some faves, hence the one above. You may be surprised to learn that a ranty intersectional feminist like myself counts an Updike novel among her all-time top ten, but I do. I mean, it’s HILARIOUS that whenever a person with breasts walks into a room, he needs to tell us (or indeed, remind us, if they’re a main character) exactly what size, shape, and colour that person’s breasts are (often with flower-related similes). But once you get used to just chortling at that and moving on, it’s all fine.

JULY POETRY
Karen Solie: The Living Option, New and Selected Poems

Oi Karen! You could also do with bringing out another book, please. You’re another one I keep having to re-re-re-re-read ’cause I want more of your writing magic! Get it together, ladies!

Mark Doty: Deep Lane
I wrote down in my book-reading diary that I’d re-read this one in July… but basically I never stopped reading it. I’ve dipped back into it so many times this year. But I think this re-read was to prepare me for MD’s reading at the EIBF, and for meeting him afterwards (!!!! he was so kind. So kind. I shall post more about our meeting in my year-end round-up post shortly!).

JULY NON-FICTION
R. Swinburne Clymer: Nature’s Healing Agents
Michael Howard: The Witches Herbal

I bought these two books at the Boscastle Museum of Witchcraft, and they have proven totally invaluable… I’m writing a bunch of poems about witches and witchcraft to go in my second collection, you see. The Herbal book is particularly great, and surprisingly, I’ve been able to make use of it when foraging, too. I was sad to hear that its author died this year. He was very involved in the Museum of Witchcraft, aka one of my favourite places in the world.

Katherine Howe: The Penguin Book of Witches
See above. This is probably the most useful reference book you could ask for when writing about witches. So many original sources, presented and explained with handy notes. Also, it was fun reading it on the bus… no one wanted to sit next to me.

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Act 1
(Photo credit)

AUGUST NON-FICTION
Blake Snyder: Save The Cat

It turns out everyone knew about this amazingly useful little book except me, ’cause I try to recommend it to writers now and they’re all like, “yeah, beat sheets. Use ‘em all the time!” Why did no one ever tell me about this oh-so-handy guide to plotting?! It says it’s for screenplays but it applies pretty well to novels. Helped me loads.

Michael O’Byrne: The Crime Writer’s Guide to Police Practice and Procedure
I am writing a crime novel. Or actually, I prefer Emily St John Mandel’s version, which she referred to when I saw her at the EIBF this year (more on that later): “a novel with a crime in it.” Therefore, I felt this book was worth its weight in gold… and it came at a very good time for me, when I was getting tons of writing done and (as you can see) not reading much else.

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Chimamanda Ngozi Adichie © Beowulf Sheehan/PEN American Center
(Photo credit)

SEPTEMBER FICTION
Susan Hill: The Boy Who Taught The Beekeeper To Read

Did you know that the lady who wrote The Woman In Black, and other terrifying creepy things, also writes lovely, whimsical short fiction? It’s true. I bought this collection waaaay back when I was about fifteen and the brilliant writing blew my tiny mind. I needed to teach a seminar on Modes of Narration in September and immediately reached for this book (and the title story in particular) ’cause she’s so brilliant at Free Indirect Speech.

Chimamanda Ngozi Adichie: The Thing Round Your Neck
This was for the same Modes of Narration seminar. Best use of second person since Italo Calvino.


SEPTEMBER POETRY
Naomi Shihab Nye: Tender Spot

I saw her at EIBF, reading alongside Mark Doty (can I just say DREAM TEAM?), and then bought the book from her afterwards. I’ve been reading it super slowly ever since (still not done), trying to savour it like a really expensive box of chocolates. Needless to say, it’s great.

NB: I should say that from here on in, things get very sparse. The reason is, I got my job as Creative Writing Fellow for Tyne and Esk Writers. I work 17.5 hours a week in that job, and on some weeks, as many as ten of those hours are reserved for reading the writing of T&E members in order to offer critique. So I’ve been reading loads this winter! Loads and loads of exciting, as-yet-unpublished novel manuscripts and poetry collections and single poems and short stories… I just can’t write about them here. Yet! Wait for it! Some of them are coming soon to a bookstore shelf near you!

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Thanks to everyone who attended the #litsyndicate's heated discussion of Philip Hoare's THE SEA INSIDE! Our next meeting will take place on Tuesday, July 28th, when we'll be discussing the mother of all #smartsummerreads, Emily St. John Mandel's STATION E
(Photo credit)

OCTOBER POETRY
Greta Stoddart: Salvation Jane

I picked this up in a second hand bookstore in Whitby, to have a quick flick through. Ten minutes later my brother came searching for me to find out what I’d got so engrossed in.

Claudia Rankine: Citizen
Again… what Dave said.

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NOVEMBER FICTION
Douglas Coupland: Hey Nostradamus!

Someone told me a while back that I ought to read this book, because elements of it are similar to the novel I am currently writing. I can’t remember who that person was, but THANK YOU SO MUCH. You totally get my taste in books! This was my fiction discovery of the year, though it faced strong competition, especially from Station Eleven (see below). It was just gob-smackingly brilliant. I thought I knew what I was getting into when I started reading, and it just kept surprising me and surprising me and surprising me, right down to the absolutely stunning, beautiful, gorgeous, poignant, heart-stopping ending, which had me weeping buckets. I read this in two sittings: it was one of those books where you just go screw it, I’m not doing anything else today, I just have to read this til I am done. Douglas Coupland, where have you been all my life?! Miss Wyoming next…

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DECEMBER FICTION
Emily St John Mandel: Station Eleven

Yes, I fiiiiinally got around to reading it. I bought it way back in the year: remember me saying I was buying 3-for-2 books back in May? It was one of those three. In June I booked a ticket to go and see ESJM at EIBF and told myself that’d spur me on to read it. Then the event, which was ace, came and went in August. I find it hard sometimes to get myself psyched up to read the book everyone’s raving about, you know? And then usually I kick myself when I finally do read it, as I did with this one. Holy wow. It’s every bit as good as everyone says, and more. Just don’t do what I did and read it when you’re feeling flu-y. Oh, and if you get chance to go and see ESJM speak/read? Go. Her EIBF event was so great. She’s very eloquent, whip-smart, very funny, and I could listen to her lovely Canadian accent all day. But don’t do what I did… read the book before you go.

A few final stats:

Total books read: 45 (down on last year’s 51. OMG SO LOW RIGHT? Meh. You know how every book blogger is telling you they read three books a week for the whole year right now? Unless they sat on the panel for a major book prize, or worked as a reviewer for a big publication, it’s likely they’re fibbing. PS: if you’re measuring the worth of your life by how many books you’re reading per year, you need to get a grip, and also remember that the ability to read at all is a massive privilege and bragging is vulgar. Here endeth the lesson.)

Total fiction: 16 (down on last year’s 17)
Total poetry: 19 (20 if you count reading Deep Lane twice. Waaaay down on last year’s 32)
Total non-fiction: 10 (way up on last year’s 2! Hooray!)

Books by men: 13 (down on last year’s 16)
Books by women: 30 (down on last year’s 35)
Books by multiple authors, or by an author whose gender I don’t know: 2

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I wrote a book of poems! It’s called This changes things, and you can order it here!

You can now get more content from me — and help me pay the bills! — by supporting my Patreon. Get a monthly writing support pack for just $5 a month! It’s like buying me a pint.
You can also support me by checking out the many sweet and sparkly things at Edinburgh Vintage, my Etsy-based store for jewellery and small antiques.
If you just want to say hi, you can find me on Twitter, or email me via claire[at]onenightstanzas.com. You’ll get a fairly good sense of the kind of person I am by checking out my Tumblr.

Yet more reasons to Write Like A Grrrl!: January 2016 semester now booking…

Wednesday, December 2nd, 2015

Audre Lorde
(Photo credit)

You all know by now that I teach on the innovative and exciting all-female writing course Write Like A Grrrl!, right? We had such a good year in 2015… up here in Edinburgh I ran four semesters and every single one sold out, and things were much the same in London and Manchester, too. This summer we also cooked up our Next Step course, for women who’ve completed ‘original’ WLAG! and fancy a new challenge. (That has also gone pretty excellently.) A lot of words have been read and written and a lot of barriers-to-writing have been overcome; a lot of tea has been drunk and a lot of cake (I mean a lot) has been eaten. And now I’m ready to start all over again in 2016!

WLAG! Edinburgh begins its new semester on Monday 18th January, and places are already getting booked up. There’s only space for twelve women on each course, so I suggest you get moving! If you click through to the booking site, you’ll see that you have the option to pay a deposit now and the rest later. Or you can also buy a space on WLAG! Edinburgh for a friend for Christmas.

Now convinced yet? Here are some (honest-to-god totally real and undoctored — really!) very nice testimonials from women who completed the most recent WLAG! course in September 2015:

What was most useful? Checking in every week even if [our writing] didn’t go well. That block-by-block approach is really good. And I like that you don’t have to share work yet.

Do it! Amazing value for money, really great to have a space for writing every week in your life, and a brilliant support network. Claire is a great tutor. Plus, I like that it’s variable: it can work for you whether you have small or big goals for [your writing].

I would highly recommend WLAG! It’s a very friendly environment and a great motivation to just start writing. Before, I’d started losing focus with my writing, but now I feel confident to keep going!

It’s amazing being able to talk and share stuff with other women who have a lot of the same experiences, it’s been so productive. Definitely do it! I was totally new to creative writing before, and I had a bit of anxiety about being a bit of a fraud. But I’ve found everything to be so inclusive, totally without judgement, and so as a result I’ve been able to learn and develop — and most importantly, to actually start a writing habit. Also: Claire! Best ever.

It was useful hearing about what everyone is doing and that everyone faces common challenges — [writing] doesn’t come totally naturally to everyone and there is comfort in that. I feel optimistic, energised, and more knowledgeable now.

Join! I think it’s a great course, and unique in its approach to creative writing. There’s loads of practical and very helpful advice to apply to existing work, as well as helping to generate new ideas.

Absolutely do it! Claire is a brilliant, inspiring, encouraging tutor. In only 6 weeks, I feel that my confidence has really increased. The things I’ve learned have made me feel excited about taking on my next project(s)!

What more do you need? Get over there and book already! All women — and I mean all women — are welcome!

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You can now get more content from me — and help me pay the bills! — by supporting my Patreon. Get a monthly writing support pack for just $5 a month! It’s like buying me a pint.
You can also support me by checking out the many sweet and sparkly things at Edinburgh Vintage, my Etsy-based store for jewellery and small antiques.
If you just want to say hi, you can find me on Twitter, or email me via claire[at]onenightstanzas.com. You’ll get a fairly good sense of the kind of person I am by checking out my Tumblr.

Opportunities for writers! Come and work with me!

Friday, September 4th, 2015

Hey! Are you a writer, or would you like to be one? Are you looking for any of the following: guidance, community, self-confidence, advice, resources, mentoring, fun? This post is for you. I’m doing lots of exciting stuff at the moment and I would love for YOU to be part of it. Come along…?

Alison Gibson reading at Storyshop

Write Like A Grrrl!: the new semester
6-week all-female fiction writing course — starts 21st September

See that gorgeous woman in that photo? That’s Alison Gibson, an alumna of Write Like A Grrrl! March. Way back in March, I nagged a somewhat-uncertain Alison into submitting one of her short stories to Edinburgh International Book Festival’s prestigious StoryShop programme. Six months later, I sat among a gaggle of Write Like A Grrrl! alumni watching Alison read that story to a rapt crowd in the EIBF’s Spiegeltent theatre. I don’t mean to take all the credit, obviously. But I’m pretty sure that my nagging — and the support she received from the rest of the WLAG! group — was a big factor in Alison getting onto that stage!

Seriously, Write Like A Grrrl! is magical — I’m biased, yes, but I’m also pretty sure that I aint wrong about this! The course is open to women writers of all stripes, no matter where they are in their writing journey. Some folk start WLAG! with half a novel under their belt… they just need to get it finished. Some folk start having done absolutely no writing, ever… they just want to check it out. And many of the women I meet on WLAG! have had their confidence knocked in one way or another — they want to write but they just can’t find the strength.

Write Like A Grrrl! lunch outing
^ A meeting of just some of the WLAG! alumni — from January, March and May — last month.

WLAG! is all about strength. It’s strength in numbers — you’ll meet eleven other like-minded women writers and trust me, you’ll soon end up down the pub together, geeking out about writing! It’s also about strengthening your routine — making writing a natural part of your life and never a chore — and strengthening the words themselves, making them really sing. To date, women who’ve completed Write Like A Grrrl! Edinburgh have gone on to do things like writing for the Huffington Post, writing for the F Word, winning a major new short story writing prize, and hooking up with a top agent!

You can read some testimonals from the January group (aka ‘the Edinburgh guinea pigs’ — first ever course!) by clicking here. You can read some from the March group by clicking here. And there are some from the May group on this page here.

If all of this sounds good, and you want to find out more, head over to the Write Like A Grrrl! Edinburgh page. The course runs over six consecutive Monday evenings, and costs £72 in total… what’s that? The price of a pair of party shoes? Put on your scruffy old ones and come do some writing instead!

Edinburgh Aug 14

Creatrix Women’s Poetries for the 21st Century: an online Poetry School course
10-week online poetry writing course, open to everyone — goes live 16th September

Just as there are many ways to be a woman, so are there many ways women have written about the female experience. On this course, you’ll look at the ways in which writing by women and about their lives has been traditionally categorised, and find ways to explore and subvert those categorisations in your own writing, exploring within and beyond the dominant narratives and common grounds. You’ll look at feminism, poems that might be called confessional, domesticity, poems about the physical body, the natural world, family, love and relationships. The course will also have an intersectional bent, examining women’s experiences which deal with race, class, sexuality, disability and masculinity. Oh, it’s also taught by me!

‘So, is this women only too?’, you’re thinking? It is not! The course is, in fact, open to all women, all men, and all non-binary people. I’d really like to get a diverse bunch of students onto this course, in fact… men ought to read women, too, after all!

The Book Week Scotland/Inky Fingers Dead Poet Slam: the scary judges, Edith Sitwell, Aphra Behn and Vita Sackville-West
^ Me, Alice Tarbuck and Jane McKie, dressed as great female poets of the past (can you guess which ones?) for the Inky Fingers Dead Poets Slam in 2013

You can read more about the course by clicking through to this interview I did with the Poetry School blog… also contains witches and oversharing about my second collection!

Come along, be inspired by amazing contemporary women poets, find new favourite female writers, meet fellow poets online, and produce new writing of your own that — I hope — moves you out of your comfort zone. The course costs are detailed on the right hand side of this page and the whole thing runs for ten weeks.

Morden Tower
^ Me with one of my own mentors, Kevin Cadwallender, at Morden Tower in 2010

Get mentored by me no matter where you live!: my very own Patreon
Ongoing!

OK… with much trepidation, I finally joined the Patreon crowd. However, I’m not asking you to fund me to write poems. Instead, I thought I could use Patreon to extend my ability to teach and mentor new and stuck creative writers. How?, I hear you cry…

Well, I was thinking: if folk are pledging to pay me a little something every month, then why can’t they be buying some of my teaching time with that money? I have a fair few writers from Edinburgh and the surrounding area who I help with line-by-line edits and feedback on their written work. I then meet them for a coffee, or we have a Skype chat, about how they’re doing. This is work I really, really like and the writers seem to get a lot from it. So, I thought, why not extend that to THE WHOLE WORLD? Patreon has helped me do that!

It works like this: you pledge a little bit each month ($5, or the price of a coffee), and I come to your inbox once per month and give you a swift kick up the butt, writing-wise. You’ll receive a pack of electronic goodies from me that will include writing prompts, exercises, useful articles, pointers and words of wisdom, submission calls, job opportunities, commissions… anything I think might help your writing get started, get good, get published. Pledge a bit more, and each month I’ll give you line-by-line edits on one of the pieces you’re working on… top up your pledge and I’ll look at two or three pieces per month. Pledge a little more, and we can have regular Skype chats to see how you’re doing and discuss how you can grow and improve. And so on. It’s a pay-what-you-can mentoring scheme, basically!

I only just set it up, and I haven’t entirely got the hang of it yet, and because I’m British it’s all a bit too much like marching up to people and asking them for money for my liking. So even if you’re not interested in pledging right now, I’d super appreciate it if you’d help me promote it by sharing my Patreon link on Twitter, Facebook, your blog… wherever, really! Thank you!

I hope some of you will join me on these adventures! As always, if you have any questions just drop me a line to claire@onenightstanzas.com or head over to @onenightstanzas on Twitter!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Where is Claire? Readings & events for Summer 2015

Monday, June 1st, 2015

Poet Claire Askew
^ Yeah, that’s me! From a photoshoot for the Herald Newspaper, photo by Julie Howden!

Still not sick of me after my various Spring 2015 outings? No? In which case…

The Dark Horse: 20th Anniversary Issue Launch
Thursday 4th June, 7pm, The Voodoo Rooms (Edinburgh)
I am so excited to have poetry featured in The Dark Horse once again, and this time in the sure-to-be-amazing 20th Anniversary issue! I’ll be reading alongside literary GIANTS Alasdair Gray (yes, really), Douglas Dunn (OMG) and Vicki Feaver (I am not worthy) at the Edinburgh launch.
UPDATE: sorry, it’s now SOLD OUT!

10Red (or TenRed… I am never quite sure!) July
Wednesday 1st July, 8pm, Persevere Function Rooms (Edinburgh)
UPDATE: After a bit of a last-minute diary reshuffle, I am no longer reading at 10Red June, but 10Red July! My feelings about 10Red, below, have of course not changed in the slightest!
I am always happy to be invited to read at 10Red, one of Edinburgh’s most reliably excellent live literature nights. I don’t yet know who else is on the bill, but please do come along to see me, and doubtless 9 other bloody excellent people. There’s also the increasingly famous mega book raffle, and entry is a very reasonable three quid.

Launching “Shoreline of Infinity“, a brand new Scottish sci-fi magazine
Thursday 2nd July, time + venue TBC (Edinburgh)
Remember the brilliant science fiction anthology Where Rockets Burn Through: Contemporary Science Fiction Poems from the UK? I had a couple of silly poems in it, and wrote about the launch here? Well, the editor of that publication, the esteemed Dr Russell Jones, has set up his own science fiction journal, Shoreline Of Infinity, and is holding a summer shindig to introduce it to the world! I’ll be reading at it, alongside Ryan Van Winkle, and probably Russell himself, as well as some other fine folks TBC. More information when I get it, but for now, put the date in your diaries!

Just Festival: contemporary women’s writing event (chaired by me!)
Thursday 20th August, 4pm, St John’s Church
This is all very TBC… I can’t tell you yet which women writers are going to be involved but, like anything that’s part of Just Festival, it’s going to be good. And I am going to be chairing it! Make sure you reserve this particular Thursday afternoon because you’ll want to be at this event, I promise!

My appearances at these events were in part made possible by Creative Scotland’s Open Project Fund, who have allocated a small grant to allow me to develop my work during the period January 2015 to February 2016. Thank you, Creative Scotland!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

You should read this! Mixing The Colours: Women Speaking About Sectarianism anthology

Monday, April 6th, 2015

A couple of weeks ago I was lucky enough to be invited to Glasgow Women’s Library’s brilliant Mixing The Colours Conference 2015. Mixing The Colours: Women Speaking About Sectarianism is a groundbreaking project, which has been running for about two years now, funded by the Scottish Government and designed to get women talking about one of Scotland’s most taboo subjects. The conference was an amazing day of discussion, performance and ideas, but importantly, it was also the launch-day of the project’s amazing anthology of women’s writing.

I’ve also been working on a project designed to tackle sectarianism: until just a few days ago, when the project reached completion, I was the Project Co-Ordinator for Scottish Book Trust’s graphic novel project Walk The Walk. I worked reasonably closely with staff from Mixing The Colours throughout that project, and so came to see clearly the various ways in which women’s voices have traditionally been erased from discussions about sectarianism.

Think about it for a second. When you read a newspaper article about a story relating to sectarianism, what is the accompanying photo usually of? Chances are, a stand full of male football fans. Perhaps a line of police personnel in their yellow jackets. There might be the odd female face or two if you squint closely, but traditionally, sectarianism in Scotland is considered a “men’s issue,” and all too often, seen as synonymous with football. I’m sure you’ll agree that this hurts men as well as women.

Thankfully, we now have the truly amazing Mixing The Colours: Women Speaking About Sectarianism anthology to add to the conversation. It features poetry, memoir, fiction and drama, all exploring individual women’s responses to their experiences of sectarianism. My favourite story is ‘Paddy,’ written by Ethyl Smith — a bittersweet tale of a young girl who is unwittingly caught up in the sectarianism that exists between two of her adult neighbours, all because she wants to be friends with a wee dog. But every piece in the book is brilliant, and important, and merits reading, re-reading and sharing.

You can get a look at the book by heading over to Glasgow Women’s Library’s stunning new(ish) home in Bridgeton, Glasgow. GWL is located in what was once the Bridgeton Men’s Reading Room, which I find rather delicious. The Mixing The Colours team have also been steadily gathering a collection of other resources that examine women’s reactions to sectarianism, so while you’re there, you can browse the whole lot.

Finally, the Mixing The Colours film gives a taster of what’s inside the book, and as you can see from my conference notes above, gives plenty of food for thought! Here’s a trailer:

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Reasons to Write Like A Grrrl!

Tuesday, March 3rd, 2015

@ the Indiana State Museum // 60s/70s feminist badge
(Photo credit)

Hey, remember that all-female writing course I was banging on about before Christmas? Well, my first bunch of students have just graduated — look out world, thirteen newly-confident ladywriters are COMING FOR YOU!

That means that I am now taking bookings for the second round of Write Like A Grrrl! Edinburgh, which starts on the evening of Thursday 19th March at Sandeman House. In fact, I am almost fully booked already, with only one space remaining!

If you’re a female writer who’s struggling to stay on track with a novel, or if you fancy trying some short stories, or you need to beat writer’s block, or if you just want to get involved with a group of lovely, like-minded women, here are some reasons why you should click over here and book up that final place!

All of these comments are verbatim feedback from graduates from the first ever Write Like A Grrrl! Edinburgh course:

“Great content and brilliant to get the chance to meet other aspiring writers. Claire, the tutor delivering the Edinburgh course is fantastic, very knowledgeable, a great teacher: includes and makes everyone feel involved and valuable.”

“It’s well-structured, practical, the materials are excellent and it’s a supportive environment in which to develop your writing. Well worth the money.”

“Needs to be longer please, 12 weeks would be wonderful!”

“Do it! It helps you to open up and understand that your writing worries are shared by other people.”

“Speaking to everyone on the course, it’s great to be in a group you can talk to about aspects of your writing. I wish the course was longer. I have already recommended it to several friends. The handouts each week are a fantastic reference. The course has a nice pace.”

“It was really the best decision in terms of writing but also meeting people with similar interests. Turned up quiet and unsure about talking about writing, now have like a little circle for advice and encouragement, and look forward to seeing where everyone goes from here!”

“Great - fun, friendly, informative. Whatever issue or goal you have in writing, this will definitely help. Twelve hours of classes has gotten my writing further than years of thinking I was trying.”

That all-important sign-up link again: Write Like A Grrrl! Edinburgh.
Hope to see you there!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Five lost Edinburgh bookstores that I wish still existed.

Monday, March 2nd, 2015

Dangerous Ladders
(Photo credit)

OK, so I was reading this post on Buzzfeed about Edinburgh’s great array of charming bookstores (and newsflash: this aint even all of them!), and although the post is really lovely, it got me thinking wistfully of the Edinburgh bookstores of yesteryear that are no more. I thought that they merited a photoblog of their own and so, here are five. If you have more to add, please do let me know!

the Haynes Nano Stage 01
(Photo credit)

Jim Haynes’ Paperback Bookshop
Did you know that Edinburgh had its own (small) Beat movement? It’s a true fact: and it’s largely down to Jim Haynes and his iconic Paperback Bookshop. The shop was opened in 1959 in Bristo Square, next to the University, and it famously had a rhino head mounted on the wall outside (here’s a gorgeous photo of a wee girl posing next to it!). Haynes claims to this day that his was the UK’s first ever paperback-only bookshop. It was also a mecca for Beat enthusiasts… and trouble. In 1960, a woman famously staged a protest outside the shop by burning one of its copies of Lady Chatterley’s Lover. Sadly, the University decided to redevelop Bristo Square in 1966, and rather shortsightedly kicked the Paperback Bookshop out of its premises. They’ve since realised the error of their ways and created a memorial — which includes the book sculpture pictured above, and a brand new rhino head — to this lost cultural site.

Student reading in the Hub, Main Library.
(Photo credit)

Pickerings Books
Sad fact: I cannot find a single photograph of Pickerings Books online, and yet it was a gorgeous bookstore that sat right on the corner of Buccleuch Place, only yards from where the aforementioned Paperback Bookshop once stood. Were it still in existence, it would have been just about visible behind the totes cool dude in the photo above. Pickerings was a wee place, but it was full of gems. As an English Literature undergraduate/not-yet-fully-formed-human, I used to spend hours in there digging through the badly-organised shelves and random piles of second hand books. One day, I found what I thought was a scruffy old book of Edwin Morgan poems for two quid. It turned out to be a first edition of The Second Life that was signed in the front by Angus Calder. ONLY IN PICKERINGS could such treasure be unearthed.

The new town paperback
(Photo credit)

The New Town Paperback
I’ll admit: this place always seemed a little creepy… but in a good way, if that makes sense? I don’t think I ever met anyone else in it, I was always the lone browser, and I never saw anyone else go in or out. The books in the window display all had really sun-faded covers, like they’d been there decades. And yet, I took huge comfort from seeing this place was still there, in spite of everything, whenever I passed on the bus. It’s now a trendy wine shop, where I will never shop, simply because they covered up that amazingly retro shopfront. Sorry not sorry! (PS: here’s a photo of me, posing horribly, outside the New Town Paperback when it was still a going concern…)

Pulp Fiction
(Photo credit)

Pulp Fiction
Tollcross is my favourite area of Edinburgh, and I loved the couple of years that I spent living in a fifth-floor walk up right on Tollcross Junction (noisy as it was). Pulp Fiction was my local bookstore then, as it was only yards from my front door. It was a sci fi/fantasy specialist store and seemed to have literally every sci fi title in the world, no matter how obscure… plus seriously dedicated and knowledgable staff. It was also a really cool literary events venue. I still have no idea why it closed down and my heart is sad whenever I pass by the shopfront it once occupied. RIP, Pulp Fiction!

Happy Birthday, Allen Ginsberg!
(Photo credit)

Old Hat Books at the Old Forest
I know that the Forest Cafe still lives, and I am super pleased that it moved to its New Forest location in Tollcross (see above). However, I miss EVERYTHING about the Old Forest on Bristo Place. It was just the perfect space for a burgeoning DIY arts co-operative, with little nooks and crannies containing everything from a hairdressers to a darkroom, from the amazing Free Shop to a recording studio. And there was also Old Hat Books! A kind of independent bookstore/library/book club mash-up. Like everything about Forest, there was and is really nothing else like Old Hat Books in Edinburgh, if not the world. Hopefully it will eventually make a comeback at New Forest, and maybe become New Hat Books…?

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!