Posts Tagged ‘writers’

Procrastination Station #143

Friday, April 10th, 2015

Most poets don’t write a poem a day. For me it’s a very sporadic activity. Until recently, I thought “occasional poetry” meant that you wrote only occasionally. So there’s a lot of waiting, and there’s a kind of vigilance involved. I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times—and this, I think, is a sense you develop—I can tell that the line wants to continue. If it does, I can feel a sense of momentum—the poem finds a reason for continuing. The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme. Now it’s tone that establishes the poet’s authority. The first few lines keep giving birth to more and more lines. Like most poets, I don’t know where I’m going. The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out. In a poem, the pen is more like a flashlight, a Geiger counter, or one of those metal detectors that people walk around beaches with. You’re trying to discover something that you don’t know exists, maybe something of value.

BILLY COLLINS IS MY HERO (thanks Lucy for sending me this)!

Fail Safe: courage and the creative life < - I NEED THIS RIGHT NOW. (Wow. I’m starting out CAPSy this week!)

Give your writer friends gifts that they’ll actually appreciate. They’ll be grateful, trust me!

In 2013 for example The London Review of Books posted reviews for books written by only 72 female authors as opposed to 245 male ones. The New Yorker came in at 253 female to 555 male and the Times Literary Supplement (with far more male reviewers than female) also fared poorly in the equality stakes with male 903 and female 313. This given that over 80% of fiction is bought and read by women.

Get angry about literary gender inequality with the great sense-talker Sara Sheridan.

I’m afraid to say I rather enjoyed Writers You Want To Punch In The Facebook.

Reminder! Scottish Book Trust wants to read YOUR story about an important journey.

Descriptions of my work get more and more diminished until someone at the Library of Congress says that I am “easily understandable.” Actually though, compression is the opposite of what I do: what interests me is so remote and fine that I have to blow it way up cartoonishly just to get it up to visible range. My technique is something like using a hammer to drive a needle through silk.

This interview with Kay Ryan is so good. So, so good. I can’t remember the last time I enjoyed reading something so much.

I love this story of one of the most infamous London book thieves of all time!

There’s a poem by Dan Mussett on the Moth Magazine at the moment. Dan was one of my fav Edinburgh poets… then he went wandering and became one of my fav wandering poets.

I remember I hadn’t read very much, but then the school got a library, and I picked up Joyce’s Dubliners. I remember reading it late into the night. By the time I got to ‘Ivy Day’ and ‘Grace’ I didn’t really know what was going on. It was quite disorientating. But I made it to ‘The Dead’, and something happened. I’d never had an experience like it before. The last pages, as the snow comes in… I know it sounds corny, but it was an epiphany. And I thought: ‘I’m having this’.

Here’s Alan Gillis — great poet, great critic, Edinburgh Review editor and my former PhD supervisor (yay!) — talking about why he writes, what he writes about and lots of other interesting stuff.

…and also from the Edinburgh Review, here’s a wonderful poem from Graham Fulton.


Here are two of my favourite male novelists, Michael Chabon and Neil Gaiman, talking together about another of my favourites, the great Terry Pratchett. As wonderful as it sounds. (Neil Gaiman also wrote a great blog about TP’s passing.)


These kids are super, super inspiring, and made me smile. I want to make a bottle top mosaic for my garden, now!


This is really very silly, but it also made me LOL, so I thought I would share it with you!


Finally, I love the earnestness and honesty of Edith Zimmerman talking about antique jewellery in this video. A lot of what she said really resonated with me — these kinds of ideas inform my running of Edinburgh Vintage, too.

You should read this! Mixing The Colours: Women Speaking About Sectarianism anthology

Monday, April 6th, 2015

A couple of weeks ago I was lucky enough to be invited to Glasgow Women’s Library’s brilliant Mixing The Colours Conference 2015. Mixing The Colours: Women Speaking About Sectarianism is a groundbreaking project, which has been running for about two years now, funded by the Scottish Government and designed to get women talking about one of Scotland’s most taboo subjects. The conference was an amazing day of discussion, performance and ideas, but importantly, it was also the launch-day of the project’s amazing anthology of women’s writing.

I’ve also been working on a project designed to tackle sectarianism: until just a few days ago, when the project reached completion, I was the Project Co-Ordinator for Scottish Book Trust’s graphic novel project Walk The Walk. I worked reasonably closely with staff from Mixing The Colours throughout that project, and so came to see clearly the various ways in which women’s voices have traditionally been erased from discussions about sectarianism.

Think about it for a second. When you read a newspaper article about a story relating to sectarianism, what is the accompanying photo usually of? Chances are, a stand full of male football fans. Perhaps a line of police personnel in their yellow jackets. There might be the odd female face or two if you squint closely, but traditionally, sectarianism in Scotland is considered a “men’s issue,” and all too often, seen as synonymous with football. I’m sure you’ll agree that this hurts men as well as women.

Thankfully, we now have the truly amazing Mixing The Colours: Women Speaking About Sectarianism anthology to add to the conversation. It features poetry, memoir, fiction and drama, all exploring individual women’s responses to their experiences of sectarianism. My favourite story is ‘Paddy,’ written by Ethyl Smith — a bittersweet tale of a young girl who is unwittingly caught up in the sectarianism that exists between two of her adult neighbours, all because she wants to be friends with a wee dog. But every piece in the book is brilliant, and important, and merits reading, re-reading and sharing.

You can get a look at the book by heading over to Glasgow Women’s Library’s stunning new(ish) home in Bridgeton, Glasgow. GWL is located in what was once the Bridgeton Men’s Reading Room, which I find rather delicious. The Mixing The Colours team have also been steadily gathering a collection of other resources that examine women’s reactions to sectarianism, so while you’re there, you can browse the whole lot.

Finally, the Mixing The Colours film gives a taster of what’s inside the book, and as you can see from my conference notes above, gives plenty of food for thought! Here’s a trailer:

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #142

Friday, March 27th, 2015

York March 15 (13)

Certainly the PBS still loves it some authoritative dude poetry. I helped out with a criticism workshop the other day and we were discussing a review of Harsent by Michael Hulse, which started out by listing Harsent’s achievements and using words like ‘magisterial’, ‘masterful’, ‘universal’. One of the other folks said she didn’t feel like there was room for the reader to make their own decisions… That’s kind of what I mean when I talk about the ‘aggrandising’ stuff; when the poet’s so big there’s no room for the reader. Why bother having readers when you’ve already decided how you are going to be read? It’s dull and usually comes bearing nostalgia for the time of Great Men. Which is fine if you’re in a position to be a Great Man.

Dave Coates, aka the most sensible poetry reviewer around, was interviewed by Hinterland and he spoke SO MUCH TRUTH. (If you read nothing else from this post, read this. Really.)

The new Scottish Book Trust public participation campaign is now open! The theme is “Journeys” — send SBT your journey-related story and it could end up in a book!

Check out these cheeky book “recommendations” from mischevious Waterstones staff!

I’ve always wanted to belong to the city of ideas, and it seems to me that membership of such a city is often incompatible with the other kinds of membership on offer along the way. Choices, or compromises, have to be made, and I find myself more and more inclined to say no to some invitations as a way of saying yes to to something closer to that ideal. I found it liberating to refuse both the Poet Laureate’s invitation to write a poem for the Queen’s Jubilee in 2012, and the Poetry Book Society’s attempt to include me in its Next Generation promotion of emerging poets this year. It’s not that I don’t want to be read, or that I object on principal to the business of actively seeking a readership. The question is one of context—do I feel happy in those groupings, in those lights? Do I want to be marketed as “young” and “new” and “sanctioned by”? Am I prepared to curtsey to the Queen, figuratively or otherwise? Do these things, these appointments, sit well with the actual poems I’m writing?

FRANCES LEVISTON IS UTTERLY GREAT.

I both do and do not agree with Ms Trollope here. Discuss.

Related: In case you’re feeling depressed about the fact that one of the Scottish Children’s Book Awards was just won by a 21 year old (a deserving one — well done Alex McCall!) here’s a list of twelve authors who weren’t published til later in life.

People who complain that creative writing courses produce relatively few writers don’t complain that history degrees produce few historians, that music schools produce relatively few world renowned soloists, that art departments don’t necessarily produce a lot of major artists. I spent 16 years in schools teaching art. Are people asking how many of those are ‘great’ artists now? I sincerely can’t see why writing is different from any other art.

So that guy wrote that article about Creative Writing MFAs, which I [largely] totally and utterly agreed with… but I agreed even more with George Szirtes’ response. (I’m contrary like that.)

I have seen so many lovely, touching tributes to Terry Pratchett online over the last few days… but among my favourites were xkcd’s cartoon and Chris Riddell’s wonderful drawing.

OMFG, Kindle Cover Disasters is… amazing.

Of writing itself, Rilke wrote: “Depict your sorrows and desires, your passing thoughts and beliefs in some kind of beauty—depict all that with heartfelt, quiet, humble sincerity; and use to express yourself the things that surround you, the images of your dreams and the objects of your memory. If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor or unimportant place.” All writers know this problem. A poor workman blames his tools, and we have only two: language and experience.

This essay on Rilke and ‘writing from the middle of things’ is pretty excellent.

Have you read Barthes’ Death of the Author? Here’s a pretty cool discussion on it.

Calisthenics for writers is pretty hilarious…

Your Chicken Leg Hut Performance Art will explore the idea that women can never win when it comes to their appearance; in a culture of pervasive misogyny, there will always be something “wrong” with how a woman looks. It will also ask its viewers to examine their own internal biases with regards to the objectification of women. Divorced of their context, are the chicken legs simply things? Or are they body parts deserving of love and respect? Remember that there are no right answers to these questions.
Plus you will be running around like the fucking boss of the forest in your hut on legs.

Feminist advice from Baba Yaga is pretty excellent.

You really ought to read these extracts from Citizen: An American Lyric, by Claudia Rankine, which just won a National Book Critics Circle Award.

Do you say “in a weird way”? Do you know why you say it?

It’s critical to understand that this isn’t censorship, but rather that these are amendments not permanently made to an already-published text. But the question is raised: What damage could be done to a writer’s intended vision in the name of this cleanliness?

Someone’s invented an app that will take all the swears out of any book. EYEROLL.

You might have seen this Forty Portraits in Forty Years post floating around… it is wonderful, touching, inspiring.

I LOVE Jessamyn (thanks to Lucy for introducing me to her) and I love this easy morning yoga routine she’s put together for Buzzfeed.

What is a writer’s freedom?
To me it is [hir] right to maintain and publish to the world a deep, intense, private view of the situation in which [zie] finds [hir] society. If [zie] is to work as well as [zie] can, [zie] must take, and be granted, freedom from the public conformity of political interpretation, morals and tastes.

[pronouns changed by me because they were all needlessly male]
^This is Nadine Gordimer on what freedom to write really means. Pretty good, pronouns aside.

I want to be ALL of these people when I grow up. …and related, here are some more excellent women.

Celebrities standing up to fat-shaming. As it should be!


The lovely Jane Alexander is launching her first novel… check it out!


Author Cesca Major created a writing webseries which is now done — this is video one and you can see all the rest here.


And the brilliant Sasha just introduced me to Australian feminist songstress Courtney Barnett and I. love. her.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #141

Friday, March 6th, 2015

Page by Page
(Photo credit)

I question it all. If no one is going to read it, why did I put so much energy into that book? Why did I agonize over the phrasing that takes place on page nine or the metaphor on page ninety-nine? Why did I choose that topic or story and why did I think it would resonate? I even begin to question my passion. What am I doing this for? Why do I spend so much time contributing my thoughts and words for so little monetary return? Am I any good at this?

What Happens When (Virtually) No One Buys Your Book?

Things You’ll Never Hear An English Literature Student Say < — this post contains truth.

Here’s a great poem by Kwame Dawes.

Some of the best science fiction out there has been penned by women.

True fact: here are some examples (though Woman On The Edge Of Time should totes have been on this list).

Scottish Book Trust’s latest Book Talk podcast is a YA special!

A slightly more unusual ‘bookstores you must visit!’ list than the million other usual ones. (I’ve been to two of the eight!)

Parallel Universes run parallel to each other with slight alterations that change fate in time. Whoa. Multiverse is when there are many parallel universes. Usually this has something to do with black holes and time travel. More than likely, Spock is traveling through all of them. When you toss metafiction in here, it’s a little odd to compare it, but kind of important. Metafiction is when a story becomes aware of itself. It’s kind of like parallel universes colliding. Authors often join in on their own stories- literally.

Confused by sci fi? BookRiot can help.

English PEN are recruiting!

Jonathan Franzen continues to be a total prick. In other news, water is wet.

Eric Ries, a lecturer on entrepreneurship and innovation, went on a “pre-book” book tour to drum up interest before his work, “The Lean Startup”, even had a firm name, and started selling it online more than a year in advance of its publication. It worked. The book’s cover is now able to boast “the New York Times bestseller” above the title.

Want to be an author? You also need to be an entrepreneur.

I am currently reading Kathleen JonesThe Whistling Poet, a brilliant biography of Norman Nicholson, who I love. Here’s a great recording of him reading one of his poems, ‘Wall,’ at the Poetry Archive.

How many Edinburgh bookstores have you been to? (I have, of course, visited all of these.)

…and speaking of bookstores, here’s a (hilarious) little insight into the lives of booksellers.

From 2nd to 15th March, the imprint will be open to accept fifty pages, an outline and an author biography from previously unpublished writers of fiction. Short stories will be considered, in addition to novels.

Tinder Press wants your submissions! (Thanks, Heather!)

Here’s a VERY useful and interesting list of open submission calls. You’re welcome.

Also… do you write erasure poems, or want to? Are you not a cishet white dude? This is a submissions call just for you and it looks GREAT.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Reasons to Write Like A Grrrl!

Tuesday, March 3rd, 2015

@ the Indiana State Museum // 60s/70s feminist badge
(Photo credit)

Hey, remember that all-female fiction writing course I was banging on about before Christmas? Well, my first bunch of students have just graduated — look out world, thirteen newly-confident ladywriters are COMING FOR YOU!

That means that I am now taking bookings for the second round of Write Like A Grrrl! Edinburgh, which starts on the evening of Thursday 19th March at Sandeman House. In fact, I am almost fully booked already, with only one space remaining!

If you’re a female writer who’s struggling to stay on track with a novel, or if you fancy trying some short stories, or you need to beat writer’s block, or if you just want to get involved with a group of lovely, like-minded women, here are some reasons why you should click over here and book up that final place!

All of these comments are verbatim feedback from graduates from the first ever Write Like A Grrrl! Edinburgh course:

“Great content and brilliant to get the chance to meet other aspiring writers. Claire, the tutor delivering the Edinburgh course is fantastic, very knowledgeable, a great teacher: includes and makes everyone feel involved and valuable.”

“It’s well-structured, practical, the materials are excellent and it’s a supportive environment in which to develop your writing. Well worth the money.”

“Needs to be longer please, 12 weeks would be wonderful!”

“Do it! It helps you to open up and understand that your writing worries are shared by other people.”

“Speaking to everyone on the course, it’s great to be in a group you can talk to about aspects of your writing. I wish the course was longer. I have already recommended it to several friends. The handouts each week are a fantastic reference. The course has a nice pace.”

“It was really the best decision in terms of writing but also meeting people with similar interests. Turned up quiet and unsure about talking about writing, now have like a little circle for advice and encouragement, and look forward to seeing where everyone goes from here!”

“Great - fun, friendly, informative. Whatever issue or goal you have in writing, this will definitely help. Twelve hours of classes has gotten my writing further than years of thinking I was trying.”

That all-important sign-up link again: Write Like A Grrrl! Edinburgh.
Hope to see you there!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Five lost Edinburgh bookstores that I wish still existed.

Monday, March 2nd, 2015

Dangerous Ladders
(Photo credit)

OK, so I was reading this post on Buzzfeed about Edinburgh’s great array of charming bookstores (and newsflash: this aint even all of them!), and although the post is really lovely, it got me thinking wistfully of the Edinburgh bookstores of yesteryear that are no more. I thought that they merited a photoblog of their own and so, here are five. If you have more to add, please do let me know!

the Haynes Nano Stage 01
(Photo credit)

Jim Haynes’ Paperback Bookshop
Did you know that Edinburgh had its own (small) Beat movement? It’s a true fact: and it’s largely down to Jim Haynes and his iconic Paperback Bookshop. The shop was opened in 1959 in Bristo Square, next to the University, and it famously had a rhino head mounted on the wall outside (here’s a gorgeous photo of a wee girl posing next to it!). Haynes claims to this day that his was the UK’s first ever paperback-only bookshop. It was also a mecca for Beat enthusiasts… and trouble. In 1960, a woman famously staged a protest outside the shop by burning one of its copies of Lady Chatterley’s Lover. Sadly, the University decided to redevelop Bristo Square in 1966, and rather shortsightedly kicked the Paperback Bookshop out of its premises. They’ve since realised the error of their ways and created a memorial — which includes the book sculpture pictured above, and a brand new rhino head — to this lost cultural site.

Student reading in the Hub, Main Library.
(Photo credit)

Pickerings Books
Sad fact: I cannot find a single photograph of Pickerings Books online, and yet it was a gorgeous bookstore that sat right on the corner of Buccleuch Place, only yards from where the aforementioned Paperback Bookshop once stood. Were it still in existence, it would have been just about visible behind the totes cool dude in the photo above. Pickerings was a wee place, but it was full of gems. As an English Literature undergraduate/not-yet-fully-formed-human, I used to spend hours in there digging through the badly-organised shelves and random piles of second hand books. One day, I found what I thought was a scruffy old book of Edwin Morgan poems for two quid. It turned out to be a first edition of The Second Life that was signed in the front by Angus Calder. ONLY IN PICKERINGS could such treasure be unearthed.

The new town paperback
(Photo credit)

The New Town Paperback
I’ll admit: this place always seemed a little creepy… but in a good way, if that makes sense? I don’t think I ever met anyone else in it, I was always the lone browser, and I never saw anyone else go in or out. The books in the window display all had really sun-faded covers, like they’d been there decades. And yet, I took huge comfort from seeing this place was still there, in spite of everything, whenever I passed on the bus. It’s now a trendy wine shop, where I will never shop, simply because they covered up that amazingly retro shopfront. Sorry not sorry! (PS: here’s a photo of me, posing horribly, outside the New Town Paperback when it was still a going concern…)

Pulp Fiction
(Photo credit)

Pulp Fiction
Tollcross is my favourite area of Edinburgh, and I loved the couple of years that I spent living in a fifth-floor walk up right on Tollcross Junction (noisy as it was). Pulp Fiction was my local bookstore then, as it was only yards from my front door. It was a sci fi/fantasy specialist store and seemed to have literally every sci fi title in the world, no matter how obscure… plus seriously dedicated and knowledgable staff. It was also a really cool literary events venue. I still have no idea why it closed down and my heart is sad whenever I pass by the shopfront it once occupied. RIP, Pulp Fiction!

Happy Birthday, Allen Ginsberg!
(Photo credit)

Old Hat Books at the Old Forest
I know that the Forest Cafe still lives, and I am super pleased that it moved to its New Forest location in Tollcross (see above). However, I miss EVERYTHING about the Old Forest on Bristo Place. It was just the perfect space for a burgeoning DIY arts co-operative, with little nooks and crannies containing everything from a hairdressers to a darkroom, from the amazing Free Shop to a recording studio. And there was also Old Hat Books! A kind of independent bookstore/library/book club mash-up. Like everything about Forest, there was and is really nothing else like Old Hat Books in Edinburgh, if not the world. Hopefully it will eventually make a comeback at New Forest, and maybe become New Hat Books…?

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #140

Friday, February 27th, 2015

makers gonna make, yo
(Photo credit)

A couple of nice things happened to me recently: I found out, quite by accident, that I’d been shortlisted (twice!) for the Charles Causley Poetry Competition… AND I was featured in this exciting little anthology of new Scottish poets!

The spine must not be bent back and broken, the pages must not be marked with dog ears, there must be no underlining, no writing in the margins. Obviously, for those of us brought up on library books and school-owned textbooks (my copy of Browning bore the name of a dozen pupils who had used the text before me), there were simple and sensible reasons supporting this behavior. But the reverence went beyond a proper respect for those who would be reading the pages after you. Even when I bought a book myself, if my parents caught me breaking its spine so that it would lay open on the desk, they were shocked. Writing was sacred. In the beginning was the Word.

As an avid spine-breaker, page-folder, underliner and marginalia-writer, I approve this message.

Five long reads about the lives of great poets.

This is really interesting: an infographic that shows you the number of books written in an author’s lifetime, at what age — and at what age their ‘breakout novel’ happened.

I know I was influenced by my father. He wrote dreadful poetry (The Death of a Crab under a Piece of Damp Seaweed) but he was fantastically good at limericks and chirpy doggerel, and was always making up rhymes about anything and everything. When we put our coats on he would push our arms into the sleeves chanting “Moley moley, down the holey”, and tooth brushing was accompanied by songs. “Yellowy teeth make Grandma frown, so swish your toothbrush up and down.” In a different time my father might have been an actor.

Reading about Vivian French’s dad really reminded me of my dad… which is why I loved this piece about what inspires her!

So hey, you know David Harsent probably won the TS Eliot Prize ’cause his bff was on the judging panel? Turns out his book is also incredibly misogynistic! Yay poetry!

But in much happier news, there is a new anthology coming, which will represent the poetry of visible and invisible disability, and it is going to be absolutely freaking amazing. Submissions are open!

When T.S. Eliot begins “The Wasteland” with a quotation from Petronius in the original Latin and Greek, he is in effect saying, “You must be this educated to read my poem.” Eliot relies on a complex mechanism of traditional imagery and symbolic structures to score his aesthetic points. [...] Collins’ plain-spokenness, on the other hand, welcomes greater numbers as they are, including readers who (by virtue of class, sex, race, or any number of factors) might not have had the opportunity to learn a half-dozen European languages.

Billy Collins: officially awesome.

If you want to feel like the laziest person in the WHOLE WORLD, listen to Kaite Welsh talking about her freelancing career on The Mountain Shores. (No really, it’s very interesting and entertaining!)

UK indie bookstores had a good Christmas! Yay!

Inequality in literary magazines and inequality in pay are both important, and in connected ways. The visibility and status of women’s writing is important precisely because of a web of marginalization across all areas of life. If women’s voices are always peripheral to male voices intoning from the center of culture, then their voices are peripheral on all issues: the pay gap, consent, harassment, rape, domestic violence, reproductive freedom, the glass ceiling, childcare. The obscuring of women’s voices in media platforms, however elite, however niche, is part of the obscuring of their voices in general; and a lack of commitment to, or an inability to hear, their voices in literary culture is related to the same lacks and inabilities in relation to their voices in harassment, in sex, in courtrooms, and in the workplace.

This is a long read, but it should be required reading for basically every literary person. (My opinion? Screw the LRB and the logical fallacy it rode in on.)

Related reading: I am pleased to hear that VIDA has launched a brand new Women of Colour Count.

Fancy a new literary podcast to listen to?

“And, hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy,
and then he added,
“it’s actually about ethics in games journalism.”

I know I am too late for Valentine’s Day, but Romantic Poems for Misandrists is basically the best thing on the internet right now.

PETS WHO WANT TO STOP YOU FROM READING IS SUPER SUPER SUPER CUTE

There’s going to be an anthology of post-apocalyptic short stories and it sounds cool and you should totally back it on Kickstarter.

His Muse, if he had one, was a window
Filled with a brick wall, the left hand corner
Of his mind, a hand lined with grease
And sweat: literal things

The great poet Philip Levine died recently: here’s a wonderful poem about him by Dorianne Laux.

The Handmaid’s Tale: best novel ever? Probably.

Christian is not an interesting man. He doesn’t enjoy anything. I have no problem gallivanting about with someone who has issues and demons so long as they have some flavor, but Christian Grey is just bland and damaged. Throughout the movie Christian makes it clear he likes to be in control but he makes this known the same way he might tell you he enjoys pea soup. Ugh.

Here’s the amazing Roxane Gay being right-on (and hilarious) about 50 Shades at The Toast.

If you are an x-Files fan like myself, YOU MUST SEE THIS TUMBLR.

Hello, I would like to live in this house, because OMFG.
(Seriously, someone needs to gif Clementine’s “oh my god, I love this kitchen” moment from Eternal Sunshine, and put it in the comments of this story.)

OMG Joan Didion just got even cooler!

Help save Tchai Ovna — it’s a Glasgow institution!

Edinburgh has been voted the world’s fourth most beautiful city, after the three really obvious ones. Woo!


I love this short film of fat women talking about their everyday lives, and busting some myths. (Featuring the amazing Bethany Rutter! Also, fabulous person with the glasses? I would like to know where you acquired your excellent shirt.)


Need a laugh? This is pretty great…
(even if it is on RHGN, and Russell Howard is a rape-joke-making fool.)


Ten years ago I was obsessed with Red House Painters, and then I kinda forgot they existed. I just rediscovered them and it was a great joy that made me feel 18 again.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

You should read this: The Naming Of Cancer by Tracey S Rosenberg

Monday, January 19th, 2015

Hospital

The Naming of Cancer by Tracey S Rosenberg
Neon Books, 2014

I’m going to do a Dave Poems style disclaimer here and say that Tracey is someone I know well – she’s a fellow SBT New Writers Awards alumna and a fellow Shore Poet! I have also been following her work for a good few years now, since her novel, The Girl In The Bunker, was published by Cargo in 2011. Since then, she’s also published a debut poetry collection with Stewed Rhubarb, who specialise in giving performance poets a space on the page (that collection was called Lipstick Is Always A Plus – it was published in 2012 and comes highly recommended by me). She and I see each other pretty regularly at poetry events – usually, Tracey is kicking butt onstage and I am in the rapt audience. But I promise I did try to read The Naming Of Cancer (a slim pamphlet published in November last year by Neon) with an open mind and a critical eye.

This is a skinny wee collection weighing in at just fourteen poems, none of which go over a page – but they’re poems that really pack a punch. The book follows the myriad journeys that people go on when their lives are affected by cancer – I say affected, because there are poems in here from the point of view of partners, offspring, friends and doctors as well as poems more directly about the patient herself. This is one of the pamphlet’s great strengths. By looking at this devastating subject from many different angles, it avoids many of the potential pitfalls that come with writing about sickness and human mortality: it avoids melodrama and sentimentality, and steers also steers clear of motivational, life-is-short cliché. It’s a poetry collection that says it like it is.

Take, for example, ‘The Oncologist’s Nightmare,’ a poem that pops up to mess with your expectations just as you’re feeling “settled in.” This poem – in which the oncologist replays all of the frightened and angry questions that have been thrown at them that day – is a stark reminder that doctors’ lives are also affected by exposure to terrible illness, albeit in a slightly different way.

A couple of pages later, ‘Touch’ examines the strange and intimate relationship between doctor and patient. This small poem of only seventeen lines pulls into its clever web the doctor, who must work with extreme care as he invades the patient’s privacy; the patient’s lover, recalling his own worries that “she might find him intrusive” when he touches her; and finally the patient herself, waiting for “the blade: it will remove her.”

Several of these poems deal with the more mundane aspects of living with and alongside cancer: the fearful boredom of waiting around in hospitals is captured beautifully by repeated references to hospital trappings: “a six-bed ward,” vending machines and posters in faceless corridors. This sense of constant and perhaps doomed repetition is also captured in the form of several of the poems: the opening poem is a villanelle in which “needles plunge” in almost every stanza, and elsewhere, echoes and refrains abound.

The book opens with a snippet from TS Eliot’s Four Quartets (“East Coker,” to be precise), and there’s something rather Eliotean about the whole thing – I don’t think it’s a coincidence that “Cancer Vilanelle,” the opening poem, comes hot on the heels of that epigraph with its refrain, “consultants come and go.” Certainly, many of these poems exist in a space of isolation, fear and decay that calls to mind the anguish of Prufrock.

The Naming Of Cancer is not a cheery read, but it is by no means depressing or hopeless. Rather, this is a collection in which hope is faint and distant, but not gone. For example, in the final poem, “Bait,” the scraps of a dead body are used as bait on a fisherman’s hook. It’s a stark and violent image, but there is the promise of goodness in it: the body is not only still useful, not only luring a new, live catch. It is also being “restore[d] to the ravenous sea” – a thought that, after the long, grey corridor of illness, seems truly comforting.

The Naming Of Cancer is available from neonbooks.org.uk for the bargainous price of just £4.

(Photo credit)

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Procrastination Station #139

Friday, January 16th, 2015

Christmas Eve 2014

I knew when I really got going on the book that there were places in the writing that reflected my potential. That’s as much as you can ask for as a writer, at least initially. It was a long, long journey. But by the time I had completed a draft of the book, I knew I had something. And yet on the day my agent submitted it to editors I had a mild breakdown and thought, What if nobody wants this? And I spent all these years?

If you read nothing else in this post, read How To Write Your First Book. Newsflash: the biggest, best and brightest writers feel or have felt the exact same anxieties you do. It is wonderful.

I just came across this Poet’s Calendar, showing which major journals are open for submissions when. Very handy!

Fancy a fancy writing residency? Here are the big hitters for 2015.

Villains always have the best houses.

^Here’s Lucy Ribchester talking about drinking cocktails with Dracula and writing instead of having sex.

The book market is finally starting to care about female protagonists in novels!

Did you know that Edinburgh City Libraries provide a whole suite of resources to accommodate dyslexic readers?

Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can.

Anyone who has the post-Christmas blues should read (or re-read, or re-re-read) Matt Haig’s Reasons To Stay Alive.

32 books that will actually change your life, and 28 of the best books by women of 2014… aka my 2015 to-read list. Thanks, Buzzfeed!

…oh, and once I am done reading those, I’ll start on The Millions’ massive list of hotly anticipated 2015 fiction!

“If you’re not an author with a slavish fan following, you’re in a lot of trouble.”

In today’s utterly unsurprising news, Amazon continue to be assholes.

OMG SIMONE LIA’S ‘FLUFFY’ GRAPHIC NOVELS ARE COMING BACK!

As far as “cool” book launches go, it’s hard to beat this! (Cool. Geddit? OK.)

“He writes like an in-flight magazine.”

OK, I just discovered The Millions and found Scribbling In The Margins of Dan Brown’s Inferno. Hilarious and true.

Submitting to journals? Use the Jo Bell method. (Trust me, it’s good.)

Tights are the work of the devil (leggings rule OK). However, I am tempted by these poetic ones.

While we’re still fascinated by the young world-changers who can barely grow stubble and the 60-year-olds who realize their ‘true passion’ is to raise alpacas/grow wine/renovate houses in France, the concept of a single dream is beginning to look both difficult and oddly obsolete.

17 genuinely useful pieces of life advice from great people, including Sylvia Plath and Terry Pratchett!

& speaking of life advice: some wise words by Amy Poehler got turned into a really cool webcomic.

Withnail & I is one of my favourite movies ever (partly because Paul McGann is lush). So I was really chuffed when my sister sent me these rare behind the scenes photos from the making of it!

Her hobbies included smoking, wearing trousers, martial arts, motor cars, and swearing. She passed her retirement in Cornwall gambling, drinking, and painting – all the while, of course, giving no fucks.

I’m quite sure you’ve already seen Historical Women Who Gave No Fucks, but just in case you haven’t… click it.

Would you like to see some vintage photos of amazing women with full-body tattoos? Yeah, you would.

A dude on OKCupid (yeah, any sentence that starts with those words spells trouble) attacked a woman for supposedly lying about how fast she could type. So she kicked his ignorant ass.

Losing weight doesn’t make you a more interesting, attractive person. It just makes you thinner. And I don’t buy into thinness as the ultimate goal. Stop indulging weight-loss talk. Assert the fact that you have not bought into the fatphobic and ableist belief that weight loss is the social and ethical holy grail. Tell weight loss to fuck off.

Bethany of Arched Eyebrow being right on as always always.


THIS IS WHERE I WORK, Y’ALL. We do some amazing stuff, if I do say so myself.


This video is absolutely gorgeous, and full of wonderous advice.


The media depiction of women (and men) in 2014 was a bit grim at times. Let’s do better.


& finally, in case you need cheering up after that… just a really pretty song.

Have a great weekend!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Need a writer? Book a writer! (& pick me!)

Monday, January 5th, 2015

StAnza 2011 Preview
Photo by Chris Scott.

Yep, it’s that time once again… time to get your application in to the Live Literature Fund! What, I hear you cry? Well…

Have you ever fancied:

- organising a poetry reading?
- organising a reading of fiction?
- inviting a writer to come and speak at your community group?
- getting your youth group involved with creative writing?
- organising a talk about writing?
- having an author come and visit your book club?
- finding a really good judge for your slam?
- hiring a professional writer for just about anything at all?

Scottish Book Trust can help!
Right now, SBT is open for applications to its Live Literature Fund. This amazing, one-of-a-kind fund enables individuals and organisations to source a poet, author, storyteller or illustrator to take part in an event or events, and helps to pay them a proper fee. The Live Literature Fund has its own database of vetted writers and artists, each of them bringing a different skillset to the fore.

Applications for the latest round of Live Literature Funding close on 16th February, so if you fancy doing any of the above, get in there quick!

…and, if you’re stuck for a writer to invite, you could always pick me!

To date, I have:

- visited high schools and talked to students about all aspects of poetry, reading and writing
- worked with vulnerable adults (in settings like women’s support groups, homeless and vulnerably housed groups, and groups for intravenous drug-users), using poetry as a way to voice, share or move on from traumatic stories or experiences
- worked extensively with adult literacy groups to engage those who struggle with reading
- worked extensively with ‘reluctant readers,’ especially young men
- worked with refugees, asylum seekers and migrants to help them tell stories of home and homecoming
- judged many a poetry competition, and many a slam
- competed in many a slam, and won a few!
- taken part in panel discussions on all manner of things
- given talks on all sorts of stuff, from my PhD research into contemporary women’s poetry, to the strategies we need to adopt to get vulnerable individuals more involved in Scottish culture and the arts
- given hundreds of poetry readings to audiences ranging from four people in a field to an Edinburgh International Book Festival crowd!

I’m always up for a challenge, too, so if what you fancy doing doesn’t sound like anything you see listed there, that doesn’t mean I won’t be up for trying it. So if you successfully secure LLF funding (or even if you don’t, and find the funds from elsewhere!), feel free to drop me a line via claire [at] onenightstanzas.com, or you can follow my antics on Twitter. You can also read my profile on the Live Literature Database itself.

Good luck!

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Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!