Adam Hanley is an artist and musician from Belfast. He studied Sound Technology in Liverpool and is currently working as a trainee computer programmer. His artist style is heavily influenced by comic books and often focuses on the female figure. Some of his newer works are currently on display in Canvas gallery in his hometown of Belfast and his music has featured in several dance productions in both Belfast and Liverpool.

Read This Events

After the excitement of The Read This 1st Birthday Party, we're having a rest - so there are no forthcoming RT events scheduled for December, sadly! However, feel free to get in touch via submissions@
readthismagazine.co.uk
if you want to know what we'll be up to in the new year!

In the print issue...

Read This 13 has hit the shelves - and it's another all-poetry issue! We're featuring work by McGuire, Charlotte Chadwick and web-featurer Aditi Machado. We also have a Read This first... our first long poem -- a four-page, sixteen-part masterpiece by Bottom of the World editor Frank Vorassi. Get your hands on a copy!

Bedding Icarus by Lauren Pope

Silk ripples form over our mattress.
Uncalculated white caps,
caused by the impact of your naked body.

Arching the bridge of your back,
grounded in metatarsal and blade, you curl quickly
little mollusk.

But then you unravel, open up,
like a sheet parachuting the wind,
or the form of a man flinging himself off a cliff’s edge

and you catch my wrist,
pulling me down with you.

Mother's Heart by Brett Bromley

Entombed silence;
A mothers loving embrace;
Deep within the earth, held fast
Dark, so dark, mother?

I remember another time,
Warm within suspended shelter.
Dim-light, stretching to feel mother,
The steady thump thumping of her heart

And then the light, blinding;
Cold hands reaching, grabbing,
Mother's heart, warm comfort,
Wrapped in loving embrace.

It's dark here, cool and restful,
I haven't heard her heart in years.
Not since that day, the hospital.
I cried; Mother looked so peaceful.

Returning now;
Earths womb opening to receive me,
Flesh to bone, Bone becomes dust.
A tree grows strong in the ashes.

Red Rocking Chair by Michael Lee Johnson

A red rocking chair

abandoned in a field

of freshly cut clover,

rocks back and forth-

squeaks each time

the wind pushes

at its back,

then,

retreats.

Nonna by Enzo Marra

I'm sure
I heard you,
Witnessed your movements
From a distance,
Felt your presence,
Even though,
You are now
On foreign ground,
In foreign ground
To be specific.

Your weighty image
Redolent of a childhood,
Picked through
With holes,
Photographic memoirs,
Token access
Into the theoretical,
Only experienced via
Woollen fair haired snaps.

Empty houses,
Don't thump
And clatter,
So readily,
And you did
Sleep up there,
Before my sister
Took up residence,
Similar stature,
But very much alive.

You are a saxophone, solo by Phil Soliman

Three steps in and already
I like your shapeless hair,
And your furred belly,
Where your music boils

Your arms
Are trunks, downy and
Your stubble sparks
Red lights.
I can’t sit down.

You open your eyes filled with
Bright water blue glass and
Your fingers are moving too fast and
Your lungs are breathing, two, vast and
You scream frantic through the articulate brass –
I can’t look away.

Tip your world
Upside down and
Your spit slips out
Of that pale golden horn,
Hammered with flowers
Before you were born.
I can’t stand up.

Your sisters laugh,
You smile silent and
Blow my brains out.
Your brothers laugh and
My wide eyed traps
Wait for you to fall in.

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