Posts Tagged ‘advice for young writers’

this collection poetry/film showcase: the write-up!

Wednesday, March 31st, 2010

this collection day one

So unless this is your first visit to this blog, you’ll know that last Thursday marked the first half of my side-project this collection’s two-day March film and poetry showcase at Edinburgh’s magnificent McEwan Hall

…and what a first day it was! We flung open the doors at 10am and greeted the good people of Edinburgh as they came in to escape the swirling haar. Our DIY flags, posters and flyers drew a crowd made up of all sorts of people — some told us they’d had the date marked in their diary for weeks, while others just wandered in for a look and seemed to like what they saw! The film screenings were spread across four screens within the main hall space, with each screen housing around five or six films. These were subtly grouped by theme — warm, cold, stop-motion, palimpsest — and accompanied by their respective poems either on-screen or in DIY pamphlets for viewers to pick up and read. Sound engineer Simon Herron provided a spectacular non-stop city soundscape which played throughout the hall, and Glasgow-based experimental orchestra CRA:CC provided an improvised musical soundtrack in response to the films as they played out. Visitors were also able to congregate around our free press merchandise table: a source of books, pamphlets, magazines, journals, promotional materials and all manner of other poetry- and film-related paraphernalia, all of it completely free!

Through the afternoon we saw a steady stream of visitors, all of whom responded positively to the installation and the project as a whole. Documenting their reactions to the films was almost as enjoyable as the films themselves — watch this space for photos, video and stop-motion footage of the event in due course! We were particularly happy to see people who’d never heard of this collection, but who left raving about it and asking how they could come on board and get involved!

this collection McEwan Hall showcase

The next day, following the success of Thursday, expectations were high for our poetry-film finale on Friday 26th…

The evening kicked off at 6.30pm when we flung open the doors of the McEwan Hall, and were delighted to find an already-sizeable gaggle of keen poets, filmmakers and enthusiasts waiting on the doorstep. We quickly uncorked the first of many bottles of free wine and sat back to watch the influx of visitors. Once the crowd had gathered, I kicked off with a speech welcoming everyone to the event, giving a potted history of this collection and explaining what the evening had in store. Stefa then gave a brief round of thanks to all the wonderful people who’d helped make the event happen, and then without further ado, the party got under way!

The first four poets to read were Dan Mussett (a late addition, stepping in to replace Morgan Downie who sadly couldn’t be with us), Russell Jones, Anita John and McGuire. Russell was spotted brandishing copies of his pamphlet, The Last Refuge (Forest Publications), which would suggest his reading went down very well with those who gravitated towards Poet Station #1. At Station #2 Dan Mussett gave a beautiful reading in spite of his late addition to the bill, and Anita John gathered a sizeable audience in the upper gallery at Station #4. Meanwhile at gallery Station #3 McGuire was a total triumph — even gathering a crowd in the main hall below! These four poets were followed by Tom Bristow, Juliet Wilson, Simon Jackson and Andrew C Ferguson respectively — Juliet brought along copies of her hot-off-the-press pamphlet ‘Unthinkable Skies’ (Calder Wood Press) and read a particularly lovely poem about a sycamore tree, among others. Simon Jackson was multi-tasking, as two of his films were also showing in the hall below, and Andrew and Tom both received rapturous rounds of applause from their respective audiences.
The third sets were provided by Rob A Mackenzie, my good self (standing in for Aileen Ballantyne who also sadly couldn’t make it in the end), Christine de Luca and Chris Lindores. Rob and Christine both read excellently and Chris Lindores was a tour de force, gathering the largest crowd of the evening — and the most glowing feedback! — and shifting a fair few copies of his pamphlet, You Old Soak (Read This Press) over the course of the evening! The poetry was wrapped up by Andrew Philip, who read from his critically-acclaimed book The Ambulance Box (Salt); Jane McKie, whose film adaptation of La Plage (courtesy of Alastair Cook of DISSIMILAR) played in the background as she read; Hayley Shields, who entranced a small but attentive audience with her ghostly tales and accounts of Edinburgh’s darker side; and Mairi Sharratt, whose audience were asked to pick her set themselves, by shouting a series of numbers which each corresponded to a poem.

this collection McEwan Hall showcase

All the poetry readings were accompanied by a continuous stream of beautiful, dark, inspiring and moving images courtesy of our many talented filmmakers. Adaptations by Helen Askew, Sean Gallen, Abhinaya Muralidharan, Alastair Cook, Ginnetta Correli, Diana Lindbjerg Jorgense, Dominique De Groen, Hans Peter, Heather Bowry, James Mildred and Francesca Sobanje, Laura Witz, Lewis Bennett, Rawan Mohammed, Rose Creasy, Simon Jackson, Stefanie Tan and ThatCollective all graced our projector screens as the evening progressed. Although some of the films included audio (piped through headphones at each station), the McEwan Hall had its own soundtrack for the evening. This took the form of a mercurial city soundscape, put together by the super-talented Simon Herron of ThatCollective; as well as improvised music and ethereal sounds from the CRA:CC experimental ensemble.

this collection McEwan Hall showcase

The evening rounded up just before 9pm, but the festivities continued well into the night at various alternative venues around the city! Altogether, the this collection team worked out that over 200 people had come along to be a part of our showcase, and so far we’ve received glowing feedback from poets, filmmakers, musicians and visitors alike. Thanks so much to everyone who came along, everyone who helped us organise, set up, take down, fund, promote or otherwise realise the event, and of course to all the brilliant artists who lent their creativity to us for the evening!

Here’s to the next…
Love,
Claire and Stefa

this collection showcase photos by Tom Bishop and Marzieh Jarrahi.

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In 2009, I…

Monday, December 28th, 2009



I did a big post of this ilk last year — basically a TiLT on the grand scale, saying “thanks” for all the cool stuff that happened in my life in 2008. It got a great response from all of you, and some of you even followed suit and made your own lists, which I loved reading. So without further ado, here’s my love-letter to 2009. In 2009, I…

* Started up my own small press, Read This Press, and have so far produced four chapbooks: Skin Deep: An Anthology of Poems on Tattoos and Tattooing; You Old Soak: Poems by Chris Lindores; Sharks Don’t Sleep: Poems by Eric Hamilton; and Masters: an anthology of poems by the University of Edinburgh Creative Writing MSc Poetry Class of 2009.

* Was nominated for the Scottish Variety Young Scottish Writer Of The Year Award.

* Kept Read This Magazine going throughout its second year — now plotting a total overhaul to (hopefully) turn it into a far superior publication!

* Started making recycled and upcycled jewellery out of a variety of bits and pieces (but mostly typewriter keys) in order to financially support Read This Press somewhat. I have now found that I love doing this, and set up shop.

* Helped my friend Stefa to set up the this collection project — a collaborative project designed to bring together poets and filmmakers. It’s still in the works so watch this space!

* Celebrated my 23rd birthday by moving flats (yes, I am insane) — I relocated from Edinburgh’s very central Grassmarket to Stockbridge, a little community on the outskirts of the New Town. It feels like living inside a Shirley Hughes book, I love it!

* Went to StAnza Festival for the first time, to see the tall lighthouse poets, Kevin Cadwallender, Alan Gillis, and attend a talk on young Scottish poets. All good stuff!

* Went on my first writerly retreat on the shores of Loch Tay with my MSc classmates.

* Read at five nights of the Utter! PBH Free Fringe Poetry Festival and two nights of the Underword PBH Free Fringe Poetry Festival, as part of the 2009 Edinburgh International Festival.

* Read at the Edinburgh International Book Festival 2009

* Also read at: The Bowery Book Club, VoxBox, The Golden Hour, The Golden Hour Book 2 official launch, and a bunch of other places.

* Took up the post of Residency and Education Director at the London Poetry Festival and helped to organise readers and visitors for the 2009 festival.

* Celebrated One Night Stanzas’ first birthday.

* Set up a second shop to get rid of some of my huge vintage clothing collection: Edinburgh Vintage

* Continued my work as a Lecturer in Literature and Communications at Telford College, and did some freelance English and Creative Writing tutoring in my spare time.

* Graduated from my MSc in Creative Writing with distinction, and celebrated by going for high tea at the Balmoral Hotel in Edinburgh.

* Started my PhD in Creative Writing and Contemporary Scottish Poetry — if anyone has any info on William Burrough’s stay in Haddington or the Edinburgh Beat scene, let me know!

* Took Read This Press to the StAnza Poetry Market, the Scottish Poetry Library By Leaves We Live fair and the National Library of Scotland Christmas Poetry Pamphlet Fair.

* Started working on a super-top-secret but absolutely huge poetry project… I can’t wait to share it with you!

Magazine publications in 2009: Tontine, Issue 15 // Moloch, Issue 3 // Veto Magazine // Thirteen Myna Birds // The Glasgow Review // The Clearfield Review // Form.Reborn // Stop Buying Stuff // The Cadaverine // a handful of stones // The Chimaera // Tattoosday // Oxypoet // Trespass // Anything Anymore Anywhere // Umbrella

Other publications in 2009:
The Scottish Poetry Library’s 20 Best Scottish Poets of 2008 Anthology // The Scottish Poetry Library’s 20 Best Scottish Poets of 2009 Anthology (forthcoming) // 5Px2: An anthology of poetry in English and Italian // StAnza Festival’s Homecoming Haiku anthology // The Golden Hour Book Vol. 2 // Poetcasting Podcast for Pomeranate Magazine // Edinburgh College Of Art’s “DUO” anthology (collaboration with artist Lizzie Stuart) // Poetry Podcast for the Scottish Poetry Library // Poetry Podcast for Anon Magazine (under “Day 4”) // Vicious Verses and Reanimated Rhymes: Zany Zombie Poetry for the Undead Head // Edinburgh & South East Scotland: A New Edinburgh Travel Guide, ed. Vivien Devlin // The London Poetry Pearl Anthology // The Positivity Blog, // The Secret Society of List Addicts

(Image by Esther Aarts)

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This week’s Featured Poet Daniel Watkins interviewed.

Saturday, August 15th, 2009

Tell us about your poems.
I’m going to make myself really unlikeable straight away by beginning with quoting Ernest Hemingway. He once said “my aim is to write down what I see and what I feel in the best and simplest way” and that just about sums it up for me too. I’ll confess that sometimes when I read contemporary poetry I haven’t got the faintest idea what the poet’s actually talking about, and that’s influenced me to try and make what I write as accessible as possible, so that even people that don’t like poetry might glance at one of my poems and think “actually, that one’s alright”.

How long have you been writing?
I co-wrote a story about a silly sausage when I was four, if that counts.

Do you have any publications to your name? What’s the next stage for your work?
There’s Read This!, and that’s about all so far. The next stage is yet to reveal itself, but if I happen to ever write a line or come up with an image that makes someone think “yes! That is exactly what that’s like”, then that’d be a big box ticked in the creative checklist of my imagination.
Yes, I just answered a straightforward question with a weird metaphor. You’d never guess I wrote poems, would you…

What do you think is your biggest poetic achievement to date?
Through Read This! I had a poem featured in a newspaper in Edinburgh. Other than that, it’s probably the feeling you get when you read something in a workshop and everybody else there agrees about liking a particular bit of it – it’s always nice to hear that you got at least one part as right as it could be.

What’s the best thing about writing poetry? And the worst?
The best thing is that it sorts out my head – whether I’m writing about a situation or a thought or a feeling, once it’s down on the paper (or the screen) then … I don’t know, I just feel like it’s been sorted, and it doesn’t need to confuse, frustrate or concern me anymore. Worst thing is probably when I have a brilliant idea that I just can’t turn into anything half-decent. I know that it should be this amazing, wonderful thing, but what I have in my head just won’t translate itself into real words. Argh.

Got any suggestions for young, upcoming poets?
I’m a young, upcoming poet myself, but I’d probably just reiterate my first answer and say write as accessibly as you can – if what you’ve written can resonate with someone who doesn’t usually read poetry, while retaining appeal (even if it’s just an image or two, or an interesting structure) to someone who does, then you might be on to something…

My other tip is something I picked up from Sean O’Brien. It is, essentially, this – when you have written a poem and typed it up and printed it off, no matter whether you think it still needs a bit of work or think it’s all done, do this – leave it for a few weeks, then come back to it and write it out again by hand. Little things that you would never otherwise have noticed come leaping to your attention. Scribble the changes then write it out by hand again. Make any further changes that have become apparent, then write/type it up properly again. You’ll have a much more finished-feeling poem.
I was sceptical of this approach myself, to be honest, but I tried it out recently and it bloody well works! I am now using it for every poem. Sometimes it’s just an odd word or comma that’ll be changed, but sometimes that’s all a poem needs. Sometimes huge changes occur, and again it’s what the poem needs.
Hey, it worked for Andrew Motion – he does this for all his poems, and he became Laureate…

Who/what influences your poetry?
Well, in terms of what, it’s really just the everyday – stuff you might see, think about for a couple of seconds, then move on from. In that couple of seconds, I’ll probably scribble down a little note before I forget, and then later on I look back at it and see if it can become a poem. I explain it a bit better in my bio. For who, the best (well-known) poet who comes to mind is Matthew Sweeney, but if I’m honest, prose writers actually influence me more – mostly for their use of language. I find Cormac McCarthy’s style of writing incredibly powerful and poetic (if you haven’t read The Road, please, please, read it), and I also find myself influence by the likes of CS Lewis and Terry Pratchett, who both seem to have the knack of explaining something through metaphor using very straightforward, everyday language, but getting the essence of that thing absolutely, perfectly, that’s-exactly-how-that-is spot-on. Which brings us all the way back to the Hemingway quote. If I can try my best to live up to that aim, I’ll hopefully be on the right track.

Last morning

In the distant centre of my mind
I see it approaching
like headlights on the other
side of the road.

Routine, normality,
everything we got away from
for a few days
is rushing back,

waiting to wrap us up
like a worn-out towel.

Want to see your poems featured here? Drop me a line to claire@onenightstanzas.com!

(Photo by seanmcgrath)

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More from Featured Poet Daniel Watkins

Friday, August 14th, 2009

Daniel’s poem from yesterday was Stalemate — interview and the final poem tomorrow. In the meantime, enjoy!

Room

A room in the dark. Like the finger that finds the best track on the album, the eyes that locate the best passage of the book without the mind’s assistance, a room in the dark is work for the arms that commit it to memory in light. Outstretched like the living dead (as comfortable in the black), the hands of a pianist move past chairs and electronics to the pointing digit of the door. Push. Pull. Out of the dark.

Want to see your poems featured here? Drop me a line to claire@onenightstanzas.com!

(Photo by Super G)

Don’t forget The One Night Stanzas Store, my Etsy store, and their little sister, Edinburgh Vintage!

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This week’s Featured Poet is Daniel Watkins

Thursday, August 13th, 2009

Daniel Watkins has just finished an MA in Creative Writing at Newcastle. He likes writing, but is sometimes unsure about whether writing likes him. He tends to write poems concerning trivial and ordinary things because quite often they turn out to be the most interesting.

Stalemate

A dog sees himself in glass.
He has never seen himself before.
He does not recognise himself.
A first half-second of curiosity
lowers his head and heightens his back,
lowers the other dog’s head
and heightens the other dog’s back,
before commanding instinct
releases frontline barks.
The enemy barks equally,
and he retreats,
the other dog retreats,
skidding backwards over tiles
with a sound like
vehicles driving over stones.
He approaches again.
The other dog does likewise.
A second wave of courageous attack is
returned with still equal veracity.
A leap back this time
– looks almost playful –
but no fear.
He stares defiance at the other dog.
The other dog stares too.
Nose to nose
their eyes match,
an unending
stalemate

Want to see your poems featured here? Drop me a line to claire@onenightstanzas.com!

(Photo by …stephanie…)

Don’t forget The One Night Stanzas Store, my Etsy store, and their little sister, Edinburgh Vintage!

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Sharks Don’t Sleep: now available to buy from Read This Press

Wednesday, July 22nd, 2009

Sharks Don’t Sleep is the title of the brand new chapbook from New Jersey-based spoken word poet Eric Hamilton, and it’s published by Read This Press. Described as “a book that crackles with life,” and “a grimy, romantic and fucking funny look at the world,” Sharks Don’t Sleep is a beautiful 32-page chapbook, hand-made with high quality cardstock covers and embellished with a black ribbon bookmark and original artwork.

Once the book goes on general release, it will be priced at $10 (£6), but right now you fabulous ONS readers can get your hands on a copy of Sharks Don’t Sleep for the bargain price of just £4 ($6.50). If you’re in the UK, you can check out the Read This Press Artfire site for listings in GBP, or if you’re in the USA, you can check out our Etsy shop for listings in USD. If you’re from elsewhere, don’t worry — you can still buy from either of these sites. And if you have any queries about the book, the press or purchasing copies, just drop me a line to claire@onenightstanzas.com

You can also buy a copy of Sharks Don’t Sleep at this special reduced rate (just £4 + £2 P&P) by clicking the button below!





Eric Hamilton is a deranged artist who paints everything from canvas to freight trains. He also writes poetry and enjoys sharing his spoken word at slams or cafes everywhere from NYC out to LA. He was born and raised in Las Vegas, spent a lot of time living in east Los Angeles, and is now unemployed and attending college as a journalism major in New Jersey, where you can find him at art galleries and coffee shops politicking with the poets, art-fags, and random transient folk. He’s a bit of a broken man who receives a lot of undeserved attention from women, smokes cigarettes, and stumbles in and out of short-term relationships looking for love. He spends most of his time waiting for lung cancer and responses from publishers, and has been known to occasionally set fire to a booklet of poems aged with the experience of time.

Remember this is just one of the Read This Press titles — we’ve also published a fantastic anthology of poems on the subject of tattoos and tattooing, Skin Deep, which you can buy here. And the last Read This Press single-poet chapbook was from upcoming Scottish poet Chris LindoresYou Old Soak, also available to buy. Both these titles are also a bargainous £4. Please do support our small press and make a purchase!

Don’t forget to visit The Read This Store, and its sister store, Edinburgh Vintage!

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This week’s Featured Poet Suzannah Evans interviewed.

Saturday, June 6th, 2009

Suzannah’s bio and first poem are here, a second poem is here. Below, she talks a bit about her creative process and what inspires her…

Tell us about your poems.
I think that the best poems make you feel something as soon as you hear them, whether it’s joy, sadness, fear or nausea. They bypass thought and go straight to your emotions, like a good piece of music, and the understanding and thinking follows later. This is what I try to achieve in my writing.
Someone said that a scientist tries to convey something nobody knows in a way that everybody can understand, and that a poet does the opposite. I believe that poetry makes the everyday more mysterious and beautiful, but I think everybody should be able to understand it and have access to it.
I have always written more comfortably in free verse. I use formal structure as a writing exercise but always end up cutting most of it and only using the lines I like. I try to say as much as possible in the smallest amount of words.

How long have you been writing?
I can always remember writing; when I was little I used to make little books out of scrap paper and make my mum sew them in the middle, and make up stories about animals in the style of Farthing Wood, Dick King-Smith etc. I started to take poetry seriously in my last year of school, when I was about seventeen or eighteen.

Do you have any publications to your name? What’s the next stage for your work?
I have had some work published online at www.thecadaverine.com and in a couple of independent magazines. I am making 2009 the year of many submissions, so hopefully a lot more will follow. I am also determined to arrange my work into a collection by the end of the year.

What do you think is your biggest poetic achievement to date?
I find reading my poetry in public very nerve-wracking so my greatest achievement to date is finding the courage to do so! I read at an event at Ikley literature festival in September 2008 and I am proud to say I survived.

What’s the best thing about writing poetry? And the worst?
The best thing is the finished poem, when you know that you can finally leave a piece of work alone. I love feedback, as long as it is constructive. It’s also brilliant when someone discovers a meaning in a poem that I had never intended. It makes me look at my own work in a different way and makes it feel new.
The worst thing is that infuriating time when you know something is wrong with a piece of work but you can’t quite work out what. It usually means you have to cut the bit you like the best. And of course, rejection letters are rubbish.

Got any suggestions for young, upcoming poets?
GET OTHER PEOPLE TO READ YOUR POEMS! Not your mum, because she will love it even if it’s illegible. Someone who you trust enough to be enthusiastic and critical in the right amounts. Writer’s circles or workshops are a good idea if you have access to them.
Also READ OTHER PEOPLE’S POEMS. This blog is an excellent place to start, and there is so much available online, in the library and in second hand bookshops that you really have no excuse. I think you can tell a mile off when a writer doesn’t read.
Reading your work out loud to yourself will always show you any lines that don’t make sense or fit.
Make time to write and do as much of it as possible, not necessarily a routine, but make sure you spend some quality time with your notebook at least a couple of times a week. For a long time I was against having any schedule for writing; I still don’t like the idea of deciding that ‘I am going to be inspired today’ but I do sit down to write more regularly these days to help me keep focused.

Who/what influences your poetry?
I moved to Leeds in 2007 and have fallen in love with it. A lot of the poetry I write is inspired by urban environments, particularly graffiti, which I find fascinating — it’s the most immediate form of literature that exists, it comes out from walls and trees, finds you and smacks you around the face.
I am inspired by people, all kinds of people — lovely ones, bastard ones, those I know well and total strangers. I don’t have a car, so public transport and walking feature unintentionally in most of my poetry!
I very much admire the following poets, writers and lyricists: Raymond Carver, Angela Carter, William Carlos Williams, Allen Ginsberg, Ted Hughes, Roy Fisher, Kurt Vonnegut, Paul Simon, Bob Dylan, Kevin Barnes, Tim Kasher, Jesse Lacey, Matt Berninger, John Keats.

Chapeltown

On Buslingthorpe lane
where they’ve dug up the road, at last,
for the gas leak,

among the skulls of dumped fridges
and last summer’s stiff hemlocks

A mare gallops
in the circle her chain allows.

She is far enough now
from the rag-and-bone man’s cart
to dance on rimed grass

with shoes that flash like knives
on kicked-high feet.

By noon she’ll be gone —

cantering the streets
with the peg she worked loose;

its metal chirrup
repeating at her heels.

Want to see YOUR poems featured here? Drop me a line to claire@onenightstanzas.com!

(Photo by Greyaenigma)

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More from Featured Poet Suzannah Evans

Friday, June 5th, 2009

Hopefully you’ve already seen Kate’s first poem — here’s another, her interview will be up tomorrow. Enjoy!

You think you’re Ian Curtis, but you’re not.

You’ve got problems, you said. You’ll let me down
woefully. And yet I am prepared
to listen to your teeth grind shut all night
like a sad latch to your sleeping jaw.

You’re the cliché that I tried not to expect —
rolling up your skint, thin cigarettes
with dirty-handed glamour; and the bands
without lyrics, that I’m never going to like.

You left me at the bus stop with a kiss
in sunlight, wondering how long I’ll be waiting.
Autumn strolls on, like you, elegant —
Its hands in the pockets of a second-hand suit.

Want to see your poems featured here? Drop me a line to claire@onenightstanzas.com!

(Photo by joshua.lachkovic)

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This week’s Featured Poet is Suzannah Evans

Thursday, June 4th, 2009

I am really pleased to announce this this week’s Featured Poet is Leeds’ own Suzannah Evans, whose work I absolutely love. Her poems have recently featured in Pomegranate VII and The Cadaverine, and she has two blogs, an old one here and a newer one here, where you can read some of her poetry and other musings. Here’s her bio and the first of three poems. Enjoy!

Suzannah Evans is a writer who lives and works in Leeds. She is inspired by cities, birds, trees, dreams, sleep, graffiti, friends, strangers and gin. She has a Masters in Twentieth-Century Literature and loves to read especially the work of Raymond Carver, Angela Carter, Donna Tartt, Allen Ginsberg, Ted Hughes and Kurt Vonnegut. She works as a debt counsellor so is rather busy at the moment. She is currently working towards a first collection of poems.

Haircut

I wonder if it’s for me, my benefit,

whether there are short splinters of hair
which dropped, and escaped
beneath the collar of that ice-blue shirt,

that will buzz on my lips
when I press them hard
into the hot soft skin
of your neck.

(Photo by Striatic)

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“You Old Soak” by Chris Lindores: now available to buy from Read This Press

Thursday, March 12th, 2009

So, you’ve all been putting up with my twittering on about Skin Deep, basically forever… well, here’s Skin Deep‘s sister project (or perhaps I should say dirty old uncle project?). You Old Soak is the very first pamphlet collection of up-and-coming young Scottish poet Chris Lindores, who you may remember, as he was ONS‘ first ever Featured Poet all the way back in September ’08!


I’ll be writing a proper review of the book in a little while, but for now I’ll let you check out some of his work yourselves. I’ll just say this: Chris’ work is dark, subtle, funny, irreverant, touching and really, really smart. You Old Soak is a full forty pages of pure poetic goodness and I highly recommend it!

Every copy has been lovingly handmade by me. The covers are 200gsm cardstock, and every one has been hand-bleached and decorated to make every pamphlet unique. Staple-bound and printed on high-quality pages, you get a whole lot of pamphlet for your money! Copies are priced at £4/$6 plus p&p. Click the button below, or visit the Etsy store to grab your copy.





Remember, every single copy of Read This, Skin Deep or You Old Soak that you buy contributes towards keeping Read This Press going. Support us, we’re a micropress — and we couldn’t do it without you!


Don’t forget to visit the One Night Stanzas store & The Read This Store!

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