Posts Tagged ‘community’

The black dog.

Sunday, September 25th, 2011

No More Purchasing Power

A couple of days ago, performance poet and literature promoter Harry Giles — who’s also at the helm of Inky Fingers and the Save The Forest campaign and that reminds me have you given them some money yet? — posted on his excellent blog a confession: that he regularly suffers from periods of anxiety, which prevent him from effectively doing things that he’s kind of famous for, like socialising, writing, and being ferociously, relentlessly upbeat.

Harry described the post as a way to “out” his anxiety and encouraged others to do the same. I started thinking about this and realised that, in spite of being pretty much as accepting as it is possible to be about the mental health issues of others, I am still quite secretive about my own. It’s part of my job to effectively teach and support young people with behavioural problems, depression, anxiety and other emotional difficulties, but I try very hard not to mention my own “issues” in and around my workplace for fear of garnering distrust or having my professionalism called into question. Similarly, while I entered into a bit of discussion a couple of years ago about writing and depression here, I am also reluctant to make the state of my mental health widely known in the creative circles I move in. I always assume that people’s response to hearing about such things will either be to pity and cluck over me in a well-meaning fashion, or to roll their eyes and assume I’m being a drama queen who’s fishing for sympathy. It takes a great leap of courage for me to trust the small voice in my head that says, actually, you’re capable of being sensible and understanding about such things — why do you assume that others are not?

Perhaps because I’ve had bad experiences in the past — although when I think back, these have been few, and minor. I think my reluctance to talk about the state of my mental health actually comes from the fact that No One Else Does It. It’s considered bad form, or something. And yet, would I feel a heck of a lot more comfortable if other folk like me were also saying “this happens to me sometimes, and this is what it feels like”? Of course I would. Which is why I think what Harry wrote was admirable, and which is why I am now writing this.

As a teenager, I suffered from what I now know to have been depression. When my parents moved my sister and I to Scotland at the age of 8, my ability to form social relationships (which was already somewhat shaky) took a battering. I’d spent the first year of my school life in an inner-city infants’ school, clinging to my one best friend, and then been moved to a tiny church school in the middle of nowhere, where I was surrounded mostly by nice-mannered upper-middle-class kids and the mini-heirs of wealthy local landowners. When I was moved to a village seven miles up the Bowmont Valley in the Scottish Borders, I suddenly found myself amongst hard-nosed farm kids who mostly spoke Scots. My sister and I couldn’t even understand the taunts chucked at our “posh” mannerisms, parents and Northern English accents.
I continued to be a bit of a social pariah throughout high school. It didn’t help that I was 5′11″ tall by the age of twelve, and just about the only person in my unusually troublesome year who actually cared about their grades. By fourth year I was obsessed with the idea of getting five straight As in my Highers — I also began to suffer from panic attacks, insomnia and paranoid delusions. I became increasingly convinced that some horrendous event was going to occur, and all the people I loved would die. I happened to see an unfortunately-timed and highly sensationalist TV show about black holes, and as a result my paranoia swelled — I became sure that the world was going to end. It got to the point where I was sleeping one hour out of every twenty four, staying up all night listening to the radio and still dragging myself to school the next day. I heard noises in the sky that were not there: deafening, earthquake-like sounds. One night my Dad woke up at 2am and found me standing at the far end of our back garden in my dressing gown, crying uncontrollably, convinced that I could see a black hole enveloping the sky. I was hallucinating. I’d suffered a complete breakdown.

I was diagnosed with stress, and sent for counselling sessions with the school doctor, who happened to specialise in psychiatry. My anxiety abated for a while — I was able to sleep, and somehow I managed to sit my Highers, getting my five longed-for As (to this day, I have no idea how I did this). When my cataclysm paranoia showed no signs of abating, I visited another doctor who referred me to a private therapist. Slowly, I “got better.”

Except that I didn’t. Mental health issues tend to be chronic, so in actuality I was just lucky enough to move into a period of what I refer to as “wellness.” Throughout my undergrad degree, I was more or less absolutely fine — I got a bit stressed out or down every so often, but no more than any of my classmates.
At the end of my Masters year, I had a brief relapse. I became anxious and sleepless, but because I thought I’d been “cured” when I was seventeen, I didn’t associate this with my previous issues. Without noticing, I became highly delusional — I began to see conspiracies being built all around me. I “uncovered” the fact that one of my classmates had possibly been unfairly awarded a literary prize, after she sought help with the work she entered from one of the judges (the latter half of this did actually happen, but I had no proof that said classmate had got help from the judge). I accused one of my tutors of bullying other students on the course via seriously unsuitable channels. I filled out the University’s “anonymous” end-of-year feedback form a little too honestly. At no point did I think I was being unreasonable or irrational in any way — I had no idea that I was leaving a trail of destruction in my wake.
I learned that the department wanted to expel me for my behaviour, and by extension, refuse my application to study with them for a PhD. Fortunately, I was saved by a few excellent staff members who stuck up for me, and possibly in part by the summa cum laude honours with which I was about to graduate. Hearing that I had put my academic career in serious jeopardy snapped me out of my trance and dragged me out of the black hole. This time, I clawed my way back to “wellness” quite quickly, and without therapy or any kind of medical aid.

It didn’t last as long this time. About a year later in early 2010, my relationship of nearly five years ended, and I spiralled again. This time I spotted the signs, went to the doctor and was diagnosed with depression for the first time. I also learned that I am a sufferer of social anxiety. One doctor I saw was adamant that I should be medicated, but I have always been queasy about anti-depressants. I allowed them to prescribe me beta-blockers for the palpitations I was suffering as a result of my anxiety. To this day, that’s the only medication I’ve ever taken to deal with the situation.

I’ve come to think differently about my depression. I now know that I can’t ever be “cured,” and that at some point — be it sometime soon, or in many years’ time — I might find myself way down at rock bottom again. I’ve learned to recognise the early warning signs that suggest I’m not really coping very well. Ironically, when I’m feeling unstable I have a tendency to overload myself with new projects; to get very excitable about everything and rush around, breathlessly doing things. Of course, when I finally crash and burn, I then feel all the more guilty and worthless for having so many different balls in the air, as it were, and then having to drop them.
I really liked the fact that Harry had made lists of things that made him feel ‘Scared’ and ‘Safe’ — and that he was brave enough to share them. My own lists are probably endless, but as part of the “outing” process I thought I would also take a leaf out of Harry’s book and share the most relevant and immediate items.

Things that make me feel scared
- Sending out my work for publication (these days I do this very, very rarely, usually waiting to be asked for a poem, or only submitting to magazines I’m sure I’m cool about)
- “Networking”, socialising at literary events, readings etc.
- The few hours before a reading or performance
- Vague, flighty, insecure or hyper-confident people with whom I am unsure where I stand
- Exercising in any way in public (this includes ceilidhs, which I really, really hate)
- House parties
- Watching TV, wwilfing, other sedentary, empty activities (this sometimes includes non-academic reading)
- Crowded places (particularly unfamiliar ones); being surrounded by a lot of people I don’t know
- The dark
- Financial insecurity, but also financial dependence (on overdrafts, a job etc)
- Being spontaneous; being unsure where I’m going; not knowing what the end result will be
- Feeling like I’ve cheated or been dishonest, or gained something unfairly
- Debates/arguments on the internet
- The admin and bureaucratic box-ticking that comes with my job

Things that make me feel safe
- Steve
- Tidying up, cleaning, housework
- Honest, straightforward, vocal people with whom I always know where I stand
- Having enough time to do all the things I want to
- Hula hooping
- Studying and academic reading
- Setting aside long periods of time to write
- Walking around the city
- Planning; knowing where I’m going; having an end goal to aim for
- Feeling like I’ve worked hard or really earned something
- Discussions in person, with people I trust
- Talking about the past
- Feeling like I’ve been productive
- Feeling like I’ve been helpful or handled something well
- Teaching (even a “difficult” class); marking; giving feedback to students

Writing my lists was more difficult and cathartic than I expected. I think I’d be interested to read the lists of others, too. I strongly urge you to go and read Harry’s post and, if it chimes with you as it did with me, to write your own, too. A nonjudgemental community for creative people who also suffer from anxiety or depression, even if it is just online, could potentially be hugely useful. As Harry says, “really: everyone feels as anxious as you.”

(Image by Ben Heine)

OPENING NIGHT: this collection at The Glue Factory

Wednesday, April 13th, 2011

Come and join Edinburgh-based community arts project this collection as we make our first ever journey west and open an exciting fortnight-long event at Glasgow’s infamous Glue Factory artspace!

THIS COLLECTION AT THE GLUE FACTORY: OPENING NIGHT
At: The Glue Factory, 22 Farnell Street, Glasgow, G4 9SE
Starts: 7.30pm
Finishes: 1.00am

HEADLINING:

+ BLOCHESTRA: innovative and experimental noise-makers — “a band to turn the conventional music experience on its head.”

+ ZORRAS: poetry-music-video weirdness fusion. With megaphones.

+ DJ SET/SPECIAL GUESTS TBC: tunes inspired by this collection poems

ALSO ON SHOW:

+ breathtaking images from renowned graphic designer Ming Tse

+ a huge and stunning mural by illustrators Helen Askew and Laura Mossop

+ this collection’s ‘top 100 poems’ and the plethora of creative, collborative responses they have inspired so far

REFRESHMENTS:

Honeymede will be on hand to supply their delicious home-brew ale at a mere £1 per pint!

TBC: this collection hope to provide a minibus to ferry faithful Edinburgh followers over to the event and back from Glasgow afterwards. Seats on the FilmPoetry Magic Schoolbus will cost a mere £3 and be allocated on a first-come-first-served basis. The bus is not yet 100% confirmed but if you think you would like a ride to the event, drop a line to [email protected] to register your interest.

ANY QUESTIONS? [email protected]
Click “attending” on our Facebook event!

WHAT IS THIS COLLECTION…?

this collection began life as a modest bouquet of 100 short poems on the subject of Edinburgh. Authors included all manner of Edinburgh residents from high school kids to University professors, and over the course of the past two years, their work has acted as a foundation upon which artists and creatives from all walks of life have built collaborative responses to the poems. Thus far, the project has primarily attracted short films, but more recently the artistic responses have included works as diverse as street art installations, handmade zines and improvised music scores.

this collection has hosted a plethora of community art events in Edinburgh, too – including a memorable poets’ and filmmakers’ speed-dating night, a huge multi-media showcase in the cavernous McEwan Hall, and an experimental ‘friendly’ poetry slam. Now, this collection is coming to Glasgow to seek out a whole new community, and to inspire new responses to the artistic works already produced under its umbrella.

The project will adopt The Glue Factory – an abandoned industrial space turned community arts venue – as its temporary home from 30th April to 15th May. Glasgow residents and visitors will be welcomed inside to peruse a wide and vibrant showcase of creative work inspired by the original this collection 100 poems.

We hope to see you there!

(Photo)

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this collection: FRIENDLY POETRY SLAM

Thursday, March 24th, 2011

this collection is throwing its first ever poetry slam — but forget what you’ve seen and heard before. This is not your usual slam: there will be no brownie points for shouting, no judges, and the poet with the most mates won’t win automatically. This is a friendly slam — all styles, personalities and poetics are welcome. See below…

The this collection friendly slam will take the following form:

ROUND ONE: all poets perform under a 2.5 minute time limit. You can do ANYTHING YOU LIKE with those 2.5 minutes — shout, rap, whisper, read off paper, read from memory, read one poem, read fifteen haiku, whatever.

ROUND TWO: the five poets with the lowest scores (see below) will be eliminated, and the remaining poets will perform again — same time limit, same rules.

FINAL: the three poets with the overall highest combined scores from both rounds (and possibly a wildcard) will slug it out in the final (3 minutes this time) for the title of this collection slam champion — and for our lovely prizes (see below).

SCORING: no scary judging panel, no howling audience whooping extra loud for their friends. Each poet will be scored by the other poets performing. Every poet gets a scorecard, and marks their fellow performers out of 30 (marks out of 10 for content, delivery and each scorer’s personal response). Scoring will be ANONYMOUS as scorecards will be collected and tallied by an adjudicator after each round. All poets — including finalists and eliminated poets — will give scores on all three rounds. Please note, poets can’t score themselves!

PRIZES:
1ST — £25, and a mystery prize pack (contents TBC!), plus the title of this collection slam champion!
2ND — £10, and a mystery prize pack
3RD — £5, and a mystery prize pack

PERFORMING ON THE NIGHT!
Stephen Welsh // Scottish Slam Champion 2011 Young Dawkins // Bram E Gieben // Fiona Lindsay // McGuire // Tickle McNicholl // Russell Jones // Mairi Campbell-Jack // Andrew C Fergusson // Andrew Philip // Alec Beattie // Dave Forbes // Sophia Walker // Chris Lindores // Cat Dean // Dave Coates

THIS COLLECTION ALL-WELCOME POETRY SLAM! Come and slam with us for a chance to win some cash!

Invite your friends to our Facebook event! Hope to see you there!

(Photo by Kyre Wood)

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this collection zine-making workshop: the results

Thursday, March 17th, 2011

Anyone who’s been reading this blog for any amount of time will know that I am a huge fangirl of zines. From late 2007 to early 2010 I ran my own, Read This Magazine (currently in the process of being dismantled in order to make way for something new, by the way); I am a follower/subscriber of many other small independent literary zines (including The Letter Killeth — see work by Chris Lindores in their latest! — and Words Dance) and will always encourage others to follow my lead. About eighteen months ago I was gifted a huge stack of vintage music fanzines by local Edinburgh zinester and blogger, Nine. All of this somehow led to me leading a zine-making workshop at Tollcross Community Centre on behalf of this collection on Tuesday night.

I just want to say a huge thanks to everyone who came along — not least my sister and Lovely Boyfriend who didn’t have a great deal of choice in the matter. Thanks also to Sean Cartwright, Sue Steele, Julie Logan and Dave Forbes for your attendance and enthusiasm, and thanks of course to Stefanie Tan and everyone at TCC for the inspiration/organisation side of things.

Overall, the workshop was a massive success. I introduced six total zine virgins to a brand new artform, and we created seven beautiful Xeroxed and hand-bound creations to promote poetry, crafting, recycling and counter culture. It was such a success I might even run more! Give me a shout — [email protected] — if you’d be interested in such a thing. Some photos and a fab timelapse from the evening below…

Zinesters
Assembled zinesters: Steve, Dave, Sue, Julie, Sean, Stefa, Helen and myself.

Organ: Issue 42
Sean checks out some old 90s music fanzines for inspiration.

Zinesteristas
The cutting and sticking begins!

Steve's zine
Steve, aka Lovely Boyfriend, working on some (rather fabulous) blackout poems

My zine
My zine coming together — this collection needs you!

Dave's zine
Dave’s finished zine — complete with glitter!

Print media is dead: long live zines!

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this collection: poetry and film events for January

Wednesday, January 19th, 2011

Firstly we’d like to say a huge thank you to everyone who expressed an interest in running workshops with us or getting involved in this collection’s huge community project with ALP and Tollcross Community Centre. We’re happy to say that we’ve had some brilliant proposals and we’re now ready to unveil some of the events we’ll be running during our stay at the Centre. Coming up before the end of January…

FILM FACTORY: free all-day filmmaking workshops with Austin Muirhead
Friday 21st January
Monday 31st January
12:00 — 20:00 FREE! Booking required

Make films? Looking for a new film project? Always wanted to make films but never knew how? Come along to a FREE all-day film workshop, and learn the rules of film and how to break them. Hosted by Austin Muirhead, Canadian born technical director of The Gulf Islands Film and Television Film School.
Please bring yourself, your camera/cables (no fancy tech necessary), your laptop if you can, and make your own arrangements for lunch, etc.
Interested? Places are limited so please email [email protected] to reserve your spot!

FILM SCREENING & COMMUNITY ASSEMBLY
Wednesday 26th January
16:00 — 18:00 (screening), 18:00 — 20:00 (assembly)
FREE! and BYOB
A free showing of some of this collection’s amassed short films, followed by a free and open community assembly. Come and talk to us about Edinburgh’s artistic and creative community — what are you involved in? What would you like to see happening in the city? How can this collection help? Come and find out more about our project, pitch us your ideas, plug your event, show us your work, meet likeminded people and tell us about cool stuff we should know about. Very informal — all welcome. Bring friends, and BYOB.

POETRY WORKSHOPS: PAGE VS STAGE

POETRY FOR THE PAGE: OPEN WORKSHOP
Friday 28th January
16:00 — 17:30 FREE! Booking required

An open poetry workshop with Claire Askew, poet, Editor in Chief of Read This Magazine, Lecturer in Literature and Communications at Edinburgh’s Telford College and Tutor in Creative Writing at the University of Edinburgh. Bring up to three poems for discussion, contructive feedback, hints and tips from a small and friendly group. All welcome — no prior workshopping experience necessary!
Interested? Places are limited so please email [email protected] to reserve your spot!

POETRY FOR THE STAGE: WRITING OUT LOUD
Friday 28th January
18:00 — 20:00 FREE! Booking required

Stick around after Claire’s page workshop and find out how to adapt one of your poems for the stage. Alternatively, come along fresh and learn all about the finer points of performance. Hosted by Harry Giles, writer, theatre director, founder and co-ordinator of Inky Fingers and multiple-award-winning slam poet. All welcome, no experience necessary — just bring yourself, and a poem!
Interested? Places are limited so please email [email protected] to reserve your spot!

All events take place at: The Art Room, Tollcross Community Centre (next to Tollcross Primary School), Fountainbridge
Free tea and coffee will be provided at all events.

WANT TO RUN YOUR OWN EVENT?
We want to hear from anyone who wants to run their own workshop, host a meeting, screen films, exhibit art, put on a play, dance, sculpt or do anything else creative in our space. No proposal is too big, too small, or too strange. For more details visit http://bit.ly/dXqlS7 or email [email protected]

We hope to see some of you there!

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this collection & Tollcross Community Centre: call for pitches!

Wednesday, December 29th, 2010

Edinburgh's Barclay Kirk from a wet bus

this collection are teaming up with the fantastic Tollcross Community Centre and their Adult Learning Programme, and throughout Spring 2011, we’ll have access to the centre’s space and resources for three days of every working week. We’re hoping that we can fill this time with exciting collaborative opportunities, providing a space for artists of all walks of life to come together to create and discuss under the umbrella of this collection.

And that’s where YOU come in. We are throwing open the doors to allow access to anyone who’d like to join us in organizing an activity for local artists and/or writers. We’re looking for people to:

- host workshops in anything from creative writing to sculpture
- lead meetings, panels or discussions in the space
- host and co-ordinate events (remember our poet/filmmaker speed-dating?)
- give readings, performances or recitals in the space
- use the space for anything and anything artistic, collaborative and creative!

What’re the conditions? We don’t ask for much in return. Only…

- that your event MUST be inspired by or related to the this collection project
(e.g. you could give a masterclass on writing poems of 100 words or less, host a filmmaking workshop to adapt some of our poems, get together and discuss the concept of community collaboration, etc)

Interested? We’re looking for suggestions, proposals and pitches, and nothing is too small, too big, too weird or too ordinary. If there’s something you think you’d like to organise and you like the sound of a totally free space, get in touch!

Stuff to bear in mind:

- your event can be one-off, or one of a series. Let us know what you’re planning, and we’ll do our best to accomodate you.
- some materials/resources we may be able to provide; others you may have to bring yourself. Again, let us know.
- the space is available from 10am to 8.45pm every Monday, Wednesday and Friday. Want to use the whole day? No problem. Just want an hour or two? No problem. We can be flexible!
- the space is ours to use until at least the end of March, so if you’re busy for the next little while but still fancy doing something, fear not! We can fit you in!

Basically the message is, if you’re interested, GET IN TOUCH! We’d love to hear from you. We’re hoping to gather as many proposals as possible before the space is opened up to us, so if you’d like to be involved, drop us an informal line by 15th January and let us know what you’d like to do.

[email protected]
[email protected]
[email protected]

Get thinking, get emailing, and have a fantastic New Year!

PS: we will also be holding community meet-ups in the space on Friday nights, as of the middle of January — more on this soon! So if you want to talk to us about your thoughts for the project rather than emailing, drop us a line and we’ll let you know more!

PPS: A few T&Cs before we go…

this collection and the Tollcross Community Centre ask:
- that you take responsibility for the majority of the organisation and promotion of your event. this collection is anti-curatorial, which means we won’t do any of the tricky stuff for you, like making sure that people show up! We will, however, happily plug your event as widely as possible, put you in touch with helpful people if we know of any, and provide resources if we have them to hand.
- that, if you need to cancel your event for any reason, you let us and the venue know as soon as you possibly can, so we can try and give someone else your spot
- that you’ll credit any references to this collection in work that comes out of your time in the centre
- that you’ll allow the this collection crew to attend, promote, talk about and document your event if we want to
- that all work produced at your event is produced under creative commons (i.e. the artist retains the right to their work, but the work can be shown/referred to by this collection with their permission and with due credits)

(Photo by allybeag)

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Guest post by this collection: adapt our winter poems!

Thursday, December 16th, 2010


this collection is a non-profit collaborative arts project based in Edinburgh. It aims to bring artists from different walks of life together to work on projects inspired by the city. At present, this collection is focussing on an amalgamation of very short poems inspired by Edinburgh, and is working to find filmmakers of all ages and levels of experience to adapt these poems into short films. Find out more here.

As you’ll no doubt have noticed over the past few weeks, winter has now fully gripped Edinburgh, treating us to the heaviest snowfalls the city has seen for fifty years. Rumour has it there’s more of the white stuff on the way, and although this may seem like a good excuse to get your woolies on and stay indoors, this collection has a better idea. We have a whole flurry of winter poems in our collection of 100 that need adapting into films. We suggest you don an extra pair of socks, grab your camera and get out there and make us a short film. No prior experience or fancy tech necessary!

Here are some of our lovely winter verses that need adaptating!

The Piteous Pine by Florian Raith
“So cold despite the solid coat; clenched tightly,
The right fist in the pocket and partly regretful
Not to gorge on the sordid warmth: brightly lit
The stifling, horrid feast promises forgetfulness…”

January by Hayley Shields
A murmur rippling through
the silver edged blades
of grass, as they bathe
in muddled starlight…”

Cables by Kate Charles
“Edinburgh cuts a high moon
Hunkered figures, hands expectant, ask
For reasoning, dulled or blank to your rising rage,
some long gone time come close…”

The Windy City by Kat Maher
“Meadows of ice, deceptive sunlight
So inviting from windows, a kaleidoscope of lies…”

Waking up with Edinburgh by Helle Hang
“Grumpy as always,
Dear as always.
Frost over the Meadows,
Smoke from neighbour’s chimney…”

A Recipe for Whisky by Ron Butlin
“Wring the Scottish rain clouds dry;
take sleet, the driving snow, the hail;
winter twilight…”

A Winter Walk Along Lauriston Place by Laura Barbier
“The street swims by beneath,
Siberia groans aloud in my ears
Shifting the last of the leaves
Into freefall…”

Need some inspiration? Check out Helen Askew’s adaptation of Struan Robertson’s snowy poem, “Where it lies” — first showcased by this collection at the McEwan Hall!

Want to make a film for us? Email film[@]thiscollection.org or check out our Submissions page for more info.

(Photo by chairmanblueslovakia)

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