Archive for July, 2013

Things I Love Thursday #82

Thursday, July 11th, 2013

Getting ideas for my new garden...

What are these?  They're about the size of my head.  I would like some.

Peonies!

Peonies!
Dreaming my new garden
So, along with our new, slowly-emerging-from-a-wreck house, Lovely Boyfriend and I have also obtained two small patches of garden. Right now, they’re basically scruffy little lawns with some weedy borders around them. But I plan to turn these two little spaces into a garden of edible delights (plus a few pretty flowers here and there). I’ve never understood why anyone would have a lawn when they could have a veggie patch. Anyway, I’m pawing through books and beginning to learn a bit about plants… and in the process, I’ve suddenly become excited about garden centres.

Grumpy gargoyle

Slightly scared-looking lion,

The Toucans & Maccaws Fountain at Larch Cottage, Melkinthorpe
…but not all garden centres are the same.
Larch Cottage, at Melkinthorpe (WHAT A NAME) in Cumbria, is no ordinary garden centre. It’s basically like a magical secret garden inhabited by thousands of weird and wonderful statues, all of which come to life at night and grow huge and amazing plants. If that sounds a tad creepy then yeah, I guess it’s a tad creepy. But it’s also amazing. I mean… grumpy gargoyles everywhere, a life-size bronze lion, and a fountain covered in cheeky toucans? If ever you’re in Cumbria, seek it out (it’s hidden down a series of narrow, high-hedged roads) and see what I mean. (There’s also a cool restaurant, an art gallery and a shop full of jewellery, furniture and strange nick-nacks. Woo!)

DREAM CAR RIGHT THERE.

Pretty.
Spotting my dream car(s) EVERYWHERE
I’ve had this silly daydream for years: one day I will own a vintage Land Rover Defender. It’ll have a crappy tape-deck and bench seats in the back and rattle like a bean can. On the other hand, I also dream (well, who doesn’t?) of cruising around in a beautiful vintage Ford Mustang, preferably wearing a very, very long scarf that billows in the wind…
(But until I win the lottery, and/or get a massive concussion that causes me to forget how much I care about carbon footprints, I guess I’ll stick with the bus!)

Moomins!

The Uselessness of Everything

Pretty pretty poetry book, up soon at Edinburgh Vintage!
Cute books
I’ve been lucky enough to become the proud owner of a series of late 1960s and early 1970s Penguin paperback editions of the Moomin books. I loved the Moomins as a child and have had so many flashbacks, flicking through these super cute books and being jolted about 15 years back in time by so many of the illustrations! As I’m moving house, I’ll be parting with the series (with a tiny tear in my eye) over at Edinburgh Vintage very soon.
Meanwhile, already for sale at EV is the beautiful, minature, leather-bound collection of Burns’ Songs pictured above. My favourite part about it is the gorgeous cover with its tooled image of Calton Hill. Amazing!

The Vogrie Park Greyhound Meet!
The Vogrie Park Greyhound Meet!
Basically about 50 greyhounds all together in one place being SUPER CUTE. Lovely Boyfriend and I each got to befriend and walk one of them — his was Sam, mine was Neville. (Neville’s at the front left of the pic, wearing a blue cape!)

Found poetry on the streets of Edinburgh

At the Canny Mans

Brush your teeth, say no to drugs, say yes to marker pen graffiti

Super cool old door, Newington

I love long Edinburgh evenings
Edinburgh…
Edinburgh on a warm sunny day is basically THE BEST PLACE IN THE WORLD BAR NONE. This past week I have seen so many of its millions of moods, as evidenced by the photos above! Found poetry, flickering neon, juvenile graffiti (but with a social conscience!), crumbling elegance, amazing long evenings full of swifts. THANK YOU, MAGIC CITY.

I want this dog.

Snooty tall giraffe made the small fat giraffe sad.
…and Edinburgh window displays. Giving me ALL THE FEELS.
I love the grumpy, sassy-looking dogs at Pink on Castle Street. I really, really want one. Just, yaknow, to sit in my living room. They make me super happy whenever I walk by.
But oh… then there’s this INCREDIBLY SAD window display in a Morningside toy shop. The tall snooty giraffe being sniffy about his friend! And the small, fat giraffe looking so ashamed of himself! Call me infantile if you like, guys, but it’s enough to make me want to run in there, buy both of them, take them home with me and talk them into being friends again.

What are YOU loving this week?

*

Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Call for entries: the One Night Stanzas poetry contest

Monday, July 8th, 2013

Typewriter

Sorry, the poetry contest is now closed! Winners will be notified by 1st December 2013.

DEADLINE FOR ENTRIES: 11.59pm GMT on 1st September 2013

PRIZES
First prize: £100 prize money and a free ten-page poetry critique from Bookworm Tutors (critique optional)
Second prize: £50 prize money and a free ten-page poetry critique from Bookworm Tutors (critique optional)
Two runners up: A contemporary poetry goodie bag, and a free five-page poetry critique from Bookworm Tutors (critique optional)
The two prizewinning poems and the two runner-up poems will also be published at onenightstanzas.com

Promo shot

ABOUT THE JUDGE
Claire Askew is a poet, poetry promoter, editor and creative writing teacher. Her own work has appeared in numerous publications, including Where Rockets Burn Through: Contemporary Science Fiction Poetry from the UK; Fit to Work: Poets Against ATOS; and Lung Jazz: Young British Poets for Oxfam. She has won numerous accolades for her poetry, including the Lewis Edwards Award for Poetry, The Virginia Warbey Poetry Prize, and the International Salt Prize for Poetry. Claire’s debut pamphlet collection, The Mermaid and the Sailors, was published by Red Squirrel Press in 2011 and shortlisted for an Eric Gregory Award. She is also a Literary Death Match Champion.
Claire is the founding editor-in-chief of the now-defunct Edinburgh arts zine, Read This, and has therefore read and selected for publication literally thousands and thousands of great poems. She has also judged many a poetry contest, including the Sentinel Literary Quarterly Poetry Competition (twice!), and the BBC Edinburgh Fringe Festival Poetry Slam. She likes original narratives, striking imagery, verbed nouns, and people who follow the submission guidelines very, very carefully.

ENTRY DETAILS
* Poems will be judged anonymously. Therefore you must send your work as an attachment, not in the email itself.
*Please make sure your name does not appear anywhere in your attached file, as this could lead to your entry being disqualified. (Also make sure there are no other identifying marks on your attached file.)
*Please put all the poems you’re entering into ONE FILE. Do not send multiple attachments as this may cause your email to bounce, or land in a spam folder.
*Please make sure poems are clearly titled, even if their title is “Untitled”!
*If you’re entering multiple poems, please make sure that it is very clear where poems start and end.
*All entries must be made by email, following the instructions above. Entries received by post or other means will not be considered.

ELIGIBILITY
*Each poem must not exceed 40 lines (the title and stanza breaks are not counted as lines. Epigraphs are counted.)
*Entrants must be 16 years of age or over.
*The contest is open to anyone from anywhere in the world. Entries must be in English (this includes dialects of English) or Scots.
*Poems which have been previously published or broadcast (this includes personal blogs) should not be entered.
*Poems which are under consideration for publication or broadcast, or which are currently entered into other contests, should not be entered.
*Poems must be entirely your own work. Sorry, translations will not be considered for this contest.

FEES
*Entry fees: £3 per poem, or £10 for five poems. Each person may enter as many poems as they like, but poems received without entry fees will not be considered.
*Entry fees must be paid via Paypal. Cash, cheques and other forms of payment will not be accepted.

AFTER YOU ENTER
*The deadline for all entries is Sunday 1st September 2013 at 11.59pm GMT. Any entries received after this time will not be considered.
*Poems cannot be edited or changed after entry, so please proofread carefully.
*One Night Stanzas withholds the right to disqualify at any time any entrant who is found to have breached the terms of eligibility given above.
*Winners and runners-up will be notified by email by 1st December 2013.
*Unsuccessful entrants will not be individually notified. If you have not heard from One Night Stanzas by 1st December, you should assume you have been unsuccessful on this occasion.
*The judge’s decision is final, and no correspondence will be entered into.

By entering the contest, the writers of the winning poems grant One Night Stanzas permission to publish them at the onenightstanzas.com website. Full copyright of each poem remains with that poem’s author.

(Photo credit)

Things I Love Thursday (OK, Friday) #81: NEW HOUSE EDITION

Friday, July 5th, 2013

I’m loving lots of stuff this week as always, but just lately, one thing has been occupying my mind rather a lot.
About two weeks ago, Lovely Boyfriend and I took delivery of the keys to our first house!

NEW HOUSE!!!

We’ve been in there pretty much every available moment of every single day since.

When we got it, the house was a bit of a wreck. It needed new wiring, all the carpets had to be ripped out, and every room was covered in what can only be described as the most hideous textured wallpaper the world has ever seen. The colour pink abounded. Check out these pics for a peek at the hideousness:

House flippin'!
Believe it or not, people fought for these wall lights when I put them on Freegle.

House flippin'!
Day of key handover: get keys, run to house, immediately begin tearing off awful wallpaper like rabid beasts.

House flippin'!
Such tasteful carpeting.

House flippin'!
I’m told everyone in Scotland had these bathroom tiles at one point. Can you see the budgie in the pattern?

House flippin'!
This was the least offensive of the various wallpapers.

House flippin'!
Lovely sunset light… cast by the terrible tulip glass in the back door.

House flippin'!
No touchie.

Happily, we’re now two weeks in, and almost all the wallpaper is gone. The carpets are gone. Those floor tiles in the penultimate photo? They’ve been clawed up, leaving a gross sticky residue behind, as they were apparently laid using wallpaper paste, or ogre splittle, or something. We’re almost ready to start sanding floors, to start painting (!), and to get techie drawings for the building work we want to do.

I know these photos make it look pretty gross… but you guys, I love it so much. Partly because it’s a mega project and you all know I love a mega project. Also because it’s ours. And of course because it means I can start growing vegetables and herbs in our wee garden, we can get a puppy, and I’ll finally have space for all my typewriters (well, almost all of them).

Prepare yourselves for lots of excitable progress updates, posts about DIY projects (I’m planning to make my own sofa) and pictures of meals I’ve made using food from my own garden (!). You’ve been warned.

What are YOU loving this week?

*

Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Can YOU give a typewriter a good home?

Thursday, July 4th, 2013

I am a typewriter. Please be my friend?

Hello. I am a Remington Standard 12 manual typewriter, and I am looking for a new home.

So guys, Lovely Boyfriend and I bought a house (…I KNOW). And although there is probably technically just about space in it for my collection of over 30 manual typewriters (yes, really), I decided that now might be a quite a good time to have a bit of a clear out. And as a result, the Remington Standard 12 here is in need of a new home (I have two of these guys. One really ought to be enough, right?).

I am a typewriter. Please be my friend?

As you can see, he’s a lovely big old desktop machine with classic handsome looks. You’ll also be able to see that for his age, Remington’s condition is pretty decent. A few knocks and scrapes, but nothing serious. (I got this typewriter about a year ago and have been meaning to give it a darned good clean, after which it’d look a whole lot better, but I didn’t get round to it. A bit of brasso and some warm soapy water and it’ll look fab.) The main thing is: this machine still types! It doesn’t currently have a ribbon fitted, but the carriage moves freely and all the keys work. The shift lock sticks a little, but a bit of WD40′d soon sort that.

I am a typewriter. Please be my friend?

Remington here has been a display piece, rather than a working typewriter, since he came to me. I think he looks rather fab just chillin’ out on a bookshelf, coffee table, or somewhere else where he can be (and is, trust me) adored by members of the public (or at least, the ones I invite over for coffee). However, there’s no reason why he can’t be turned into a working word processor.

I am a typewriter. Please be my friend?

Remington would like a new home. He would NOT like to be broken down and turned into tacky typewriter jewellery (the kind I used to make way back in 2008, before it became tacky, obv). If you’re a writer or enthusiastic about writing machines or you just want a really freakin’ cool doorstop, please get in touch. Offer to cross my palm with silver (just a wee bit will do), and if I reckon you’ll be a responsible typewriter owner, then he’s yours!

I am a typewriter. Please be my friend?

If you’re interested in adopting Remington, please email me via claire[at]onenightstanzas.com, or you can catch me on Twitter. You can leave a comment here if you prefer, but it sometimes takes me a while to wade through the moderation queue!

Tick tick ding!

*

Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Dear Poetry Newbies: read more poetry.

Monday, July 1st, 2013

A previous version of this post first appeared at One Night Stanzas in September 2008.

“People who never read poetry don’t write poems that are worth reading,” says Wendy Cope in this article about the importance of reading. I daresay that a lot of you will resent this statement, but I’m afraid it’s absolutely 100% true.

In 2007 I set up a teeny tiny little DIY literature zine called Read This Magazine. Although our print run was only 150 copies per month, as ed-in-chief of RT, I saw thousands and thousands of poems by young and emerging writers. When it came to picking out the best work for publication, about 80% of everything went immediately onto what the industry calls “the slush pile” - in other words, the “definitely no” pile.

This may seem incredibly harsh - particularly as so many of these submissions were accompanied by cover letters which stated “I’ve never had my poems accepted and I don’t know why” or “I want to know how to make my poems better.” Was I just rejecting them out of hand? Did my editorial team and I not read them with as much care as the other 20%? Basically, the truth is painful: you can tell immediately, sometimes from the very first line of the very first poem in a submission, whether or not the poet in question reads poetry. And if it’s clear that they don’t, you can basically guarantee that none of their poems will be good enough for publication.

You can leap down my throat if you like - because yes, sometimes, rarely, a poet who doesn’t read anything does get lucky, and writes something insightful or interesting which deserves a closer look. However, bear this in mind: Read This was a lot more accomodating than most magazines… we did read everything through at least once before consigning it to the slush pile (just in case), and we responded personally to everyone - particularly those people who’ve asked for help and advice in their cover letters. Furthermore, giving 80% of submissions an “immediate rejection” is nowhere near the 95%-97% mark of most major magazines and publishing houses - you think we were harsh? Try Poetry Review!

You can dress it up any way you like, but as Wendy Cope says: if you don’t read, you are not going to be a successful poet, and the earlier you allow yourself to accept that fact, the better! Defiantly refusing to read other poets’ works will not endear you to the poetry community (as Kenneth Patchen said, “people who say they love poetry but then never buy any are cheap sons-of-bitches”), and chances are your work will remain stagnant and always sound, look and read in the same old way (so if it aint getting published now, the future doesnt look good). However, if you open your eyes to the great wealth of poetic material around you, and start taking it in, then you’ll soon begin to see and feel the benefits. It’s like the old adage ‘you are what you eat’ - you are also what you read.

But I hate reading!
OK, that’s fine. Some people will say “well, why are you a poet?”, but I understand. My sister is an artist, but finds many art shows and galleries a total snooze-fest. Forget what you learned in school - poetry is doesn’t have to be boring, and it does’t have to be difficult. I genuinely believe there’s a poem out there for absolutely everyone.

Read as much or as little as you want. Break yourself in gently. If you’re really struggling, try to read just one poem per day (there are heaps of resources out there to help you with this). Buy yourself a book of haikus and absorb one or two in a spare five minutes. Check out Poetry Archive and listen to a poem. Ask other people what their favourite poem is, and start a to-read list. Soon enough, you’ll find that you feel inspired; you might notice that you’re writing more, or that your writing looks and sounds different. This is poetic influence at work - embrace it!

What should I read?
Read what you enjoy. If you check Paradise Lost out of the library, get three lines in and want to kill yourself, stop reading. Read something that excites you, that inspires you, that makes you think “I want to write like this.” It doesn’t matter whether that’s The Waste Land or Tom Leonard’s This Is The Six O Clock News. There is poetry out there that you’ll love - but it might not be what you think. Keep reading until you find it.

What shouldn’t I read?
Basically, any reading is good reading - if you prefer novels to poetry, read novels: they can help you to write better poetry, too. Read anything; stage plays, memoirs, the phone book. Immerse yourself in words and look at how they’re put together. Absorb ideas.

(The only thing I would advise against is reading the poetry of other poets who don’t read. This will get you nowhere. It may be cheap and convenient, but avoid reading amateur poetry and try to read people who are published in some form or another. This may sound like snobbery, but it isn’t: if you want to get published, reading published poetry is the best way to understand what “makes it”, and the best way to turn your own poetry into something publishable.)

But if I read other people’s work and then start writing like them, isn’t that copying?
This is a tricky issue, and one that comes up a lot. As Wendy Cope says, a lot of non-reading poets claim that they don’t read “because they don’t want to be influenced.” However, these people are missing a massive trick: all poetry is, at least in part, stolen. Frank Zappa once said, “Adam and Eve made all the great records: everyone else just copied,” and that really applies to poetry. Every successful poet is influenced by someone - usually by a huge variety of other poets who came before him or her. Being influenced is a good thing… and it is totally possible to read and still be original. Try reading a few poems. Read until you come to a line, a stanza or a whole poem that makes you think “I could have done that better,” or “I’d have examined that idea differently” (it’s OK, you’re allowed to think this, even if the poet you’re reading is Whitman or someone equally famous and revered). When that thought arises, act on it: go away and write that line, stanza or poem the way you’d like to see it written. I bet it comes out looking nothing like the original.
You’re not copying, you’re borrowing; you’re sharing. Try it: it’s what poets do.

But there’s so much poetry out there. Where do I start?
Wherever you like. If you’re totally clueless, go to a bookshop or library, find the poetry section, and pick out a book with a cover that catches your eye. Go for a cool title, or a poet with an unusual name. Search the net for poems in a style you like or on a subject that interests you - science fiction, for example - and take note of the published authors who write in that style or genre… then hunt them down in a bookstore.
Just read any poetry you can get your hands on: if you like it, find out what’s similar to it, and read that too. If you hate it, find out what the opposite is, and try that. Dabble, mess around, feel free to loathe some poets and love others. Just read as much as you can, as often as you can. Then write.

*

Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo by Emchy)