Archive for February, 2013

Things I Love Thursday #76

Thursday, February 14th, 2013

What have I been up to…? More baking.

These are triple orange vegan cupcakes. Zesty orange sponge, orange fondant filling (and some on the top), not-butter-not-cream icing, made uber-yellow by Lovely Boyfriend’s fancy-ass confectioner’s food colouring. And chocolate ganache. And fresh orange. And sugar stars. I basically decided that when it came to topping these babies, more was more. They were certainly appreciated by the gaggle of hungry board-gamers who sampled them!

Lovely Boyfriend requested these instead of a birthday cake. They’re vegan peanut butter cupcakes with not-butter-not-cream icing, chocolate ganache and a smidge of added peanut butter. We snuck them into the pub and enjoyed them over birthday pints with friends. The best way to spend an evening!

These were another request: my lovely sister wanted DINO CAKES for her birthday. These are classic double chocolate with chocolate ganache filling, not-butter-not-cream icing, and the required dinos. They look like they’re frolicking on tiny, daisy-spotted hills.

And these are espresso cupcakes with espresso icing and dark chocolate flowers. For when you’re really, really tired and you need a caffeine hit AND a sugar high! These were produced, again, for a bunch of ravenous board gamers, and saw them through a particularly epic session of Eclipse!

Aaaand as well as cupcakes, I’ve also got well into baking pies. Yet again, this is thanks to my personal GODDESS, Isa. They’re weirdly difficult to photograph, so my previous efforts (all-American cherry, and blueberry-and-maple) have gone sadly undocumented. This baby is a classic, like-your-gran-used-to-make apple pie, and I think was my best effort yet (BRAG BRAG BRAG). So good with soy whipped cream, which I have just discovered exists… and it’s so good!

Want to see what else I’m eating? I started a Flickr set for all the things that are making my belly happy. PROOF THAT BEING VEGAN IS TASTY.

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Dear Poetry Newbies: do you need a creative writing qualification?

Monday, February 11th, 2013

A previous version of this post appeared at One Night Stanzas in September 2008.

There are a lot of people out there who will tell you that in order to become a successful writer, you will definitely need some kind of creative-writing-specific qualification. However, there are also a lot of people out there who will tell you that you should avoid creative writing qualifications like the plague. Personally, I decided to go down the qualification route: I have a MSc in Creative Writing and I’m soon to complete a Creative Writing PhD. In light of this, I thought I’d stick my oar in on the subject.
I’m not going to say a definite yes or no either way — you may or may not want or need a creative writing qualification. You may not know right now. You may have people telling you what you should or shouldn’t do on all sides. At the end of the day, the ‘to study or not to study?’ question is yours to answer… but I can offer some pros and cons, dos and don’ts to help you.

Creative writing courses: Pros

- Courses provide opportunities for quality workshopping and mentoring.

- Seminars and tutorials are often run by experienced writers (or former writers).

- You learn about writing, editing, drafting and publishing processes… on some courses you can also learn about how writing is marketed, distributed and sold.

- Opportunities for publication may well be open to you.

- You’re surrounded by other writers like yourself who understand your ambition and won’t try to discourage you.

- You get honest, useful feedback on your work, and help to implement changes.

- More and more courses are springing up all the time, and more and more people are taking them - this means more choice when it comes to where and when you study, how you study and with whom.

- Being part of a course-group often provides opportunities to attend writing-related events, and to meet people in the writing business.

Creative writing courses: Cons

- Creative writing is a very specialised field and you may find yourself with limited career options when your course has finished.

- Creative writing is sometimes looked down upon, or not always well-respected - by businesses and even by some academics.

- There is a common belief that creative writing cannot actually be “taught” and so courses are a waste of time.

- Courses of all kinds can be very costly, particularly if you enroll at a prestigious institution.

- Some courses are run and taught by individuals who do not have sufficient knowledge or experience of the field.

- Workshops can often be less constructive in a long-term course situation, because cliques and animosities can develop between classmates.

- Some writers (even some editors) reserve a certain kind of snobbery for those with creative writing qualifications.

- Because more and more people are studying creative writing, qualifications of this kind are becoming less unique and as a result, less respected.

Dos and don’ts.

DO find a highly-rated course at a good institution. Yes, it’s expensive to go to a good Uni or college, but you generally do get what you pay for. Make sure the qualification you get is going to be legitimate and useful.

DON’T take online creative writing “Masters” or “Degree”, particularly if you have to pay for them. They are generally worthless on paper. (Some online short courses are good, but generally aren’t accredited — so you don’t end up with an actual qualification at the end.)

Probably DON’T take creative writing as your first University degree. By doing so you may back yourself into a corner when it comes to career options. Take a more open-ended degree and specialise in creative writing later, or take a creative writing module or postgraduate course.

DON’T feel that you have to rush into taking a course. If you finish high school or graduate from your degree and you want to do other things first, do by all means. If you want to produce some more writing first, do. No hurry.

DO make sure you can afford your chosen course. If you can’t, look around at other courses - but DON’T just enrol “because it’s cheap”. There may be a reason for that. At the same time, DON’T assume a course is really good because it’s expensive. Do your research.

DO make sure that, if you’re required to have “writing experience,” you have some. You may well be in a class with people who have a fair few publications and projects under their belt. If you’ve only ever written three poems, look for a course designed for beginners.

DO vet the course-organisers and tutors before you apply. Do they sound like they have the right experience/type of writing/research interests to teach you?

DO vet the course, too. Does it go in the direction you want? Does it look unprofessional, or too academic? Trust your instincts, get on a course that will benefit you personally.

DO search around for funding, from student loans, grants, bursaries and scholarships. DON’T run up your course bill on a credit card or via a personal loan unless you’re sure you can manage it.

DON’T take the word of people who say you must or must not study creative writing. Listen to their advice, but DON’T feel obliged to act on it.

DON’T start a course if you already think you might find it too hard, or you might drop out. It can be really costly.

DO vet “free” courses very, very carefully.

DON’T assume that taking a course will make you a writing superstar… but also DON’T assume that, just because it won’t, it’s worthless.

I’d love to hear what you think about the benefits and disadvantages of creative writing courses. Have you done one? Give me your feedback!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Want to go to a poetry reading? Shore Poets February is nearly here!

Friday, February 8th, 2013

Follon,%20Cheryl%20by%20Gerry%20Cambridge
Cheryl Follon. Photo by Gerry Cambridge

SHORE POETS: FEBRUARY
Henderson’s at St John’s, Lothian Road, Edinburgh
7.45 pm to 10.00 pm
Sunday 24th February 2013

Bar from 7.15pm
Admission £5 / Concessions £3

You’ve already read our recent news — now it’s time for our latest event. This month, our headline reader is Cheryl Follon.

Cheryl Follon was born in Ayrshire, where she grew up. She studied Law and then English and Scottish Literature at Glasgow University before taking an MPhil in Creative Writing at Trinity College Dublin, and now teaches at a college of further education in Glasgow. She has received two writer’s bursaries from the Scottish Arts Council, and has published two collections with Bloodaxe, All Your Talk (2004) and Dirty Looks (2010). Her essay on the Mojave desert was shortlisted for the Shiva Naipaul Memorial Prize for travel writing in 2012. (via)

Here’s an extract from Cheryl’s poem, Dinner. You can read the whole thing at the Scottish Poetry Library website.

As you shucked the last oysters
onto your side plate
and ordered a lemon ice

I found myself in the guise of a large beetle
down amongst the spilt salt grains
and your slim-line after-dinner cigarettes.

I was a swarm of fifty thousand bees
floating up towards the Venus de Milo
and the damp patches on the ceiling.

miriamg and christinedl

Also on our bill for February are new poet Miriam Gamble, and Shore Poet Chrstine de Luca.

In addition, we’ll also be presenting the 2013 Mark Ogle Memorial Award to Anna Crowe, for her poem “Swallows”. The award is given in February to one of the new or headline poets from our previous season’s events. They are selected and commissioned by the Shore Poets to create a poem for the award. Previous winners include Tom Pow, Frances Leviston and Elizabeth Burns. We’re delighted to be welcoming Anna to the event this month!

Remember, we’ve also introduced a Shore Poets wildcard slot, an idea we’ve borrowed from poetry slams. Basically, if you think you’d fancy reading at Shore Poets, all you have to do is come along and stick you name in the hat when you pay at the door. One name will be drawn, and that person gets to read one poem / for three minutes (no running over!) at the start of the night. Go on… be brave!

There will also be music from Andy Miller.

As always: incredible poetry, live music, a friendly and cosy atmosphere and delicious cakes and other refreshments provided by Henderson’s!

The venue is Henderson’s at St John’s, Lothian Road, Edinburgh

7.45 pm to 10.00 pm
Sunday 24th February 2013
Bar from 7.15pm
Arrive early to nab a good seat!
Admission £5 / Concessions £3

If you would like to receive regular news about our poetry events, send e-mail to: newsletter (at) shorepoets.org.uk

Tell us you’re coming at our Facebook event! You can also join us at our Facebook group.

Readings by mainly Scottish poets
on the last Sunday of every month

Scottish Book Trust logo

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Dear Poetry Newbies: what’s the deal with poetry readings?

Monday, February 4th, 2013

microphone

A previous version of this post appeared at One Night Stanzas in September 2008.

If you write poems, or if you’re interested in poetry, chances are you’re aware of the phenomenon of live poetry readings at some level. However, many young poets – even if they’ve been writing for ages – are fairly clueless about these events (because getting up and reading your own words to a room full of strangers can seem like total insanity!). If you’ve never performed at a poetry reading, and if you’re unsure about what they entail, take a look at this list and get yourself involved! The sooner you start reading your poetry to audiences, the better: fact. Why? Because live readings = four major advantages!

One: Live readings build better poems.
Reading your poetry to an audience can be extremely helpful when it comes to developing your personal poetic voice. Sometimes, what works on the page does not necessarily work when read aloud, so a reading can help you polish up a piece that you previously felt was finished… always a good thing! Reading aloud – and observing the reactions of your audience – also helps you to ‘inhabit’ a poem more fully; you’ll be better able to judge whether the poem’s tone or mood ‘works,’ for example, or whether your audience are convinced by a particular character you portray or a story you tell. Audience members will often seek you out afterwards to tell you what they loved about your stuff, too – make sure you listen to this feedback, because it can be extremely helpful! And even if you can’t use your audience to judge a poem’s ‘performance’ quality, you’ll often see and hear the best and worst bits of your poems much more clearly when you have to take them from page to performance. Reading aloud builds better poems and so I’d always encourage you to do it – audience or no audience!

Two: Readings help you conquer the world.
Reading your poetry in public – particularly the first time – can be very nerve-wracking. It doesn’t matter if you’re a daredevil extreme sports junkie or a budding thespian in your spare time; you’ll probably still find the idea of presenting your personal poetic creations to a potentially critical audience fairly terrifying. BUT! Don’t let the nerves stop you from going ahead with it, because once you’ve felt and conquered that fear, you can probably find the confidence to do anything! If you can step up onto a stage and read your stuff to an audience, then chances are a school presentation or daunting job interview should be a walk in the park! Reading your work builds your confidence massively, and gains you serious respect! The first time is always a scary prospect, but there are ways around this fear.

Three: You get your name in lights!
OK, so maybe not in lights, necessarily, but you get your name “out there.” In poetry, unfortunately, a big part of being successful is knowing and being known by the right people, so getting involved at readings can be the best way to make an impression. Even at small open mic gigs, there’s a chance you might run into a local magazine editor or poetry blogger, who might well give you a positive write-up or even ask you for a submission of work. Readings are fantastic for networking so make an effort to chat to people… and who knows? You could meet a future agent, editor, writing partner or publisher!

Four: Readings provide the three essential Cs.
Constructive criticism, contacts, and craic, of course! As I mentioned in point one, after you’ve got up and given your all, chances are you’ll get people coming to tell you what they thought. Don’t worry! You’ll rarely hear anything negative – even if you don’t feel like you did very well, you can guarantee that there’ll still be people who’ll want to tell you “that was great.” And why would they lie? This positive feedback is great for building your confidence, and improving not only your future performances but also the poems themselves. If you’re feeling extra brave, you can even ask people for details. Which poem did they like in particular? Which one was weakest? Was there anything they’d have done differently? Listen carefully to the answers you get, even if you don’t act on them.
The ‘contacts’ part doesn’t just apply to the editors and agents I mentioned in point three, either. Obviously, the people you’re most likely to meet at poetry readings are other poets! These are people who are into the same stuff as you, doing the same thing as you (and, you never know, possibly just as nervous as you, too!)… get talking to them, listen to their work, get their feedback. That’s where the ‘craic’ part comes in!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Procrastination Station #119

Friday, February 1st, 2013

I am officially obsessed with the Life In Authoring tumblr. If you click nothing else in this post, click it!

I thought my words were spare and evocative and true
Little ominous blasts bursting from staccato notes.

I was really excited to see that one of my former creative writing students, the lovely Daniel Dowe, had a poem published recently by Bolts of Silk (whose praises I have sung here before)! Such a great poem, love the ending…

…and ONS’s good friend Kevin Cadwallender has a cool poem at Bolts of Silk, too!

I am LOVING Stephen Nelson’s new food-related concrete poems, especially the meat and toast ones!

On the whole poetry/fiction thing: if Olds is fibbing, and this is all a big scam, then she is capable of almost pathological imaginative empathy, and worth spending a lot of time over. Whether this is of the I-feel-your-pain species or the look-at-how-sad-I-might-be-maybe is trivial.

I always love Dave’s reviews, and he reviewed Sharon Olds’ recently-Eliot-Prize-winning collection, which I seriously wanted to read, and now seriously want to read even more. Great review.

My hand reached down her floss and then felt a soft touch of her labia majora while creeping through her pubic symphysis.

You think the Bad Sex Award nominees are bad? Check out this guy!

Ms Magazine have compiled a great list of 2012’s Best Poetry Books By Women. I’m basically making it an instant to-read list.

I tagged Helen McClory in my Next Big Thing post t’other day. Here’s her very intriguing response!

HELLO I WOULD LIKE TO LIVE IN ALL THESE HOUSES.

I hadn’t seen all of the latest lot of mystery Edinburgh book sculptures til now. The Treasure Island one is amazing!

Fuck Yeah Book Arts! has a great DIY section full of book-making tutorials!

Do you — like me — hate it when people misuse the word “literally”? If so, here are some hilarious examples from sports commentators. SO FUNNY/TERRIBLE. (Thanks, Billie!)

Maggi Gibson picked out her top 10 books for young feminists!

So, two things have been boiling my blood recently. The first is the whole Christian Ward plagiarism thing. I now can’t quite believe I gave Christian a platform here at ONS, and have since removed an interview he gave here, which was being quoted by a lot of news outlets covering the story. But there has been some interesting commentary on the issue. Paisley Rekdal’s open letter was furious, moving and wonderful, and I liked The Snarkist’s initially-flippant-but-actually-quite-incisive take.

The other thing that’s been boiling my blood? Suzanne Moore claiming that sane people rightly telling her she’s a transphobe = bullying mob, OMG!, and then just the entire the hot lemon-sucking mess that is Julie Burchill. I’m sure you’ve heard all about it and I sure as hell won’t link to La Burchill’s disgusting display of hate speech (still online in spite of the Observer’s retraction, btw). However, there’ve been some smashing responses. The best, for me, came from the freaking wonderful Laurie Penny, and the awe-inspiring Paris Lees. These are women who deserve your clicks, folks. Not a woman, but no less deserving, is Harry Giles, who also wrote a stellar response.

This slide-show of tattooed women through the ages is bloody excellent.

Did you guys see the Shetland ponies wearing cardigans? YOU MUST CLICK THIS.

Christopher Lee: better than you since 1922.

They’re a bit soap-box-y, and more than a little steely, but I kind of like these Rules To Live By.

Need cheering up? Tons of dog gifs. You’re welcome.

Also from Buzzfeed, the Funniest Autocorrects of 2012 made me howl with laughter.


Some brave folks respond to the Moore/Burchill BS.


Jane McGonigal is a freaking LEGEND.


The utterly wonderful Amanda Oaks made this spectacular video about hooping and healing. I love it.


I am also so loving this song lately.

Have a great weekend!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)