An earlier version of this post appeared at One Night Stanzas in September 2008.
When I was a just-starting-out poet, I used to avoid telling anyone what my hobby was. Why? Well, because whenever I told anyone, all I ever seemed to get was negativity and disbelief. (”You write poetry?! Why?!”) Later, I realised that people react this way because over the years, they have come to believe in a whole load of poetic untruths… strange myths that have built up around the craft of creative writing, and poetry in particular. You’ve probably encountered some of the poetry myths below, so read on to see how you can beat them.
1: All poetry is boring.
You hear this all the time, and OK, it’s partly right - yes, some poetry is boring. I mean, I’m of the view that even the most notoriously “dull” poets (even my less-than-favourite, Mr Keats) were and are still capable of producing brilliant work, but that’s beside the point. The point is that most poems - and I mean at least 85% of all published poems - are far from boring. Some poetry is interesting because it addresses an issue, some because it uses language, form, rhythm etc in original and fascinating ways. Some poetry is interesting because it’s funny, some because it’s experimental. Some poetry is interesting because it’s just plain bad (check out William McGonagall’s greatest work, for example - it’s gained a reputation for being a really good bad poem… if that makes sense). But no one will ever know how interesting poetry really is unless they get out there and read it. So here’s a challenge: go forth and read poems, until you find one - any one - that you think is really interesting, for whatever reason. Buy the book, copy the poem out, or print it. Next time someone says to you “why do you like poetry? It’s boring!”, show them your ‘interesting’ poem, and explain why you think it’s awesome. Hopefully, it’ll open their eyes a bit!
2: Poetry is difficult.
When people say this, what they generally mean is that they’ve found a lot of the poetry they’ve encountered hard to understand. This may well relate back to their English class experiences, where pupils are generally taught to break down and analyse a poem, rather than just enjoy it. When people don’t know any better, they assume all poetry has hidden layers which need to be ‘de-coded,’ and that poems are designed to be a challenge. I like to point the ‘poetry is difficult’ crowd in the direction of Philip Larkin’s “This Be The Verse” (warning: strong language!), because it’s one of the most plain-speaking poems I’ve ever come across… I mean, what’s difficult to understand about that?! You might also want to keep a straightforward, what-you-see-is-what-you-get poem to hand, so you can easily bust this myth when you hear it!
3: Poetry is full of “deep meanings” and stuff.
This one is really popular, and can be tricky to bust. Because poems are so strongly associated with this process of studying and analysing, people don’t realise that, when they’re written, they’re supposed to be like any other piece of art - something for the reader to enjoy, essentially. There are a lot of poets around today who deliberately write poems that require no ‘analysis’ whatsoever - ‘accessible’ poems, where you can take just about everything at face-value. (The most high-profile writer and promoter of ‘accessible’ verse is probably Billy Collins, who writes poems about smoking cigarettes, forgetting things and listening to “Three Blind Mice”, among other things!) But you don’t necessarily need to hunt out a simplistic, accessible poem in order to bust this myth - any poem can be interesting and enjoyable, whether you know its deeper meanings or not. T S Eliot’s epic The Waste Land is stuffed with weird references and metaphors. If you don’t know what some of them are, that certainly doesn’t make you stupid… but it also doesn’t make the poem a total dead loss either. It is fine to read poems simply in order to enjoy the weird and wonderful sounds, words and phrases they make (”The corpse you planted last year in your garden, / has it begun to sprout?” or “at the violet hour” or “what the thunder said”, for example), even if you have no idea about the meaning. A poem is supposed to be enjoyed, so don’t sweat it!
4: Poems aren’t relevant these days.
I’ll admit that when people say this, I generally want to stamp my feet and yell ‘no no no no no!’ at them. This is a blinding untruth - there are heaps of poems which are so relevant to today. In fact, there are poems which even transcend time and space (no, really) - they’ll still be relevant in a million years time!
Firstly, there are loads of poets out there who write about our world and its happenings as they are right now - even as they happen. There are hundreds of poems about major recent events, and loads of poets inventing new styles for the 21st century (how about poetry based on Google searches?!). There are also poems out there which have been around for decades or even centuries, and which can still speak for all of us when we need them to. The film Four Weddings and a Funeral used a poem by WH Auden (written in 1938) to express grief at a modern-day funeral, for example (simultaneously making it one of the most popular funeral poems around), and that’s only one example of thousands and thousands of poems that can still communicate with a 21st century audience, regardless of when they were written. And thanks to the internet and other resources, poetry is more accessible, experimental and relevant than ever before… fact!
5: Writing poetry is a waste of time, because you can’t make a career out of it.
Er… what? Yes you can make a career out of it… people do. OK, not millions of people, but still, it’s not impossible. And not many people make a career out of, say, playing hockey, or knitting, or skydiving… but some people do. And we still play hockey, knit, skydive, and do a million other things, even though we know we may not make a career out of any of them. Would you tell a bunch of guys playing football at the park that they should stop doing it because they’ll never make a career out of it? No - so why is poetry different? Why is poetry only worthwhile if it generates income?!
I can’t answer this question - but I can tell you that it is 100% OK to write poetry, regardless of your reasons. Maybe you need a theraputic outlet for your feelings; maybe, like many people, you just can’t not write. Maybe it’s just a hobby you have… or maybe you do eventually want to try and make a career out of writing. As long as you set realistic goals for yourself and don’t allow other people to pressure or distract you, writing poetry is as natural an activity as playing sport or driving a car or being a compulsive shopaholic. It is never a waste of time. Ever.
6: Writing poetry is “emo.”
Personally, I don’t tend to dignify this kind of thing with a response. It comes in two forms from two different types of people. One: those who reckon that anyone (of any age) who writes poetry must also be histrionic and hyper-sensitive, and two: those who think that any young person who writes poetry is a nitwit, because “youth poetry” is for some reason associated with sobbing goths writing in their journals. Both of these standpoints are equally ignorant and ill-informed.
Basically, saying all poetry is “emo” (whether you mean “emotional” or “to do with emo pop-culture”) is a massive generalisation… and it’s a meaningless one, too. It’s like saying writing poetry is “gay” (even more ignorant!) or, I don’t know… “tall.” Does everyone who falls into a certain category write poetry? Nope. Does everyone who writes poetry fall into the same category? Er, nope. Is applying daft made-up categories to poetry something only done by idiots? You decide.
7: All poems are about love or death.
Or nature. Or war. Or space travel. Or animals. Or ghosts. Or crazy made-up creatures in their own fantastical world. Busted? I think so!
8: Poetry is for old people.
I’ve had cheeky students say this to me a time or two, and, although it’s not quite what they meant, they are sort of right. Sadly, there are people out there in the poetry community who don’t see younger poets as ‘real’ poets… TS Eliot once said that you can’t be a serious writer until you are at least 25, and lot of people believed him.
Viewing age as a deciding factor in how good someone’s poems are is prejudice, plain and simple… it is NOT something you should pay attention to. Poetry is an artform that’s open to everyone - regardless of age, gender, sexuality, nationality or anything else. You do NOT need to be on the planet a quarter of a century before you can write a poem (or understand one). Anyone can write poetry and anyone can read it, and I’m convinced that there’s a poem out there to suit everyone… not just old people!
9: All poetry has to rhyme.
I think this myth is less common than it used to be, but you do still encounter people who genuinely believe that if it don’t rhyme, it aint poetry. People who say this are similar to those who say things like “poetry is just prose with line breaks” (though a bit less annoying), and, as with the “poetry is difficult” myth, the best way to bust this one is just to produce some examples. Find a poem you love that does not rhyme. Tell the myth-confused person in question why it’s a great piece of literature. If you have to, find a dictionary definition of ‘poetry‘ for them to go with it!
10: No one reads poetry anymore.
OK, I saved the best til last. People LOVE to do this whole “poetry is dead” speech. Martin Amis even went so far as to say that poetry had died, been buried and had its obituary written. It’s probably the most common myth you’ll encounter on your poetic travels - it’s all over the press, and spun out by just about every miserable, procrastinating writer under the sun at some point. But guess what… it’s not true!
Heaps of people still read poetry. People still buy it, listen to it, go and see it live. And I mean thousands of people. Problem is, a lot of them are all the same kind of people…
Poetry has not died, but it has become a bit enclosed. The people who still take an interest in it tend to be poets, editors or publishers themselves, or people involved with academia - students, tutors and other scholars. Your average bricklayer or bank manager or nurse doesn’t tend to read poetry too often… and why? Because of the other nine myths, of course! People really do believe them!
But it is possible to get more people reading poetry. One: read poetry yourself. Buy poetry books, go to poetry readings. It helps the poets, the publishers, and your own writing, so what’s to lose? Two: keep writing. The more poetry there is, the more choice there is; the more evidence to contradict the myths that poetry is difficult, limited, boring, etc. And three: introduce people you know to poetry. Got a friend who’s fed up at work? Find a short, funny poem and text it to them with a quick ’saw this and thought of you.’ Email your partner a daft love poem. Make up a print-out of a load of your favourite poems as a present for someone you know. Write a poem to scribble in your granny’s birthday card. Hold a poetry reading in your living room and get all your friends to bring a poem each - be it one they wrote, or just one they like. Test people - ask them if they think these myths are true, and be prepared to bust any they say ‘yes’ to. You have the power to poem-ify people’s lives… just squash the myths!
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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!
(Photo credit)
September’s Shore Poet is Angela McSeveney. Angela’s first collection of poems, Coming Out With It, was published in 1992, after she received advice and encouragement from fellow writers Liz Lochhead and Ron Butlin. She has since published several other books of poetry, the most recent of which, Slaughtering Beetroot, was produced by Mariscat Press in 2008.
