Posts Tagged ‘readings’

Where is Claire?: talks, readings, happenings for Spring 2014

Saturday, February 1st, 2014

Happy Birthday, Allen Ginsberg!

OK, it’s not quite Spring yet, but I am trying to be optimistic.
I’m doing some events, and I would like you to come to them, because it seems no matter how many readings etc I undertake, I still get deathly afraid at every single one. So please come to some of these Things and make me feel better.

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Greenlight presents New Scotland: New Culture?
Friday 7th February at Summerhall, 7pm. £5 and ticketed

“What is the role of culture in Scotland, now and in the future?
What can politicians and the state do to support culture and the arts while guaranteeing creative freedom?
As Scotland’s democracy evolves, should we seek to redefine what culture means in a national and international context?”
So, those are some big and scary questions, and I have been given a 15 minute TED-talk-style slot in which to try and answer them. Except erm, instead I am going to go slightly off-piste and talk about my personal favourite cultural issue: diversity and inclusion. I might also read a poem or two.
There will also be a bunch of other excellent speakers, who I imagine will stick to the brief a little better than me (sorry, everyone). There’ll also be music. And there’ll be Summerhall, which is always good. Please come along to this one, folks — my terror levels are significantly more elevated than usual for this event!

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Rally & Broad: And The Beat Goes On
Friday 21st February at The Counting House, 7.30pm. £5.

I’m pretty sure you already all know what the literary juggernaut that is Rally and Broad is all about. If you don’t, I’d like to know exactly where you’ve been hiding. Basically, it’s a massive monthly night of literary and musical delights; a cabaret-style set up showcasing some of the best creative talent from across Scotland and beyond. And if you only know one thing about it, you’ll know it’s hosted by Jenny Linsday and Rachel McCrum. From what I’ve seen on Flickr, they each wear a different fabulous frock every month and always look rather nifty.

I’m chuffed to have been asked to read at the February R&B, and I am already eyeing my wardrobe nervously, because what shall I wear?! More importantly, what shall I read, in order that I am not eclipsed by the very impressive humans appearing above me in the line-up?! Seriously, look at this — and then tell me you don’t want to be there. I’m pretty sure that’s the most EXCITING STUFF you can get for a fiver anywhere.

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Shore Poets: February
Sunday 23rd February at Henderson’s at St John’s, 7.15pm doors. £5 / £3 concessions.

OK, I am not performing at this one, but I will be floating around behind the scenes, supposedly helping out, but probably just being awkward and starstruck around the brilliant performers. This month, Shore Poets brings you the one-and-only William Letford, of whose work I am a major, major fangirl. Look him up on Youtube and see what I mean! And Mr Letford is only the start of it… we have not one but two headline poets this month, honorary Shore Poet Diana Hendry, and honorary Shore Poets president Stewart Conn. Both have brand spanking new books either just out, or coming very soon, so come along to hear (I assume) some exciting new work! On top of all this, we’ll be presenting the annual Mark Ogle Memorial Award, which this year went to the excellent Meg Bateman. AND there’ll be live music from The Whole Shebang, as well as our infamous lemon cake raffle. YOU can also read at this event, by bringing a poem, putting your name in the hat at the door, and then, if your lucky, getting picked for one of our two wildcard slots. Yep, you. Come along already!

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TenRed: April
Wednesday 2nd April at The Persevere Bar & Function Room, Leith, 7.30pm. £3.

Alright, I know this is still a little way away, but I am so excited that TenRed is back among us, and I’ve been asked to perform at it for the third time! April has a great line-up, which excitingly, includes Lovely Boyfriend (billed here as Stephen Welsh)! Never mind me, come and hear him. He barely ever performs anywhere, so take the opportunity to get a rare sighting! Look, there’s even a trailer:

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Photo by Chris Scott.

Like shiny things? Check out Edinburgh Vintage, a totally unrelated ’sister site’ full of jewels, treasures and trinkets. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Things I Love Thursday #78

Thursday, May 2nd, 2013

It’s been a busy week… so busy that last night I finally ran out of spoons and nearly burst into tears in a carpark, just because I was so, so tired. (Fortunately, Lovely Boyfriend was on hand to give me hugs, ply me with chips and pay for a taxi home.) However, it’s also been a totally amazing week. Here are just a few of the things I’ve been loving…

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Spring finally arriving (properly) in Edinburgh
I love Tollcross in the Spring… loads of daffodils everywhere, the Meadows two minutes away (so as soon as it feels even vaguely warm I can sprint outside to lounge), the Pine Tree Bakery smelling delicious… wonderful.

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Baking, of course
I recently discovered that the magical wonderland that is Real Foods stock frozen sour cherries, which basically made my LIFE. This week I baked the perfect (if I do say so myself) cherry pie, and Lovely Boyfriend and I got into Twin Peaks mode with pie and coffee.

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Hanging out in my sweet flat
Lovely Boyfriend and I are probably moving house soon… I don’t want to jinx it, because we haven’t signed on the dotted line yet, but we’re kinda sorta buying our own house. Oh my goodness. But as excited as I am to have my own place — do a ton of decorating and have a veggie garden (!) and get a dog (!!) — I am also a little sad to leave my crows-nest of a top floor flat in wonderful Tollcross. So I’ve been trying to appreciate it and enjoy it while I still have it. Thanks so much to Kate for making my living room look extra pretty this week!

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Ooh! New tattoo?
My half-sleeve is finally totally 100% healed, which means it’s finally photogenic! This is obviously only a section of it, as it wraps most of the way round my arm, but you get the gist! It’s a psychedelically-coloured Oliver No.9 typewriter with the words O beautiful Garbo of my karma spiralling up from it on an On-The-Road-style scroll. The words are from Allen Ginsberg’s Kaddish, which is a contender for my all-time favourite poem ever.

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Hanging out in the Forest Cafe
Forest, I shall miss you too when I move away! (Don’t worry, I’ll still visit for sure.) Pretty much the absolute best place for people watching in the whole of Edinburgh. Also, cool murals with dragons in them.

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Packed poetry readings
The first photo here is of the lovely Louise Peterkin, reading at the Shore Poets Open Night. She was absolutely brilliant, in spite of major technical difficulties, and as you can see, the audience is rapt! The second photo is my all-time favourite, Scotland’s most underrated poet (seriously), the great McGuire, bringing the awesome at the last ever Ten Red.

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My students
Often puzzling, occasionally aggravating, generally excellent. Some of them (I don’t know which) stole this sign, which reads IN HERE FOR HIGHER ENGLISH EVENING CLASS, and placed it on the janitor’s cupboard door. Those pesky kids…

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Filming for Making It Home
But the very, very best thing about my week was this: going out on set with some of the amazing participants from my poetry/film group at Women Supporting Women, to help them on their first ever filming session for Making It Home. We spent roughly five hours together, mostly on the beach under the most incredible volcanic sky, and I’ve never been so proud in my life. They were so confident and able, and such a great team — hard to believe that only a handful of months ago these women were intimidated by an Edwin Morgan poem! I felt like a bumbling idiot as I shuffled along in their extremely professional wake, mostly holding stuff! But so inspired and so, so proud.
There’s still a tiny bit of time left in our fundraising campaign, too: if you want to help these women to translate their experiences into a book that we can give out to the public for free and share their incredible journey, then please click here. Watch our video (bonus! derp-y shots of me), read about what we do, spread the word and, if you can, donate. I’ll love you forever!

What have YOU been loving this week?

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Budding writer? Creative person in need of a fun job? Check out the various resources and services at Bookworm Tutors. Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Want to go to a poetry reading? Shore Poets February is nearly here!

Friday, February 8th, 2013

Follon,%20Cheryl%20by%20Gerry%20Cambridge
Cheryl Follon. Photo by Gerry Cambridge

SHORE POETS: FEBRUARY
Henderson’s at St John’s, Lothian Road, Edinburgh
7.45 pm to 10.00 pm
Sunday 24th February 2013

Bar from 7.15pm
Admission £5 / Concessions £3

You’ve already read our recent news — now it’s time for our latest event. This month, our headline reader is Cheryl Follon.

Cheryl Follon was born in Ayrshire, where she grew up. She studied Law and then English and Scottish Literature at Glasgow University before taking an MPhil in Creative Writing at Trinity College Dublin, and now teaches at a college of further education in Glasgow. She has received two writer’s bursaries from the Scottish Arts Council, and has published two collections with Bloodaxe, All Your Talk (2004) and Dirty Looks (2010). Her essay on the Mojave desert was shortlisted for the Shiva Naipaul Memorial Prize for travel writing in 2012. (via)

Here’s an extract from Cheryl’s poem, Dinner. You can read the whole thing at the Scottish Poetry Library website.

As you shucked the last oysters
onto your side plate
and ordered a lemon ice

I found myself in the guise of a large beetle
down amongst the spilt salt grains
and your slim-line after-dinner cigarettes.

I was a swarm of fifty thousand bees
floating up towards the Venus de Milo
and the damp patches on the ceiling.

miriamg and christinedl

Also on our bill for February are new poet Miriam Gamble, and Shore Poet Chrstine de Luca.

In addition, we’ll also be presenting the 2013 Mark Ogle Memorial Award to Anna Crowe, for her poem “Swallows”. The award is given in February to one of the new or headline poets from our previous season’s events. They are selected and commissioned by the Shore Poets to create a poem for the award. Previous winners include Tom Pow, Frances Leviston and Elizabeth Burns. We’re delighted to be welcoming Anna to the event this month!

Remember, we’ve also introduced a Shore Poets wildcard slot, an idea we’ve borrowed from poetry slams. Basically, if you think you’d fancy reading at Shore Poets, all you have to do is come along and stick you name in the hat when you pay at the door. One name will be drawn, and that person gets to read one poem / for three minutes (no running over!) at the start of the night. Go on… be brave!

There will also be music from Andy Miller.

As always: incredible poetry, live music, a friendly and cosy atmosphere and delicious cakes and other refreshments provided by Henderson’s!

The venue is Henderson’s at St John’s, Lothian Road, Edinburgh

7.45 pm to 10.00 pm
Sunday 24th February 2013
Bar from 7.15pm
Arrive early to nab a good seat!
Admission £5 / Concessions £3

If you would like to receive regular news about our poetry events, send e-mail to: newsletter (at) shorepoets.org.uk

Tell us you’re coming at our Facebook event! You can also join us at our Facebook group.

Readings by mainly Scottish poets
on the last Sunday of every month

Scottish Book Trust logo

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

Dear Poetry Newbies: what’s the deal with poetry readings?

Monday, February 4th, 2013

microphone

A previous version of this post appeared at One Night Stanzas in September 2008.

If you write poems, or if you’re interested in poetry, chances are you’re aware of the phenomenon of live poetry readings at some level. However, many young poets – even if they’ve been writing for ages – are fairly clueless about these events (because getting up and reading your own words to a room full of strangers can seem like total insanity!). If you’ve never performed at a poetry reading, and if you’re unsure about what they entail, take a look at this list and get yourself involved! The sooner you start reading your poetry to audiences, the better: fact. Why? Because live readings = four major advantages!

One: Live readings build better poems.
Reading your poetry to an audience can be extremely helpful when it comes to developing your personal poetic voice. Sometimes, what works on the page does not necessarily work when read aloud, so a reading can help you polish up a piece that you previously felt was finished… always a good thing! Reading aloud – and observing the reactions of your audience – also helps you to ‘inhabit’ a poem more fully; you’ll be better able to judge whether the poem’s tone or mood ‘works,’ for example, or whether your audience are convinced by a particular character you portray or a story you tell. Audience members will often seek you out afterwards to tell you what they loved about your stuff, too – make sure you listen to this feedback, because it can be extremely helpful! And even if you can’t use your audience to judge a poem’s ‘performance’ quality, you’ll often see and hear the best and worst bits of your poems much more clearly when you have to take them from page to performance. Reading aloud builds better poems and so I’d always encourage you to do it – audience or no audience!

Two: Readings help you conquer the world.
Reading your poetry in public – particularly the first time – can be very nerve-wracking. It doesn’t matter if you’re a daredevil extreme sports junkie or a budding thespian in your spare time; you’ll probably still find the idea of presenting your personal poetic creations to a potentially critical audience fairly terrifying. BUT! Don’t let the nerves stop you from going ahead with it, because once you’ve felt and conquered that fear, you can probably find the confidence to do anything! If you can step up onto a stage and read your stuff to an audience, then chances are a school presentation or daunting job interview should be a walk in the park! Reading your work builds your confidence massively, and gains you serious respect! The first time is always a scary prospect, but there are ways around this fear.

Three: You get your name in lights!
OK, so maybe not in lights, necessarily, but you get your name “out there.” In poetry, unfortunately, a big part of being successful is knowing and being known by the right people, so getting involved at readings can be the best way to make an impression. Even at small open mic gigs, there’s a chance you might run into a local magazine editor or poetry blogger, who might well give you a positive write-up or even ask you for a submission of work. Readings are fantastic for networking so make an effort to chat to people… and who knows? You could meet a future agent, editor, writing partner or publisher!

Four: Readings provide the three essential Cs.
Constructive criticism, contacts, and craic, of course! As I mentioned in point one, after you’ve got up and given your all, chances are you’ll get people coming to tell you what they thought. Don’t worry! You’ll rarely hear anything negative – even if you don’t feel like you did very well, you can guarantee that there’ll still be people who’ll want to tell you “that was great.” And why would they lie? This positive feedback is great for building your confidence, and improving not only your future performances but also the poems themselves. If you’re feeling extra brave, you can even ask people for details. Which poem did they like in particular? Which one was weakest? Was there anything they’d have done differently? Listen carefully to the answers you get, even if you don’t act on them.
The ‘contacts’ part doesn’t just apply to the editors and agents I mentioned in point three, either. Obviously, the people you’re most likely to meet at poetry readings are other poets! These are people who are into the same stuff as you, doing the same thing as you (and, you never know, possibly just as nervous as you, too!)… get talking to them, listen to their work, get their feedback. That’s where the ‘craic’ part comes in!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)

Check the ill Q&A behaviour

Wednesday, September 5th, 2012

366 - 350: You can't shut me up

I’ve been to a whole load of readings and other author events this Festival – avoiding as I am every aspect of the white, male, thirty-something, rape-joke-cracking comedy side of things. And although I’ve had a creeping sense of this for a while, this Festival season it has really struck me just how badly people behave in post-reading Q&A sessions.
It’s got to the point where, on the rare occasions that the event’s chair announces that there will not be a Q&A session afterwards, I feel a palpable surge of relief. You’d think that good behaviour – particularly at a set-up as supposedly erudite as the Edinburgh International Book Festival – would be a no-brainer. But apparently not – it’s more likely to be a free-for-all of terribleness. Therefore, let me share with you my no-shit-Sherlock rules for good Q&A behaviour, wherein I will also share some of the horrors I have been [un]fortunate enough to witness.

1. It’s a Q&A… so ask a damn question
The clue to this one’s in the name, folks – question and answer. Seems straightforward, right? And yet, the most commonplace Q&A sin is most definitely Question Fail. The non-question usually comes from someone whose hand shoots up in a Donkey-from-Shrek gesture. And you can tell as soon as they start that there is no question at the end of their faltering verbal rainbow. They start with “I’d just like to say…”, or “Isn’t it interesting how…”, or sometimes “You’ve just got me thinking about…” And after a while it becomes apparent that they don’t actually want to ask anything. The speaker nods politely along, perhaps trying to engineer a possible response in spite of the fact that the non-questioner doesn’t really want one. The non-questioner just wants the microphone. And yaknow, we’ve all paid ten quid for the privilege of hearing from the speaker. Please ask them something so they can say interesting things to us!

2. It’s not all about you.
A greater awareness that there are other people in the audience would serve a lot of questioners well in general. I’m speaking now of those people – some of whom have real questions and some of whom don’t – who see the Q&A session as an opportunity for them to have a private one-to-one conversation with the speaker. They ask a (non-)question, the speaker responds, and then instead of surrendering the slippery, sweaty roving mic to the next eager hand-waver, they respond back – sometimes numerous times and often at length. Admittedly, there are some event chairs who won’t allow this sort of behaviour and who will attempt to head these me-me-me types off at the pass. But this is Blighty after all, and many chairs and speakers will simply nod politely as the precious seconds of the often-too-brief Q&A tick by. Again: dude, I have spent a whole piece of paper money to come to this event. I did not spend that money so I could hear you chat about how much you liked the voice-acting in Brave (this really happened) with a speaker whose topic had absolutely nothing whatsoever to do with Pixar’s totally-not-a-princess-movie. Please be quiet now. (Although yes, Brave is great. Just not now.)

3. ’splaining is never acceptable…
…especially when you are talking to someone who is an expert in their field. Seriously: I can never understand folks who’ll wait until the speaker has finished unpacking years of research on a subject obviously close to their hearts before reaching for the mic and saying “actually, x is totally untrue! I read an article about it in the Telegraph!” Some cases in point: Marina Warner is one of the world’s greatest and most knowledgeable scholars of myth and folklore. She’s been publishing on the subject since the mid seventies. What this woman doesn’t know about folklore doesn’t exist. And yet, at the end of Warner’s brilliant lecture at the Book Festival, a woman raised her hand to say, “I don’t know if you realise this, Marina, but Scotland has a very vibrant culture of folklore and storytelling!” Dude. It’s Marina freaking Warner. I guarantee you she knows.
I witnessed another example of ’splaining at Alice Oswald’s truly incredible Book Festival reading. There was no Q&A session, but punters were encouraged to bring questions to Oswald during the signing. The signing queue was huge, it was 10pm and poor old Alice had just read non-stop from memory for an hour and twenty minutes. Needless to say, she was obviously exhausted. And yet, a bloke in the signing queue in front of me had no qualms about stepping up to the table to tell her all about the good old days of his own Homeric studies as an undergrad at Oxford, and by the way, did she know x and y about Homer? The woman is an expert, man! She knows.
Finally – and I really thought that in terms of ’splaining, by now I’d seen it all – at Andrew Keen’s Book Festival event, a truly ’splain-tastic gentleman spoke up at the back. Keen had just finished discussing the possible dangers of social networking for young people, a subject that his two nonfiction works have examined at length. After slagging both books horribly (and I’ll return to this in a moment), the gentleman pointed out that, “according to studies” (BECAUSE OF REASONS!), young people are highly responsible users of social media and only ever ‘friend’ people they definitely know IRL. He actually said, his white beard shuddering with indignation, “I know how young people behave, and you’ve got them completely wrong.” As a young person myself (who has nearly 2,000 Twitter followers and not a clue who most of them are), and a FE lecturer who teaches over 150 young ’uns a year (all of whom talk about “some random on my Facebook,” etc), I must say to you, sir: you are embarrassing yourself.
Everyone else: please do not be this person.

4. Do not slag the book.
I’ve witnessed this more times than I care to mention, yet I still do not understand the logic. Before the white-bearded ’splainer above began telling everyone in Edinburgh all about How Young People Behave, he first launched a massive tirade against the speaker, his books, and everything he stood for. He began with, and I quote, “I read your first book and frankly I thought it was a shoddy piece of work” (cue a lot of booing and hissing-through-teeth from the audience), before adding, “and I totally disagree with everything you say in this new book!” Happily, Andrew Keen is a long-time Silicone Valley insider, and about as hard-boiled a speaker as you get at the Book Fest, so without batting an eyelid he responded, “so you’ve read the new book, then?” When Beardy McSplain had to admit that he had not, Keen continued, “well, you’re not putting yourself in a desperately credible position, then, are you?”
However, I have seen authors panic in the face of their book being wantonly slagged in the Q&A. In an event at the Book Fest last year, the author – who I won’t name – faced a screeching elderly woman in the front row telling her that In My Day Women Like You Would Have Been Called Lazy Sluts, or words to that effect. The poor woman was just open-mouthed with shock, as were the audience.
The reason I don’t understand people who publicly attack the book (or the author) is not because I think the authors shouldn’t have to deal with it. Personally, I see hecklers as part of the public reading territory and almost relish the challenge they provide (I’ve never been called a lazy slut, though, I suppose). No, the reason I don’t understand it is this: if you hate this person and all that they write about/stand for so much, why the everloving hell have you spent ten whole pounds to come to their event? That’s two and a half pints, or a good novel, or four copies of the Big Issue! Folks – do everyone in the world a favour, stay home and give that money to a deserving charity.

5. Wait to be asked.
Just a piece of common courtesy, this. I was at an International Festival event the other day – a panel discussion featuring three academics and the chair. It became clear towards the end that the chair was trying to wrap things up for questions, but before she had even finished speaking, an extremely rude man in the front row threw out his arms towards the panel and boomed, “SO LET ME ASK YOU THIS, THEN…” Happily, the chair cut in and demanded that a) be quiet until she was done and b) he wait for the roving mic (although he really didn’t need it) – but even so, I was gobsmacked. I mean, I’ve asked questions in Q&As before – I do so quite regularly – but there is no way in hell I would ever take it upon myself to decide that I was sick of listening now and HEY LISTEN TO ME INSTEAD! Ladies and gents – be nice. Wait til you’re asked. This is the literary world, we’re civilised here! Aren’t we…?

Right – now I want to hear your horror stories. I know you’ve got them! Have you come across someone even worse than Beardy McSplain? Tell me in the comments box!

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You can also visit Read This Press for more poetry (and typewriter paraphernalia!). Alternatively, check out Edinburgh Vintage, our sister site. If you want to get in touch you can follow OneNightStanzas on Twitter, or email claire[at]onenightstanzas.com. I reply as swiftly as I can!

(Photo credit)